Intervallo | February 2026
] INTERVALLO [
Landscapes in-between
Koo Jeong A, Tobias Putrih, Tomás Saraceno
03.02.26 – 10.02.26
Pinksummer | Palazzo Ducale, Genova, Italia
During the break between Anna Scalfi Eghenter‘s first Pinksummer solo exhibition, Collectors Anonymous (October 4, 2025 – January 17, 2026) and Michael Beutler‘s third Pinksummer solo exhibition, Onion (February 14, 2026 – April 11, 2026), Pinksummer is pleased to announce the inaugural edition of INTERVALLO. Landscapes in-between, a special interim display featuring selected works from the Pinksummer archive.
In the February 2026 edition of INTERVALLO, Pinksummer will exhibit a selection of works by Koo Jeong A, Tobias Putrih, and Tomás Saraceno.
Press release (coming soon)
Images (coming soon)
03.02.26 – 10.02.26
Pinksummer | Palazzo Ducale, Genoa, Italy
THE ARTISTS
Koo Jeong A (b. 1967, Seoul, South Korea) lives and works everywhere. Her multidisciplinary practice encompasses sculpture, drawing, installation, sound, and scent, and is characterized by a poetic and sensorial language developed through the use of heterogeneous materials, minimal interventions, and a close attention to the temporal and spatial dimensions of the work. Koo Jeong A has exhibited at major international institutions such as the Palais de Tokyo in Paris, the Kunsthaus Graz, the Guggenheim Museum in New York, and the Leeum Samsung Museum of Art in Seoul, and has participated in numerous biennials, including Venice, Gwangju, and Lyon.
Tobias Putrih (1972, Kranj, Slovenia) lives and works between Ljubljana and New York. His work explores the relationships between architecture, modernist utopia, and visual culture through immersive installations often made with lightweight and ephemeral materials such as cardboard, paper, and wood. His temporary structures function as spaces for projection, reflection, and movement, questioning the boundaries between model, sculpture, and architecture. Tobias Putrih has exhibited at institutions such as MoMA in New York, Kunsthaus Graz, Moderna Museet in Stockholm, and the Van Abbemuseum in Eindhoven, and has also participated in international biennials including Venice and São Paulo.
Tomás Saraceno (1973, San Miguel de Tucumán, Argentina) lives and works in Berlin. His interdisciplinary practice combines art, science, and architecture, imagining new models of ecological and social coexistence inspired by natural structures such as spiderwebs, clouds, and atmospheric ecosystems. His monumental and often suspended installations invite us to rethink the authorship of art and the relationship between humans, nature, and animals. Tomás Saraceno has exhibited at international institutions such as the Palais de Tokyo in Paris, the Hamburger Bahnhof in Berlin, the MoMA in New York, and the Serpentine Galleries in London, and has participated in numerous editions of the Venice Biennale and other international events.