{"id":4816,"date":"2016-11-17T09:11:27","date_gmt":"2016-11-17T08:11:27","guid":{"rendered":"http:\/\/www.pinksummer.com\/?p=4816"},"modified":"2019-01-17T19:18:42","modified_gmt":"2019-01-17T18:18:42","slug":"italo-zuffi","status":"publish","type":"post","link":"https:\/\/www.pinksummer.com\/en\/italo-zuffi\/","title":{"rendered":"Italo Zuffi"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text]Italo Zuffi was born in Imola in 1969.<\/p>\n

Zuffi is a visual artist who uses performance and sculpture, text\u2010based work and video to create \u2018forms that do not arise from nothingness, as would the myth of the white page recommend; instead, these forms fit into the flow of existing things. [Zuffi] does not know where the train comes from or whither it goes, and he does not care \u2013 he just gets on it\u2019 (Nicolas Bourriaud, 2003).<\/p>\n

 <\/p>\n

EDUCATION<\/strong><\/p>\n

He studied at the Academy of Fine Arts of Bologna (Diploma in Painting, 1993), and at Central St Martins College of Art & Design, London (Master of Arts, 1997).
\nIn 2001 he was awarded the Wheatley Bequest Fellowship in Fine Art (Sculpture) at the Institute of Art & Design, School of Art, of Birmingham (GB).
\nHe is a PhDArts \u2018promovendi\u2019 at the University of Leiden (NL), Academy of Creative and Performing Arts.
\nSince 2011 he is a guest\u2010lecturer in performance at the Royal Academy of Art of The Hague (NL).
\nFor some time now, his thought has been drawn to concepts of competition and rustic faith.<\/p>\n

 <\/p>\n

SOLO EXHIBITIONS<\/h3>\n
2013<\/h5>\n

Gli ignari (The Unawares). Private house, Milano<\/p>\n

2012<\/h5>\n

La penultima assenza del corpo. Fondazione Pietro Rossini, Briosco<\/p>\n

2010<\/h5>\n

Zuffi, Italo. Pinksummer contemporary art, Genova<\/p>\n

2009<\/h5>\n

La seconda origine, curated by Riccardo Caldura. Galleria Contemporaneo, Mestre<\/p>\n

2008<\/h5>\n

Erased Palladio. Monotono, Vicenza<\/p>\n

2007<\/h5>\n

On The Rocks (with Flavio Favelli) curated by Antonio Grulli. Galleria Nicola Ricci, Pietrasanta
\nTaking No Sides By Side. Newman Popiashvili Gallery, New York<\/p>\n

2006<\/h5>\n

La nostra evoluzione \u00e8 qualche cosa di diverso. Francesco Pantaleone Arte Contemporanea, Palermo<\/p>\n

Uomo, luce. Fondazione Ado Furlan, Pordenone<\/p>\n

Fede rustica, curated by Davide Ferri. Museo Arredo Contemporaneo, Godo di Russi<\/p>\n

2005<\/h5>\n

Macchine per vedere (with Davide Rivalta) curated by Pier Luigi Tazzi. Fondazione Lanfranco Baldi, Pelago<\/p>\n

Shaking girl. CRAC Alsace (project room), Altkirch<\/p>\n

Progetto Per Un Esempio Crudele, curated by Lorenzo Benedetti. Volume!, Roma<\/p>\n

2004<\/h5>\n

Tout l\u2019amour de Meisenthal. Le 36, Strasbourg<\/p>\n

2003<\/h5>\n

Elegante e straniero. Galleria Continua, San Gimignano<\/p>\n

Shaking doors. Gallery Suite 106, New York<\/p>\n

2002<\/h5>\n

The mystery boy. Institute of Art & Design, School of Art, Birmingham<\/p>\n

2001<\/h5>\n

My wallpaper is cracking (with Guillaume Leblon) curated by Luca Cerizza. Sparwasser HQ, Berlin<\/p>\n

