Anna Scalfi Eghenter (1965 Trento, Italia) vive e lavora in Italia. Operando all’intersezione tra sociologia, diritto e arti visive, la sua pratica non produce oggetti decorativi, ma dispositivi critici che mettono in discussione le norme della convivenza civile. Attraverso installazioni e performance, Scalfi Eghenter manipola i confini della proprietà e della burocrazia, trasformando il pubblico in un corpo politico attivo.
Tra i suoi progetti più rilevanti figurano Collectors Anonymous, che applica i metodi dei gruppi di sostegno al mercato dell’arte, e il Jurisdictional Gymnasium, dove l’attività fisica diventa metafora dell’esercizio dei diritti. Con una formazione che spazia dal Management alle Belle Arti, l’artista ha esposto in numerosi contesti internazionali, quali la Biennale di Berlino e il MAXXI.

 

www.scalfieghenter.com

Anna Scalfi Eghenter (1965 Trento, Italia) vive e lavora in Italia.

FORMAZIONE

2013

Dottorato di Ricerca in Management Studies, Essex Business School, Università dell’Essex, Colchester, Regno Unito

 

2003

MSc in Sociologia, Dipartimento di Sociologia e Ricerca Sociale, Università di Trento, Italia

 

1991

MFA in Recitazione, Accademia Nazionale di Arti Drammatiche “Silvio D’Amico”, Roma, Italia

 

1988

MFA in Pittura (corso di Luciano Fabro), Accademia di Belle Arti di Brera, Milano, Italia

 

 

 

PERFORMANCE, PROGETTI, MOSTRE (SELEZIONE)

2025

Collectors Anonymous, Pinksummer, Genova, Italia

Die Komödie! [The comedy!], 13ª Biennale di Berlino, Germania

 

2024

The fluo swan, AR/GE Kunst, Bolzano, Italia

The Museum Game, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria

 

2023

Faites vos jeux, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria

 

2021

Interim Measure, Teatro Sociale, Centro Servizi Culturali S. Chiara, Trento, Italia

 

2019

La fabbrica c’è ancora, MUSE – Museo delle scienze, Trento, Italia

 

2018

Green Woman on the Traffic Lights in LA STRADA. DOVE SI CREA IL MONDO, a cura di Hou Hanru con il team curatoriale, MAXXI – Museo nazionale delle Arti del XXI secolo, Roma, Italia (permesso negato)

 

2016

Property Free Certification, Res Communis Omnium, Matrici irregolari, Paesaggio Privato, in “De Rerum Rurale”, a cura di Matteo Lucchetti, 16ª Quadriennale d’arte. Altri tempi, altri miti, Palazzo delle Esposizioni, Roma, Italia

Unflagged, in Der Blitz 2016, a cura di Denis Isaia, Federico Mazzonelli, MAG Museo Alto Garda, Riva del Garda, Italia

Qual mobil veste allo spirto de popoli, per Giornata del Contemporaneo AMACI, MAG Museo Alto Garda, Riva del Garda, Italia

 

2014

S’ils n’ont pas de cerfs, qu’ils chassent des princesses, a cura di Rebecca De Marchi, Eco e Narciso, in Stupinigi Fertile, Palazzina di Caccia Stupinigi, Musei in Mostra – Artissima 21, Torino, Italia

Partoutoù les circonstances l’exigeront, in Esercizi di Rivoluzione, a cura di MAXXI, Nomas Foundation, MAXXI – Museo nazionale delle Arti del XXI secolo, Roma, Italia

Homage, in Iconica, a cura di Bartolomeo Pietromarchi, Maria Alicata, CONI, Foro Italico, Roma, Italia

 

2013

La stanza delle asole, in ARTE PUBBLICA. Modelli ed esperienze nazionali e internazionali a confronto sul tema arte pubblica e reti socio-economiche, a cura di IFM Foundation, Nomas Foundation, MACRO – Museo d’Arte Contemporanea Roma, Italia

Agonale, in Autoritratti. Iscrizioni del femminile nell’arte italiana contemporanea, a cura di a.titolo, MAMbo – Museo d’Arte Moderna di Bologna, Italia

Property Free Certification, a cura di Matteo Lucchetti, Circolo dei Lettori, Sala Grande, in Legally, a cura di Gianmaria Ajani and Alessandra Donati, Biennale Democrazia 2013, Torino, Italia

 

2012

Tennnis. Homage to Albertina Eghenter, a cura di Giovanna Nicoletti, MAG Museo Alto Garda, Circolo del Tennis Riva, Casina delle Magnolie, Riva del Garda, Italia

Grande Disegno, in Dialogo con Pinot Gallizio, a cura di Francesca Comisso con Archivio Gallizio, Chiesa di San Domenico, Alba, Italia

a.property, in Mente locale, nuovi committenti per una mostra / VIAPAC project / a cura di a.titolo / Il Filatoio di Caraglio, Italia

reset, in Enacting populism in its mediæscape, a cura di Matteo Lucchetti / Kadist Art Foundation, Parigi, Francia

 

