BIBLIOGRAPHY

Monographic publications

Exh.cat. Ceal Floyer, X-rummet, Statens Museum for Kunst, Copenhagen, 2002.
Exh.cat. Ceal Floyer, IKON Gallery, Birmingham, 2001.
Exh.cat. Ceal Floyer, Kunsthalle Bern, Bern, 1999.
Exh.cat. Ceal Floyer, Künstlerhaus Bethanien, Berlin, 1997.

Publications

Exh.cat. Draw, Middlesbrough Institue of Modern Art/Middlesbroubh Council, 2007
Exh.cat. d’ombra, Palazzzo delle Papess, Siena,  MAN_Museo d’Arte della Provincia di
  Nuoro, Silvana Editoriale Spa, Milano, 2006
Exh.cat. The invisible Show, MARCO, Museo de Arte Contemporána de Vigo, Centro José
  Guerro, Granada, 2006
What’s new pussycat?, Museum Für Moderne Kunst, Frankfurt am Main, Verlag für
moderner Kunst Nürnberg, 2006
Exh.cat. Nam June Paik Award 2006, Revolver, Frankfurt a.M., 2006.
Exh.cat. Artificial Light, VCUarts Anderson Gallery, Richmond, 2006.
Exh.cat. Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Hatje Cantz Verlag, Ostfildern, 2006.
In/visible,Collection, Production, Frac Lorraine, jrp ringier, Zürich, 2006.

Beauty So Difficult, Fondazione Stelline, Milano, 2005.
Exh.cat. Snow White and the Seven Dwarfs, Fundacion Marcelino Botin, Santander, 2005.
Daumenkino: The Flip Book Show, Snoeck, Cologne, 2005.
Slide Show, Tate Publishing, London, 2005.

Turbulenz, Portikus Projekte 2001-2004, Portikus Frankfurt am Main, 2004.
Exh.cat. Was ist in meiner Wohnung wenn ich nicht da bin?, Chodowieckistr 34, Berlin,
Revolver Verlag, 2004.
Exh.cat. Around the Corner, Christina Guerra Contemporary Art, Lisboa, 2004.
Schöner Wohnen, Centre for Contemporary Art, Waregem, 2004.

Exh.cat. Spiritus, Magasin 3, Richard Julin & Magnus af Petersens, Stockholm, 2003.

Colour White, De La Warr Pavilion, Bexhill on Sea, 2002.
Grosenick, Uta and Riemschneider, Burkhard, Art Now, Taschen, Cologne, 2002.
Tempo, The Museum of Modern Art, New York, 2002.
poT, The Liverpool Biennial of Contemporary Art, Liverpool, 2002.

Exh.cat. Nothing, Northern Gallery for Contemporary Art, Sunderland, Contemporary Art
  Centre, Vilnius, Rooseum-Centre for Contemporary Art, Malmö, Birkhäuser, Basel, 2001.
Exh.cat. Action, we’re filming, Villa Arson, Nice, 2001.
Loop – Alles auf Anfang, PS1, New York and Kunsthalle der Hypo-Kulturstiftung, Munich, 2001.
From Arkhipov to Zittel; Selected Ikon Off-site Projects, IKON Gallery, Birmingham, 2001.

Exh.cat. Quotidiana, Castello di Rivoli, Torino, 2000.
Edit, Badischer Kunstverein, Karlsruhe, 2000 (Artists pages in the exh.cat.).
Crossroads, Artists in Berlin, Sala de Exposiciones de Plaza de Espagna, Madrid, 2000.
Exh.cat. The British Art Show 5, Arts Council Collection and Hayward Gallery, Cornerhouse, London, 2000.
Exh.cat. MediaCity Seoul 2000, Seoul Metropolitan Museum, Seoul, 2000.

Exh.cat. Peace, Museum für Gegenwartskunst, Zurich, 1999.

Seamless, De Appel Foundation, Amsterdam, 1998.
Real/Life: New British Art, The Asahi Shimbun, Tokyo, 1998.
Drawing Itself, London Institute Gallery, London, 1998.
Exh.cat. Every Day, 11th Biennale of Sydney, Sydney, 1998.
Exh.cat. Zeitgenössische Skulptur Europa - Afrika, 7. Triennale der Kleinplastik, Cantz,
  Ostfildern-Ruit, 1998.
Cream: contemporary art in culture, 10 curators, 10 writers, 100 artists, Ceal Floyer,
  Phaidon Press, London, 1998.
Milano Europa 2000: the end of the century. The seeds of the future, Electa, Milan, 1998.