Relazione 1. Galerie Buchmann, K\u00f6ln<\/p>\n

Il caso seguente. Studio Massimo De Carlo, Milano<\/p>\n

2000<\/h5>\n

A causa della distanza. Viafarini, Milano<\/p>\n

Panoramica, curated by Roberto Daolio. Centro Culturale Paggeria 1, Sassuolo<\/p>\n

1999<\/h5>\n

Profilati, curated by Roberto Daolio. Chiostri di San Domenico, Imola<\/p>\n

\u00c8 tutto vero. Galleria Continua, San Gimignano<\/p>\n

Not wild enough. Perry\u2019s Motors, London<\/p>\n

Durata. Galleria Estro, Padova<\/p>\n

1998<\/h5>\n

Adesso mi sento a casa. Spazio d\u2019Arte Contemporanea Care Of, Cusano Milanino<\/p>\n

L\u2019ultimo ostacolo mentale. Galleria Neon, Bologna<\/p>\n

1996<\/h5>\n

No entry for dogs… and Italians! (with Davide Bertocchi). Moira, Utrecht<\/p>\n

La coppia felice insorge. Zone c\/o Graffio, Bologna<\/p>\n

 <\/p>\n

GROUP EXHIBITIONS<\/h3>\n

2014<\/h3>\n

La Pelle Symphony of Destruction, curated by Antonio Grulli and Codalunga. MAXXX \u2013 Project Space, Sierre<\/p>\n

Le statue calde, curated by Simone Menegoi. Museo Marino Marini, Firenze<\/p>\n

2013<\/h5>\n

Drive my car. OPENING Via Pola, Milan<\/p>\n

Italia Tropici, a 2\u2010day performance & contemporary theatre festival at Angelo Mai Altrove Occupato, Rome<\/p>\n

Il fascino discreto dell\u2019oggetto. Figura 2: Natura Morta, curated by Ilaria Gianni and Cecilia Canziani. GNAM, Rome<\/p>\n

Almanac. Newman Popiashvili gallery, New York<\/p>\n

2012<\/h5>\n

Fuoriclasse, curated by Luca Cerizza. Villa Reale, Milan<\/p>\n

Mexico City Blues, curated by Chris Sharp. Shanaynay, Paris, and New York Gallery, New York<\/p>\n

Future, Landscape. A changing exhibition, curated by Riccardo Caldura. Forte Marghera, Mestre<\/p>\n

Evolution de l\u2019Art, curated by Kunstverein Milano and Valerio del Baglivo. Kunstverein, Milan<\/p>\n

2011<\/h5>\n

Beyond the Fragile Geometry of Sculpture, curated by Lorenzo Benedetti. De Vleeshal, Middelburg<\/p>\n

The Mu\u0308leskinders: A Prototype Publication, curated by Neil Chapman and David Stent in the framework of Diagrammatic form. Banner Repeater, London<\/p>\n

Posso errare, ma non di core: passato prossimo e futuro anteriore dell\u2019Italia, curated by Andrea Bruciati. Galleria Comunale d\u2019Arte Contemporanea, Monfalcone<\/p>\n

2010<\/h5>\n

When We Build Let Us Think That We Build Forever, curated by Matt Williams. Institute of Art and Design at Margaret Street, Birmingham<\/p>\n

Casabianca. Zola Predosa<\/p>\n

Ripresa, curated by Pier Luigi Tazzi. Fondazione Lanfranco Baldi, Pelago<\/p>\n

Space is the Place, curated by Artemis Potamianou. Lo & Behold, Athens<\/p>\n

Piazze di Roma, curated by Achille Bonito Oliva and Cecilia Casorati. Museum of Contemporary Art, Shangai<\/p>\n

Is This All There Is? curated by Joanna Greenhill. Lethaby Gallery at Central St Martins College, London<\/p>\n