2011

L’Apocalisse non avrà tempo di essere annunciata, in Lo stato dell”arte – Trentino Alto Adige, iniziativa Speciale del Padiglione Italia, 54ª Esposizione Internazionale d’Arte della Biennale di Venezia, Palazzo Trentini, Trento, Italia

Liturgia Breve, a cura di Maria Rosa Sossai, Avelino Sala, Reale Accademia di Spagna a Roma, Tempietto di Bramante, Roma, Italia

’68TN, a cura di Andrea Viliani, Fondazione Galleria Civica-Centro di Ricerca sulla Contemporaneità , Trento, Italia

 

2010

Histogram, Palais de la Bourse, Bruxelles, Belgio

L’opera è il pubblico, in Il titolo è il pubblico, a cura di Denis Isaia, Südtiroler Kunstlerbund, Bolzano, Italia

 

2009

Traccia 0, via Belenzani 46, Trento, a cura di Andrea Viliani, Fondazione Galleria Civica-Centro di Ricerca sulla Contemporaneità, Trento, Italia

 

2008

Italia, esterno notte, in Del Paese e altre storie. Politica, rappresentazione e nuovo realismo nella giovane ricerca artistica italiana, a cura di Denis Isaia, Loggia degli Abati, Palazzo Ducale, Genova, Italia

Celata (sotto la piazza scorre una roggia), in Manifesta7 parallelevents, a cura di Denis Isaia, Piazza Duomo, Trento, Italia

Always Half Full, in Dai tempo al tempo, a cura di Fiona Parry, Joseph del Pesco, Pelin Uran, Fondazione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo, Guarene d’Alba, Italia

 

2007

Money Will Save the World, Palais Brongniart, Place de la Bourse, Parigi, Francia

Welcome to Italy, a cura di Julia Trolp, Mart-Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italia

 

2005

Aesthetics, Trading of Time and Creativity, Mart-Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italia

 

 

 

PROGETTI NELLE UNIVERSITÀ, CONFERENZE (SELEZIONE)

2017

Rilevatore posturale di saluto, in Frammentazioni, LUISS Business School, Villa Blanc, Roma, Italia

Campo da Legalità, in Università per la Legalità – Fondazione Falcone, Università di Palermo, Italia

Sopralluogo per sperimentare la consistenza giuridica degli spazi, Polo Carmignani, Università di Pisa, Italia

Permission d’arrêter et de retour, Scuola di Economia, RomaTre, Roma, Italia

 

2016

Permission d’arrêter et de retour, in “De Rerum Rurale” a cura di Matteo Lucchetti, 16ª Quadriennale d’arte. Altri tempi altri miti, Scuola di Economia, RomaTre, Roma, Italia

 

2015

The Game of the Rules, CETCOPRA / Università Paris 1 Pantheon-Sorbonne, Parigi, Francia

Keynote, in Organizational Creativity, Play and Enterpreneurship, Chania, Creta, Grecia

 

2013

Agonale. Managers and Entrepreneurs (CUOA Business School) con Cristiano Seganfreddo, MAMbo – Museo d’Arte Moderna di Bologna, Italia

Il curatore giuridico. Esercitazioni nella palestra giurisdizionale, a cura di a.titolo, Dipartimento di Giurisprudenza, Università di Torino, in Legally, a cura di Gianmaria Ajani e Alessandra Donati, Biennale Democrazia 2013, Torino, Italia

 

2012

Traccia 68, Sociologia, Trento, in Tracce fuori mappa, Facoltà di Sociologia, Trento, Italia

Percorso Metodologico, in La notte dei ricercatori, Università di Trento, Italia

Il campo è ovunque, Libera Università di Bolzano, Italia

 

2010

Three Years Later, FBK>Arte, Fondazione Bruno Kessler, Povo, Italia

Metodologie di conversione linguistica applicata, in Platform Translation, a cura di Silvano Manganaro, Barbara D’Ambrosio, Museo Laboratorio di Arte Contemporanea dell’Università La Sapienza, Roma, Italia

habitAzione [trad. Anna Scalfi], in Clean floor, di Chiara Leonardi (FBK), Massimo Zancanaro (FBK), Fabio Pianesi (FBKNetcarity), Francesca Gennai (IRSRS), FBK-Fondazione Bruno Kessler, Via S. Croce, Trento, Italia

 

2009

Between the Brain and the Bunny [trad. Anna Scalfi], in Clean Floor, di Paolo Avesani (FBK CIMEC), in The Researchers’ Night, FBK-Fondazione Bruno Kessler, Via S. Croce, Trento, Italia

Through the Looking-Glass [trad. Anna Scalfi], in Clean Floor, di Michele Zanin (FBK), Paul Chippendale (FBK), in The Researchers’ Night, FBK-Fondazione Bruno Kessler, Povo, Italia

I’m Here [trad. Anna Scalfi], in Clean Floor, di Paolo Massa (FBK), Maurizio Napolitano (FBK), in The Researchers’ Night, FBK-Fondazione Bruno Kessler, Povo, Italia

Differenze di classe (spazio di 1° classe e spazio di 2° classe), Facoltà di Sociologia- Università degli Studi di Trento, Italia

Chat, Facoltà di Economia-Università di Venezia Ca’Foscari, Cannaregio, Venezia, Italia