Exh.cat. Treasure Island, Calouste Gulbenkian Foundation, Lisboa, 1997.
Exh.cat. Urban Legends - London, Staatliche Kunsthalle, Baden-Baden, 1997.
Exh.cat. You Are Here, Royal College of Art, London, 1997.
Exh.cat. Projects, Irish Museum of Modern Art, Dublin, 1997.
Hyperfoto, No.3-4, 1997 (artist pages).
Dimensions Variable, British Council, 1997.

Exh.cat. The British Art Show 4 South Bank Centre, 1996.
untitled artists’ book, Imprint 93, London, 1996.
Exh.cat. Artisti britannici a Roma, British Council, London, 1996.
Exh.cat. Slide Show, Tramway Project Room, Glasgow, 1996.
Exh.cat, Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris, 1996.

Exh.cat, Freddy Contreras/Ceal Floyer, The Showroom, London, 1995.
Smith’s Magazine (artist’s page), Goldsmiths College, London, 1995.
General Release: Young British Artists at Scuola di San Pasquale (artist’s page)
  British Council, London, 1995.
Orientation: The Vision of Art in a Paradoxical World (exh. cat.), 4th Istanbul Biennale,
Istanbul, 1995.

The City of Dreadful Night, artist’s project, Rear Window at Atlantis Lower Gallery, London,
  1994.

Articles and Reviews

Heydebreck, Amélie, “Ceal Floyer”, Monopol Nr. 1/2007, p. 92
Dietrich, Nicola, „Berlin braucht Zeitvertreib“, Monopol Nr. 1/2007, p. 41
‘Artificial Light’, at the Right Comfort Level’, The Washington Post, 27.12.2006, p. C4.
Colin, Anna, ‘Ceal Floyer, Recurrence and Repetition’, Artpress 2, Agust-September 2006,
  pp. 96-97.
Demos, T.J., ‘Ceal Floyer’ (review), Artforum, XLV no. 1, September 2006, p. 393.
Eichler, Dominic, ‘Ceal Floyer’ (review), Frieze Issue 96, January-February 2006, p. 155.

de Ruyter, Thibaut, ‘Ceal Floyer’ (review), Art Press, no. 317, November 2005.
Scharrer, Eva, ‘Ceal Floyer’ (review), critics picks, www.artforum.com.
Rodriguez, Gabriel, ‘En los limites de lo siniestro’, El Diario, Santander, 10.05.2005, p. 86.
Revuelta, Laura, ‘Blancanieves Sin Los Siete Enanitos’, ABC, Madrid, 30.04.2005, pp. 32
  -34.

Nick Crowe, ‘Bandwagon Jumping’, Art Monthly, No. 262, December-January 2003,
  pp. 35-36.
Liutauras Psibilskis, ‘Ceal Floyer’, Artforum, May 2003, p.181.
Prince, Mark, ‘Feint Art’, Art Monthly, No. 267, June 2003, p.3.
Hartlieb, Carola, ‘Ceal Floyer und Spencer Finch im Frankfurter Portikus’, www.art-in.de,
  05.11, 2003.

