{"id":5869,"date":"2017-04-01T19:46:52","date_gmt":"2017-04-01T17:46:52","guid":{"rendered":"http:\/\/www.pinksummer.com\/?p=5869\/"},"modified":"2023-07-13T17:58:25","modified_gmt":"2023-07-13T15:58:25","slug":"slampadato-bojan-sarcevic","status":"publish","type":"post","link":"https:\/\/www.pinksummer.com\/en\/slampadato-bojan-sarcevic\/","title":{"rendered":"Slampadato &#8211; Bojan \u0160ar\u010devi\u0107"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5862 aligncenter\" src=\"https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web.jpg\" alt=\"\" width=\"1100\" height=\"510\" srcset=\"https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web.jpg 1100w, https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web-300x139.jpg 300w, https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web-768x356.jpg 768w, https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web-1024x475.jpg 1024w, https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web-700x325.jpg 700w\" sizes=\"auto, (max-width: 1100px) 100vw, 1100px\" \/><\/p>\n<p>Press release<\/p>\n<p>A body that moves within a space is an action that turns the space into a place, a place always has a load of symbolic meaning, which implies the planning of living. In that sense, a place is a space perceived by a body through its sensory apparatus, eyes, ears, nose, epidermis&#8230; The idea of a place somehow implies the concept of \u201climen\u201d, passage, threshold, orifice. Even though tactility oriented world is linked to the sight oriented one through the abstraction of past experience memories, tactility world seems indeed more comfortable than the sight one, because it keeps the body in closer contact the place it inhabits, the place where it acts. the no matter if that is a room with ceiling or an atmospheric space topped by the sky. In his \u201cThe Hidden Dimension\u201d Edward Hall quotes the anthropologist Benjamin Lee Whorf who, in \u201cLanguage, Thoughts and Reality\u201d, asserts that in hopi language, the one of native Hopi tribe living in desert plains of north Arizona, the word \u201ctime\u201d does not exist, being time strictly connected with the idea of space, and to the Hopi space is something deeply real. Hopi people cannot imagine, nor describe in their language places such as paradise or hell. Although that people construct sturdy stone houses, their language has no word to name three dimensional spaces as they were things such as the corridor or the entrance of a house, that in their language are indicated as localizations.<br \/>\nBojan \u0160ar\u010devi\u0107 has always claimed that the magic of an artwork is on the edge with the impossibility of its description.<br \/>\nAll his works seem to recall bodily and relational experiences, caressed by a sensual and sofisticated formal approach, centripetal and absolutely pure, captured by texture and by the visual and tactile imagery triggered by texture itself.<br \/>\nSometimes his work tends to create some sort of sensory frustration, that can be provoked in non-narrative terms by the sculptural allusion to furniture pieces, or by juxtaposing some cold and uncomfortable material to some soft and sensual ones. In the setting designed for the exhibitions \u201cIn the Rear View Mirror\u201d, \u201cInvagination\u201d and the current \u201cSlampadato\u201d, \u0160ar\u010devi\u0107 recognizes only the kinesthetic perceptive horizon. Announced in the actual linguistic onomatopoeicism of his last two exhibitions and established in the show at pinksummer goes to Rome through the intention of suppressing any intermediation, no matter if the image on the invitation card or, even worst, the press release, he does so as if a precast verbal world could prevent a deep perception of the work and the sensual and intimate magic of its hidden dimension.<br \/>\nWe wrote such a long preamble just to tell that our press release, for what it&#8217;s worth, exists only because pinksummer is a bit like the aboriginal Australian described by Bruce Chatwin in &#8220;The Songlines&#8221;, who imagine that things are drawn into existence by singing, while us, being unable to sing, we write.<br \/>\nWe could also tell that Bojan \u0160ar\u010devi\u0107 &#8220;Slampadato&#8221; refers, perhaps by coincidence, to a surrealist exhibition curated by Marcel Duchamp at Lelong gallery in Paris in 1947, in which he installed a watering system on the ceiling sprinkling water onto the wooden floor, letting the sculptures by Maria Martens, who was Duchamp\u2019s lover at that time, get wet.<br \/>\nFinally, \u201cSlampadato\u201d made us think at \u201cLe bain Turc\u201d painted by Jean-Auguste-Dominique Ingres when he was 83 years old, namely at what inspired the artist, the description of the Turkish bath written by Lady Mary Wortley Montagu, English ambassador in 19th century Turkey: \u201cI believe in the whole there were 200 Women (&#8230;) The first sofas were cover&#8217;d with cushions and rich carpets, on which sat the Ladys (&#8230;) all being in the state of nature, that is, in plain English, stark naked, without any Beauty or deffect conceal&#8217;d, yet there was not the least wanton smile or immodest Gesture amongst &#8217;em (\u2026)\u201c[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;100px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text] Press release A body that moves within a space is an action that turns the space into a place, a place always has a load of symbolic meaning, which implies the planning of living. In that sense, a&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[44],"tags":[],"class_list":["post-5869","post","type-post","status-publish","format-standard","hentry","category-press-release"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Slampadato - Bojan \u0160ar\u010devi\u0107 - Pinksummer Contemporary Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pinksummer.com\/en\/slampadato-bojan-sarcevic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Slampadato - Bojan \u0160ar\u010devi\u0107 - Pinksummer Contemporary Art\" \/>\n<meta property=\"og:description\" content=\"[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text] Press release A body that moves within a space is an action that turns the space into a place, a place always has a load of symbolic meaning, which implies the planning of living. In that sense, a...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pinksummer.com\/en\/slampadato-bojan-sarcevic\/\" \/>\n<meta property=\"og:site_name\" content=\"Pinksummer Contemporary Art\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Pinksummer-Contemporary-Art-457050184331032\/?fref=ts\" \/>\n<meta property=\"article:published_time\" content=\"2017-04-01T17:46:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-07-13T15:58:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pinksummer.com\/wp-content\/uploads\/2017\/04\/invito-Bojan-Sarcevic-web.jpg\" \/>\n<meta name=\"author\" content=\"roberta garufi\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"roberta garufi\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.pinksummer.com\\\/en\\\/slampadato-bojan-sarcevic\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.pinksummer.com\\\/en\\\/slampadato-bojan-sarcevic\\\/\"},\"author\":{\"name\":\"roberta garufi\",\"@id\":\"https:\\\/\\\/www.pinksummer.com\\\/en\\\/#\\\/schema\\\/person\\\/198d2ad8808d1bcc5f9eea52a1e71e3d\"},\"headline\":\"Slampadato &#8211; 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