2009<\/h5>\n

Civica 1989<\/p>\n

2009 Celebration Institution Critique, curated by Andrea Viliani. Fondazione Galleria Civica and various venues, Trento<\/p>\n

Transfer, curated by Antonio Geusa and Evgenja Kikodze. MARS \u2010 Contemporary Art Center, Moscow<\/p>\n

Qui \u00e8 altrove, curated by Francesco Poli and Francesca Referza. Palazzo De Sanctis, Castelbasso<\/p>\n

Curatology. DOCVA, Milano<\/p>\n

Rites de Passage, curated by Pier Luigi Tazzi. SCHUNCK\u2010Glaspaleis, Heerlen<\/p>\n

C4 BUNKER, curated by Luca Massimo Barbero. C4 \u2010 Centro Cultura Contemporanea, Caldogno<\/p>\n

La pelle (Il Sacrificio), curated by Antonio Grulli. Codalunga, Vittorio Veneto<\/p>\n

La notte, curated by Lorenzo Benedetti. La Kunsthalle, Mulhouse<\/p>\n

La pelle, curated by Antonio Grulli. Codalunga, Vittorio Veneto
\n\u2026a lady’s shoe lost in the grass (part 2), curated by Antonio Grulli. Tensta Konsthall, Stockholm<\/p>\n

2008<\/h5>\n

\u2026a lady\u2019s shoe lost in the grass, curated by Antonio Grulli. Italian Cultural Institute \u2018C.M Lerici\u2019, Stockholm<\/p>\n

Nient\u2019altro che scultura \/ Nothing but sculpture XIII Biennale Internazionale, curated by Francesco Poli. Centro Arti Plastiche Internazionali e Contemporanee, Carrara<\/p>\n

Soft Cell. Dinamiche nello spazio in Italia, curated by Andrea Bruciati. Galleria Comunale d\u2019Arte Contemporanea, Monfalcone<\/p>\n

Peripheral gaze and collective body, curated by Corinne Diserens. Museion, Bolzano<\/p>\n

KAAP, curated by Mark Kremer. Fort Ruigenhoek, Groenekan<\/p>\n

leftovers, curated by Jennifer Chert and Luca Cerizza. Micamoca Berlin<\/p>\n

Sporgersi prego. Galerie Lange & Pult, Zu\u0308rich<\/p>\n

2007<\/h5>\n

NEW ENTRY, curated by Chiara Agnello. C\/O Careof, Milano<\/p>\n

Micronarratives \u2013 48th October Salon, curated by L\u00f3r\u00e1nd Hegyi. Kulturni Centra Beograda, Belgrade (SERBIA)<\/p>\n

Storytellers, curated by Pietro Gaglian\u00f2. Acciaiolo Castle and Park, Scandicci<\/p>\n

Laws of relativity \/ La legge \u00e8 relativa per tutti, curated by Anna Colin and Elena Sorokina. Palazzo Re Rebaudengo, Guarene d\u2019Alba<\/p>\n

curarequito, curated by Cecilia Canziani and Vincent Honor\u00e9. Museo de la Ciudad, Quito (Equador)<\/p>\n

2006<\/h5>\n

videoREPORT ITALIA: 04_05, curated by Andrea Bruciati. Galleria Comunale d\u2019Arte Contemporanea, Monfalcone<\/p>\n

L\u2019immagine del vuoto. Una linea di ricerca nell\u2019arte in Italia 19582006, curated by Bettina Della Casa and Marco Franciolli. Museo Cantonale d\u2019Arte, Lugano<\/p>\n

Every Day\u2026 another artist\/work\/show, curated by Hemma Schmutz. Salzburger Kunstverein, Salzburg<\/p>\n

Natura e metamorfosi, curated by Marisa Vescovo. Urban Planning Exhibition Center, Shangai, and Creative Art Center \u2010 Millenium Art Museum, Beijing<\/p>\n