Wilson, Michael, ‘Loop’, Art Monthly, No. 253, February 2002.
Griffin, Tim, ‘Circular logic, P.S. 1 throws viewers for a Loop’, Time out, 17-24.01.2002, p.
  55.
Wise, Sarah, ‘Mighty white’, The Guardian, 11.05.2002, p. 5.
Bishop, Claire, ‘Gags for a switched on crowd’, Evening Standard, 10.05.2002, p. 35.
‘Ceal Floyer Lisson Gallery’, The Art Newspaper, No. 126, June 2002, p. 14.
Lubbock, Tom, ‘Ceal Floyer’, The Independent, 11.05.2002.
‘Floyer Power’, Footloose, 8.05.2002.
McEwen, John, ‘Painting is still not dead’, The Sunday Telegraph, 19.05.2002.
Art Review, May 2002, p. 26.
Lubbock, Tom, ‘The Five Best Shows in London’, The Independent, 25.05.2002.
Campbell-Johnston, Rachel, ‘A space inveigler’, The Times, 06.05.2002, p. 19.
Chapman, Peter, ‘Ceal Floyer’, The Independent, 15.06.2002, p. 16.
Campbell-Johnston, Rachel, ‘Dot newcomer’, Tatler, London, June 2002, p. 55.
‘Ceal Floyer’, Blue Print, June 2002.
‘Ceal Floyer’, The Independent, 25.05.2002.
‘Ideas flutter in the ether’, Hampstead & Highgate Express, 24.05.2002.
‘Exploring a platonic relationship with art’, Metro, 08.05.2002.
‘Ceal Floyer’, Hot Tickets, 03.05.2002.
‘Ceal Floyer’, Times, 04.05.2002.
‘Ceal Floyer’, What’s On in London, 29.05.2002, p. 24.
Jones, Jonathan, ‘Ceal Floyer’, Guardian, 18.05.2002.
Marylebone & Paddington Mercury, 13.06.2002.
Hot Tickets, 28.06.2002.
Hot Tickets, 21.06.200.2
The Independent, 22.06.2002.
Malvern, Jack, ‘Empty bin bag wins £30,000 art prize’, The Times, 18.10.2002, p. 8.
Reynolds, Nigel, ‘Art or rubbish? Bin creator scoops £30,000’, Daily Telegraph, 18.10.2002,
  p. 10.
Stange, Raimar, ‘Art Light’, Kunst-Bulletin, October 2002, pp. 34-39.
‘In the Frame’, RA, No. 77, Winter 2002, p. 21.
Sumpter, Helen, ‘Commercial Spaces. Ceal Floyer’, Hot Tickets, 14.06.2002.
Herbert, Martin, ‘Ceal Floyer’, Time Out, 12.06.2002.
‘Ceal Floyer’, The Independent, 01.06.2002.

RW, City Racing 1988-1998: A Partial Account, Artforum, January, 2001, p. 55.
Musgrave, David, ‘Ceal Floyer’, Art Monthly, March 2001, pp. 45-46.
Esche, Charles and Lewis, Mark, Afterall, Issue 3, 2001, pp. 5-7.
Floyer, Ceal, ‘Three Pages 2000’, Afterall, Issue 3, 2001, pp. 104-6.
Lewisohn, Cedar, ‘Ceal Floyer’, Flash Art, March-April 2001, pp. 116-117.
Clark, Robert, ‘Ceal Floyer’, The Guardian, 12.02.2001.
McLaren, Duncan, ‘How I became a mouse for a moment and joined an artwork’,
Independent on Sunday, 04.03.2001.
Sumpter, Helen, ‘the perfect snack’, i-D magazine, March 2001.
RC, ‘Ceal Floyer’, The Guardian Guide, 03.02.2001.
‘Ceal Floyer’, The Times: Play, 03.03.2001.
Safe, Emma, ‘Ceal Floyer’, Metro (West Midlands), 07.02.2001.
‘Ceal Floyer’, Make, March-May, 2001.
Art Review, February, 2001.
The Guardian: G2, 19.03.2001.
McEwen, John, The Sunday Telegraph, 04.03.2001.
Mahoney, Elizabeth, ‘Mirror’s Edge’, Art Monthly, Issue 245, April 2001.
Cowan, Amber, ‘Nationwide Choice: Mirror’s Edge’, The Times, 10.03.2001.
Monaghan, Helen, ‘Mirror’s Edge’, The List, 01.03.2001.
Mahoney, Elizabeth, ‘Mirror’s Edge’, The Guardian, 05.03.2001.
Jeffrey, Moira, ‘Shape of things to come’, Sunday Herald, 04.03.2001.
Caoimhín Mac, Giolla Léith, ‘Ceal Floyer’, Artforum, April 2001, p. 150.
Safe, Emma, ‘Ceal Floyer’, Contemporary Visual Arts, Issue 34, 2001, p. 64.
Usherwood, Paul, ‘Nothing’, Art Monthly, June 2001, pp. 33-34.
Wainwright, Jean, ‘Can we talk about contemporary video and film art in terms of genres?’,
  pLUK, September-October 2001, pp. 28-41.
Carlos, Isabel, ‘Squatters’, Flash Art, No. 220, October 2001, p. 99.
Rosenberg, Angela ‘Ceal Floyer’, artist Kunstmagazin, No. 49, 2001.

C.B., ‘Lisson Video Show’, Flash Art Inernational, Summer 2000, p. 53.
Gorucheva, Tanya, ‘This Other World of Ours’, Flash Art, January-February 2000, p. 62 .
Israel, Nico, ‘Ceal Floyer’, Artforum, February 2000, pp. 119-120.
Kontova, Helena, ‘Mirror’s Edge, An Interview with Curator Okwui Enwezor’, Flash Art, March – April 2000, pp.100-102.
Packer, William, ‘Screening Time’, Financial Times, May 2000.
Rengli, Hans, ‘Die Englische Lust am Nichts’, Tages Anzeiger, Zurich, Oktober 27, 2000.
Ribi, Thomas, ‘Misstrauen am Sichtbaren’, Neue Zuericher Zeitung, Zurich, 03.11.2000.
Ericsson, Lars O., ‘Mirror’s Edge’, Art Forum, Summer 2000, p.177.
Schmitz, Edgar, ‘Warten’, Contemporary Visual Arts, issue 28, 2000, pp. 70-71.
‘Stockholm, Mirror’s Edge’, Flash Art, November-December 2000, p.62.
‘Pause and Reflect, the art world takes a look in the mirror’, Calendar, Vancouver,
  March, 2000.
Darwent, Charles, ‘Lisson Gallery @ 9 Kean Street’, Metro, 18.04.2000, p.18.
Campbell-Johnston, Rachel, ‘State of the art video’, The Times, 03.05.2000.
Vettese, Angela, ‘Passerella alla moda’, Il Sole - 24 ore, Italy, 24.05.2000, p.41.
Staple, Polly, ‘Video Show House’, Art Monthly, July-August 2000, pp.11-14.
Godfrey, Tony, London, ‘Roni Horn, Craigie Horsfield, and contemporary artists’ video’, Burlington Magazine, July 2000, pp.456-458          .
Schmitz, Edgar, A Shot in the Head, Kunstforum, October-December, 2000, pp.417-418.
Blom, Ina, ‘White Mischief’, nu: The Nordic Art Review, 2000, No. 5/00, pp.70-75.
‘100 Artists of the year 2000’, Very New Art 2000, www. bijutsu.co.jp, ¥2800E, Japan
Grabner, Michelle , ‘Jessica Hutchins and Pedro Velez’, Frieze, Issue 55, November-         
  December 2000, pp. 118-119.
Mathonnet, Phillipe, ‘Avec trois fois rien, Ceal Floyer cherche a suggerer infiniment plus’, Le Temps, Geneva, 03.11.2000.

de Ville, Nick, ‘Unfinished Business’, Contemporary visual arts, Issue 22, 1999, pp.54-58.
Barrett, David, ‘Richard Wentworth’s Thinking Aloud’, Frieze, Issue 45, 1999, pp.78-79.
Zoo, March, issue 1, p. 202.
Fortnum, Rebecca, ‘A slight intervention on the work of Elizabeth Wright and Ceal Floyer’,  
  Make, No. 83, March, 1999, pp. 26-27.
‘Talk and events’, Art Monthly, May, 1999, No. 226, p. 18.
Ammann, Rene, ‘Ceal Floyer’, Artforum, September 1999, p.62.
‘La Biennale di Liverpool: Tracce’, Flash Art, issue No. 218, September-October 1999, p. 61.
Liebmann, Lisa and Adams, Brooks, ‘A Summer Place’, Art in America, June 1999, pp. 100-
107.
Halle, Howard, ‘Ceal Floyer’, Time Out New York, , Issue 210, 30.09-07.10.1999.
Hilgenstock, Andrea, ‘Marina oder die Entdeckung der Zeit’, Die Rheinpfalz (Kultur), 15.12.1999.
Caoimhin Mac, Giolla Leith, ‘Liverpool Biennal Of Contemporary Art’, Art Forum, Special
  Issue ‘Best of the ‘90s’, December 1999, p.158.
Reardon, Valerie, ‘Trace’, Art Monthly, No. 231, November 1999, pp. 34.