Fucina 3 \u2013 Della Natura (Umana) Molteplice, curated by Antonio Grulli. Michelangelo Quarries, Carrara<\/p>\n

Giardino. Luoghi della piccola realt\u00e0, curated by L\u00f3r\u00e1nd Hegyi. PAN Palazzo Roccella, Napoli<\/p>\n

Il vento dal Settecento all\u2019arte contemporanea, curated by Fondazione Torino Musei. Castello di Castagneto Po<\/p>\n

Bologna: video in vitro, curated by Andrea Bruciati. Meduza Galerija, Koper<\/p>\n

Black & white, curated by Artemis Potamianou. Hellenic American Union, Athens<\/p>\n

2005<\/h5>\n

Conquering new spaces \u2013 Muslim Mulliqi Prize 2005, curated by Mehmet Behluli.<\/p>\n

Galeria e Arteve e Kosov\u00ebs, Prishtina (UNMIK Kosova)<\/p>\n

Loop \u2013 arte e microeconomia, curated by Lorenzo Benedetti and Francesco Stocchi. Angelo Mai, Rome<\/p>\n

No bolts this wall, curated by Seulgi Lee. de\/di\/bY office, Paris<\/p>\n

Italian Camera, curated by Raffaele Gavarro. Isola di San Servolo, Venezia<\/p>\n

Roma Poesia 2005, curated by Ilaria Gianni and Francesco Ventrella. Fondazione Baruchello, Rome<\/p>\n

La scultura Italiana del XX secolo, curated by Marco Meneguzzo. Fondazione Arnaldo Pomodoro, Milano<\/p>\n

Artchitecture of change, curated by Marco Scotini. Isola Art Centre, Milano<\/p>\n

Domicile : priv\u00e9\/public, curated by L\u00f3r\u00e1nd Hegyi. Mus\u00e9e d\u2019Art Moderne de Saint\u2010Etienne M\u00e9tropole<\/p>\n

Man mano. Galleria Continua, Beijing<\/p>\n

Ad\u2019a, area d\u2019azione, curated by Roberto Daolio. Rocca Sforzesca, Imola<\/p>\n

Senza confine. Galleria Continua, San Gimignano<\/p>\n

2004<\/h5>\n

From Nowhere To Somewhere Without Return: The Knowledge, curated by Irene Amore.<\/p>\n

Coleman Project Space, London<\/p>\n

Spread in Prato 2004, curated by Pier Luigi Tazzi. Various venues, Prato<\/p>\n

Ipermercati dell\u2019arte. Il consumo contestato, curated by Omar Calabrese. Palazzo delle Papesse, Siena<\/p>\n

De humana proportione. Galleria Continua, San Gimignano<\/p>\n

Settlements, curated by L\u00f3r\u00e1nd Hegyi. Mus\u00e9e d\u2019Art Moderne de Saint\u2010Etienne<\/p>\n

From nowhere to somewhere without return: dei luoghi assenti e presenti con biglietto di sola andata, curated by Irene Amore. Change + Partner Contemporary Art, Rome<\/p>\n

Opera video. Galleria Continua, San Gimignano<\/p>\n

Il silenzio sul mare, curated by Lorenzo Bruni. Saletta Comunale d\u2019Arte Contemporanea, Castel San Pietro Terme<\/p>\n

on air: video in onda dall\u2019Italia, curated by Andrea Bruciati and Antonella Crippa,<\/p>\n

Galleria Comunale d\u2019Arte Contemporanea, Monfalcone<\/p>\n

Polvere, curated by Elio Grazioli. Ex Stabilimento GEA, Milano<\/p>\n

2003<\/h5>\n

Assenze\/Presenze, curated by Emanuel Lambion. Le Botanique, Bruxelles<\/p>\n

Himmelschwer. Transformationen der Schwerkraft, curated by Alois K\u00f6lbl, Eleonora Louis and Johannes Rauchenberger. Landesmuseum Joanneum, Graz, and Kunsthalle Brandts Klaedefabrick, Odense<\/p>\n

La ciudad radiante, curated by Achille Bonito Oliva. Centre Cultural Bancaixa, Valencia<\/p>\n

Il Palazzo delle Libert\u00e0, curated by Lorenzo Fusi and Marco Pierini. Palazzo delle Papesse, Siena<\/p>\n

2002<\/h5>\n

At least begin to make an end. Strip, Revert and Dewind, curated by Ann Demeester.<\/p>\n

W139, Amsterdam<\/p>\n

Assab One \u2013 La generazione emergente dell’arte in Italia, curated by Roberto Pinto and Laura Garbarino. Ex Stabilimento GEA, Milano<\/p>\n

discourski!, curated by Marek Wasilewski and Giles Perry. Galeria Arsenal, Bialystok<\/p>\n

Secondo Premio Carmen Silvestroni, curated by Rosalba Pajano. Palazzo Albertini, Forl\u00ec<\/p>\n

Tensio, curated by Andrea Bruciati. Galleria Comunale d\u2019Arte Contemporanea, Monfalcone<\/p>\n

2001<\/h5>\n

Predator. KX.Kampnagel, Hamburg<\/p>\n

Necessit\u00e0 di relazione \/ Necessity of relationship, curated by Fabio Cavallucci. Galleria<\/p>\n

Civica d\u2019Arte Contemporanea, Trento<\/p>\n

Sincretismi, curated by Bartolomeo Pietromarchi and Teresa Macr\u00ec. Fondazione Adriano Olivetti, Rome<\/p>\n

P.S.1 Italian Studio Program 2000\/2002. Palazzo delle Esposizioni, Rome<\/p>\n

Boom!, curated by Sergio Risaliti. Manifattura Tabacchi, Firenze<\/p>\n

Terraferma, curated by Riccardo Caldura. Centro Culturale Candiani, Mestre<\/p>\n

Post Production, curated by Nicolas Bourriaud. Galleria Continua, San Gimignano<\/p>\n

Strategies against Architecture II, curated by Luca Cerizza. Laboratorio per l\u2019Arte Contemporanea \u2013 Stabilimento Teseco, Pisa<\/p>\n

Nuove acquisizioni. Museum of Palazzo Forti, Verona<\/p>\n

Invasione italiana, curated by Salvatore Lacagnina. Galleria Civica d\u2019Arte Contemporanea, Montevergini di Siracusa<\/p>\n

La GAM costruisce il suo futuro. Galleria Civica d\u2019Arte Moderna, Torino<\/p>\n

8 artisti, 8 critici, 8 stanze, curated by Dede Auregli. Galleria d\u2019Arte Moderna \u2010 Villa delle Rose, Bologna<\/p>\n

A sense of wellbeing. Loss, history and desires, curated by Marco Scotini. Palace of the Imperial Termal Baths, Karlovy Vary<\/p>\n

2000<\/h5>\n

La jeune scene artistique italienne dans la collection de la Fondation Sandretto Re Rebaudengo. Domaine de Kergu\u00e9hennec, Centre d\u2019Art Contemporain, Bignan<\/p>\n

Finale di partita \/ Endgame \/ Fin de partie, curated by Pier Luigi Tazzi. Istituto Francese, Firenze<\/p>\n

Rutger Hauer. Perry\u2019s Motors, London<\/p>\n

On the bubble, curated by Luca Cerizza. Galerie Analix Forever, Gen\u00e8ve<\/p>\n

m\u00b2: insensatezza, curated by Luca Cerizza. Laboratorio per l\u2019Arte Contemporanea \u2013Stabilimento Teseco, Pisa<\/p>\n

Inediti. e\/static, Torino<\/p>\n

Nuovi artisti dall\u2019Emilia Romagna, curated by Italo Furlan. Fondazione Ado Furlan, Pordenone
\ncourtesy_neon. C\/o ex\u2010magazzino stampati DLF, Bologna<\/p>\n