Green, David, ‘Minimal interventions’, Contemporary Visual Arts, Issue 17, 1998, pp.18-25.
L.B, ‘Our choice of London Contemporary Galleries’, The Art Newspaper, No. 78, February  
  1998.
‘Ceal Floyer: Contact Print 1-24’, artist collaboration commissioned for Contemporary
  Visual Arts, Issue 21, 1998, pp. 67-68.
Musgrave, David, ‘The Last Show’, Art Monthly, No. 222, 1998-99, pp. 26-27.

Muller, Brian, ‘Ceal Floyer’, Flash Art, May-June 1997, p.116.
Freedman, Carl, ‘Generation W(eird)’, The Guardian, London, 27 May 1997.
Rondi, Joelle, ‘British Spring’, Artpress, No. 225, June 1997.
Worsdale, Godfrey, ‘Soundings: Ceal Floyer’, Artist’s Newsletter, June 1997, p. 25.
Batchelor, David, Freedman, Carl, ‘Living in a material world’, Frieze, Issue 53, June / July /
  August 1997, pp. 46-49.
Archer, Michael, ‘Ceal Floyer, City Racing’, Art Monthly, June 1997, pp. 32-33.
Kidd, Courtney, ‘Pictura Britannica’, Art Monthly, Issue 37, November / December 1997,    
  pp.33-34.
Muller, Brian, ‘Ceal Floyer: Seeing the light’, Contemporary Visual Arts, Issue 16, 1997, pp.
  48-53.
Collings, Matthew, ‘From Sydney to Stussy City’, Modern Painters, Vol.10, No. 4, 1997,
  pp.62-66.

Archer, Michael, ‘Reconsidering Conceptual Art’, Art Monthly, No. 193, February 1996.
Hall, James, ‘The British Art Show 4’, Art Forum, No. 214, June 1996.
Barrett, David, ‘Playing Dumb: David Barrett on Ceal Floyer’, Art Monthly, No. 193, February
  1996.
Barrett, David, ‘Kiss This’, Art Monthly, No. 195, April 1996.
Bickers, Patricia, ‘The Young Devils’, Art Press, No. 214, June, 1996.
Welsh, Paul, ‘Slide Show’, Art Review, June 1996.
McMillan, Ian, ‘The British Art Show’, Modern Painters, Vol. 9, No. 2, Summer, 1996.
Wilson, Andrew, ‘Life/Live’, Art Monthly, No. 201, November 1996.
Newman, Michael, ‘Conceptual Art from the 1960’s to the 1990’s: An unfinished project?’,
  Museum Journal, 1996.
Kyriacou, Sotiris, ‘The Rise and Rise of British Video’, Contemporary Visual Arts, Issue 14
  1996.

Norman, Geraldine, ‘Turning the Tide in Venice’, The Independent on Sunday, 12.03.1995.
Macdonald, Marianne, ‘Removal Art...’, The Independent, 25.04.1995.
Cork, Richard, ‘Mourning a little death in Venice’, The Times, 14.06.1995.
Feaver, William, ‘Don’t Look Now’, The Observer Review, 18.06.1995.
Kyriacou, Sotiris, Ceal Floyer/Freddy Contreras, Art Monthly, No. 187, June 1995.
Garlake, Margaret, ‘Adrift in Venice’, Art Monthly, No. 188, July/August 1995.
Archer, Micheal, ‘Home and Away’, Art Monthly, No. 188, July/August 1995.
Kyriacou, Sotiris, ‘Venetian Finds’, Artists Newsletter, August 1995.
Schwarzman, Allan, ‘Laguna Lacuna’, Art Forum, No. 1, September 1995.

Guha, Tania, ‘Making Mischief’, Time Out, London, 07-14.12.1994.
Barrett, David, ‘Making Mischief’, Art Monthly, No. 182, December / January 1994.
Kessler, Rob, ‘City of Dreadful Night’, Untitled, No. 7 1994.
Muller, Brian, ‘A Real Art’, Art Line, Vol. 6, No. 2, Winter 1994-95.

Lillington, David, ‘The Infanta of Castile’, Time Out, London, 02-09.1993
Garlake, Margaret, ‘From the Infanta to the Lemon’, Art Monthly, No. 168, July / August
  1993.

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