1999<\/h5>\n

Zone. Esp\u00e8ces d\u2019Espace, curated by Francesco Bonami. Palazzo Sandretto Re Rebaudengo, Guarene d\u2019Alba<\/p>\n

On the bubble, curated by Luca Cerizza. Galerie T19, Vienna, and Studio Massimo De Carlo, Milano<\/p>\n

Anarchitecture, curated by Lorenzo Benedetti, Anja Dorn, Makiko Harada, Rob Tufnell,<\/p>\n

Suzanne van de Ven. De Appel, Amsterdam<\/p>\n

Utz, curated by Michele Dantini. Palazzo delle Papesse, Siena<\/p>\n

Fuori Uso \u201999. Ars Medica 31 artisti e una clinica, curated by Ludovico Pratesi and Paola Magni. Ex Clinica Baiocchi, Pescara<\/p>\n

Biennale dei Giovani Artisti dell\u2019Europa del Mediterraneo. Ex Mattatoio, Rome<\/p>\n

Premio d\u2019Arte MercedesBenz.Centro d\u2019Arte La Loggia, Montefiridolfi<\/p>\n

1998<\/h5>\n

A questo punto, curated by Riccardo Caldura and Chiara Bertola. Galleria Bevilacqua La Masa, Venezia<\/p>\n

Arti Visive 2. Palazzo Ducale, Genova<\/p>\n

Da Bologna, curated by Roberto Daolio and Maria Rita Bentini. La Chaufferie, Strasbourg<\/p>\n

Il Punto 3\u00b0 edizione: \u201cL\u2019opera, il discorso\u201d, curated by Elio Grazioli. Galleria Continua, San Gimignano<\/p>\n

San Zenone, curated by Associazione Viafarini. Galleria Civica, Campione d\u2019Italia<\/p>\n

1997<\/h5>\n

Officina Italia. Rete EmiliaRomagna, curated by Renato Barilli. Ex Fabbrica Arrigoni, Cesena<\/p>\n

Degree Show. Central Saint Martins College of Art & Design, London<\/p>\n

Aperto Italia \u201997 (selected by Guido Molinari). Palazzo Lucarini, Trevi<\/p>\n

LAB 12.2 T.I.N.A. (there is no alternative), curated by Roberto Daolio. Viafarini, Milano<\/p>\n

Chi o che cosa secondo i casi. Galleria Neon, Bologna<\/p>\n

 <\/p>\n

PERFORMANCES AND ACTIONS<\/h3>\n

2013<\/h5>\n

Masse trasportabili. City of Firenze and Museo Marino Marini, Firenze<\/p>\n

Pawel und Pavel: Uscita n. 1 (work made in collaboration with Margherita Morgantin). Angelo Mai Altrove Occupato, Rome<\/p>\n

2012<\/h5>\n

Portrait of Gheddafi in the dark. Fondazione Pietro Rossini, Briosco<\/p>\n

Flavio separated. Fondazione Pietro Rossini, Briosco<\/p>\n

Toothpick geometries. Performed at Kunsthuis SYB booth on the occasion of Kunstvlaai<\/p>\n

2012,<\/h5>\n

Festival of Independents. Amsterdam<\/p>\n

Masse trasportabili. Performed on the occasion of IPERCORPO 2012. Ex\u2010Deposito ATR Savonarola, Forl\u00ec<\/p>\n

Escalation. Performed within the framework of Evolution de l\u2019Art. Curated by Kunstverein Milano and Valerio del Baglivo. Kunstverein, Milano<\/p>\n

2011<\/h5>\n

L\u2019ultimo ruggito \/ The last roar. Performed within the framework of Matter of action.Curated by Giorgio Maffei, Sara Serighelli and Samuele Menin. O\u2019Artoteca, Milan<\/p>\n

2010<\/h5>\n

Zuffi per Bonami. Pinksummer Contemporary Art, Genoa<\/p>\n

Elenco (Bologna Contemporanea \u2013 Transparency now), performed on the occasion of a public talk at MAMbo, Bologna<\/p>\n

Roberta Giacometti racconta i bar di Imola \/ Roberta Giacometti tells about the bars of Imola, performed on the occasion of Festa Mobile curated by Davide Ferri and Antonio Grulli. Bar Miki e Max, Bologna<\/p>\n

Ho difeso il tuo onore (Artefiera 2010), performed at Francesco Pantaleone Arte<\/p>\n

Contemporanea\u2019s booth at Artefiera Art First, Bologna<\/p>\n

2009<\/h5>\n

Ipercampitura, performed on the occasion of Circolare, curated by Eva Marisaldi and organised by Fondazione Galleria Civica di Trento. Pista degli autoscontri, Trento<\/p>\n

Schnaps f\u03cbr zwei. Galleria Contemporaneo, Mestre<\/p>\n

Masse trasportabili. Shargorod<\/p>\n

2008<\/h5>\n

L\u2019ultimo ruggito \/ The last roar. Monotono, Vicenza<\/p>\n

Toothpick Geometries, performed on the occasion of Every story happens twice, first as an event and then as representation of the event, curated by Francesco Pedraglio, Caterina Riva and Pieternel Vermoortel. FormContent\u2019s booth at Zoo Art Fair, London<\/p>\n

Partita a bocce con verdura \/ Bowls Game with Vegetables, Gianmarco Gottarelli playing Paolo Fricano, performed on the occasion of La sfida, curated by Giacinto di Pietrantonio and Luca Cerizza. Rotonda della Besana, Milan<\/p>\n

Subire \/ To suffer, performed on the occasion of Performance day, curated by Emilio Fantin. MAMbo, Bologna<\/p>\n

Partita a bocce con frutta \/ Bowls Game with Fruit, played against Gabriel Pellican\u00f2.<\/p>\n

Uovo Open Office, Basel<\/p>\n

2006<\/h5>\n

Rassegna stampa. Museo dell\u2019Arredo Contemporaneo, Godo di Russi<\/p>\n

Elenco (Flash Art 2006), performed in collaboration with Madcaps. Circolo Repubblicano, Godo di Russi<\/p>\n

2005<\/h5>\n

Scorribanda. Fondazione Baruchello, Roma<\/p>\n

2004<\/h5>\n

Espresso. Arte oggi in Italia (performed in collaboration with Madcaps on the occasion of Space is the place_3). TPO, Bologna<\/p>\n

2003<\/h5>\n

L\u2019aquila. Il salame (accompanied by Carlo Capirossi at the piano). Galleria Continua, San Gimignano<\/p>\n

2001<\/h5>\n

Elenco (performed with Madcaps on the occasion of Tuneup, Clipon, Plugin).<\/p>\n

Teatro Studio, Scandicci<\/p>\n

Marcus. Performed with Stefano Pisetta at the drums and Walter Civettini at the trumpet on the occasion of Necessit\u00e0 di relazione. Convegno per parole ed opere \/
\nNecessity of relationship. A conference for words and works. Centro Polifunzionale dell\u2019Opera Universitaria, Trento<\/p>\n

1998<\/h5>\n

La raccolta degli asparagi selvatici (performed with Paolo Zuffi at the drums on the occasion of Il Punto 3\u00b0 edizione). Galleria Continua, San Gimignano<\/p>\n

I fischiatori di San Gabriele. Galleria Neon, Bologna<\/p>\n

Una bomba su Gabicce! (performed with Paolo Zuffi at the drums on the occasion of Laboratorio). Salara, Bologna<\/p>\n

1997<\/h5>\n

The Reminder, performed on the occasion of alive art an evening of performance.<\/p>\n

Central Saint Martins College of Art & Design, London<\/p>\n

1996<\/h5>\n

Rotazione. Galleria Nazionale d\u2019Arte Moderna, Roma<\/p>\n

 <\/p>\n

VIDEO SCREENINGS<\/h3>\n

2009<\/h5>\n

Objets sceniques, curated by Marie De Brugerolle. Le Cin\u00e9matographe, Nantes<\/p>\n

2008<\/h5>\n

Arte vs Porno. Pretesti erotici da Italia e Finlandia, curated by Elisa Del Prete and<\/p>\n

Annamari V\u00e4nsk\u00e4. Cinema Lumiere, Bologna<\/p>\n

2007<\/h5>\n

Videopolis. Cinema MPX, Padova<\/p>\n

Videoart Yearbook 2007. Chiostro di S. Cristina, Bologna<\/p>\n

Dopofestival, curated by Adrienne Drake and Antonio Pezzuto. Screened as part of the 43a Mostra Internazionale del Nuovo Cinema, Pesaro<\/p>\n

Video.it 8: con acqua\/senz\u2019acqua, curated by Francesco Bernardelli, Mario Gorni, Francesco Poli. Accademia Albertina di Belle Arti, Torino<\/p>\n

2006<\/h5>\n

Selected Works. Un concorso di videoarte italiana, curated by Elena Bortolazzi. Palazzo Bonaguro, Bassano del Grappa<\/p>\n

2005<\/h5>\n

Beyond Media 2005, curated by Marco Brizzi. Ospedale degli Innocenti, Salone Brunelleschiano, Firenze<\/p>\n

Urban flesh and blood. Cinema Barricada, Kaliningrad<\/p>\n

Acs\u00e8, curated by Andrea Bruciati. GAM Villa delle Rose, Bologna<\/p>\n

Catodica, curated by Maria Campitelli. Various venues, Trieste<\/p>\n

2004<\/h5>\n

Wanderers, curated by Angela Serino. Screened as part of the Impakt Festival. Utrecht<\/p>\n

Lo sguardo ostinato \/ The obstinate eye, curated by Elio Grazioli. MAN Museo d\u2019Arte della Provincia di Nuoro, Nuoro<\/p>\n

Opera video. Galleria Continua, San Gimignano<\/p>\n

2003<\/h5>\n

Virtual Perception, curated by Laurence Hazout\u2010Dreyfus. Screened as part of the 1st<\/p>\n

Prague Biennial, National Galerie, Prague<\/p>\n

2002<\/h5>\n

Polyphonix 40, curated by Manuela Corti. Centre Georges Pompidou, Paris<\/p>\n

2001<\/h5>\n

Magic and Loss, curated by Luca Cerizza and Cristiana Perrella. Screened as part of the Pandaemonium Festival. The Lux Centre, London<\/p>\n

Magic and Loss, curated by Luca Cerizza and Cristiana Perrella. CAC, Vilnius<\/p>\n

Rassegna video, curated by Letizia Talbot. Galleria Francese, Roma<\/p>\n

1998<\/h5>\n

AAVV \u00c8 una modesta proposta, curated by Francesca Cristellotti and Stefano Giovanazzi.<\/p>\n

Screened as part of Senzatitolo. Eventi, Azioni, Esposizioni. Festival Internazionale di Trento e Rovereto. Fabrika Spazio Temporaneo d\u2019Arte, Rovereto, and Sala Espositiva di Via Malpaga, Trento[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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Zuffi is a visual artist who uses performance and sculpture, text\u2010based work and video to create \u2018forms that do not arise from nothingness, as would the myth of the white page recommend;…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[43],"tags":[],"class_list":["post-4816","post","type-post","status-publish","format-standard","hentry","category-biography"],"acf":[],"yoast_head":"\nItalo Zuffi - Pinksummer Contemporary Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pinksummer.com\/en\/italo-zuffi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Italo Zuffi - Pinksummer Contemporary Art\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text]Italo Zuffi was born in Imola in 1969. 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