 

2006

From Inside (I Like the System), Università dell’Essex, Colchester, Regno Unito

Disclaimer, Akademia Pedagogiczna, Cracovia, Polonia

The Scholars’ Desk, Centro Conferenze Panorama, Sardagna, Italia

This Is Not a Written Sentence, Università dell’Essex, Colchester, Regno Unito

 

2005

Not Yet Titled (Women at Work), Facoltà di Sociologia-Università degli Studi di Trento, Italia

Free University, Freie Universität Berlin, Berlino, Germania

Do Not Cross the Passion Line, Università degli Studi di Trento, Italia

Listening 2.433, Burg auf der Creuzburg, Creuzburg, Germania

 

2004

Untitled 2004 # Paris, ESCP-EAP, Parigi, Francia

 

2003

The Iron Cage with Density Spectrum Zone 0.1 di Loris Cecchini, Facoltà di Sociologia- Università degli Studi di Trento, Italia

 

 

 

PROGETTI NEL PUBBLICO, EVENTI INDIPENDENTI (SELEZIONE)

2020

Fiori dalla fabbrica S/20, streaming, Trento, Italia

Collectors Anonymous, Milano, Italia

Fiori dalla fabbrica (Trento, Michelin 1927-1999), Trento, Italia

 

2017

Il cancello della fabbrica, 1927/2027, timelapse, in I natali della fabbrica, Quartiere Le Albere, Trento, Italia

GenderGapPay, 1-4/06, Trento, Italia

Paesaggio Privato, in Patrimonio, a cura di Cecilia Canziani e Davide Ferri, Festival Ipercorpo 2017, Forlì, Italia

GapTransfer, New York, Stati Uniti d’America

 

2016

La Venere Giocatrice, Via Durini 24, Milano, Italia

 

2015

La Venere giocatrice, Ventura Contemporary Art Night, Officina temporanea, Milano, Italia

Unequal Fields, European Forum Alpbach, Alpbach, Austria

GapTransfer, Lambrate, Milano, Italia

Scalfi&Eghenter Ltd, Ventura Lambrate 2015, Milano Design Week, Italia

 

2014

Scaccchi, collezione privata, Roma, Italia

Situation as of 1st May 2014 (Flag Europe), in Domenica24ORE, 6/7

Sea Specific A, collezione privata

 

2013

Collectors Anonymous, dall’11/06 Basilea, Svizzera, 17/10 Londra, Regno Unito, 24/10 Parigi, Francia

Colo, is, colui, cultum, ère, in La cultura: spesa o investimento, cantiere MUSE – Museo delle scienze, Trento, Italia

Integrity, collezione privata, Basilea, Svizzera

Corporate Temporary Shop and Temporary Offer, in The Gift of Betrayal, a cura di Matteo Lucchetti, Delire Gallery, Bruxelles, Belgio

 

2012

Demo, in Scuola politica, Fondazione Trentina Alcide De Gasperi, Pieve Tesino, Italia

Salita inversa, Madonna di Campiglio, Pinzolo, Italia

 

2011

True cursor, IGF Italia, Fondazione <ahref, Le Gallerie di Piedicastello, Trento, Italia

Annissima. Vendo ergo sum.. L’artista esiste fuori dal mercato?, con Cesare Pietroiusti, Palazzo Sinigaglia, Torino, Italia

Il tempo è il luogo, a cura di Giulia d’Amaro Valle e Silvia Ferri de Lazara, Art&Co 2011 – Festival delle Città Impresa, Fondazione March, Villa del Conte, Padova, Italia

 

2010

Frazioni multiple I, in Critical Complicity, a cura di Lisa Mazza, Julia Moritz, Lungomare Bozen-Bolzano (ulteriori partner di progetto Kunsthalle Exnergasse, Vienna; Galerija Skuc, Ljubljana), Italia

Tennnis. Homage to Albertina Eghenter, a cura di Angelika Burtscher, Daniele Lupo, Lungomare Bozen-Bolzano; Centre Court, Centro Tennis, Meranarena, Merano, Italia

Institutional Tattoo, dal 14/09

Formalization of the dealer-artist relationship between Cesare Pietroiusti & Anna Scalfi, Studio di Cesare Pietroiusti, Trastevere 259, Roma, Italia

 

2009

On a Sheet of Paper, in The Invisible Generation. A Vision Forum di Per Hüttner, Daniele Balit, Margaret Lawrence Gallery, Melbourne, Australia

Chat, in Creative Emergencies, a cura di Maria Livia Brunelli, Silvia Cirelli, Piazza S. Francesco, Ravenna, Italia

pro forma, in Playlist – Ognuno è internazionale al suo presente, 25/06, a cura di Denis Isaia, neon>campobase, Bologna, Italia

indeposito, dal 04/02, a cura di Denis Isaia

 

2008

Situation as of 31st August 2008 (Roma), in Independence! Workshop sulle politiche ed economie delle iniziative indipendenti, a cura di Cecilia Canziani, Francesco Ventrella, 1:1 projects, Roma, Italia

Private Portrait, da giugno

 

2006

W.W.W. (Wonderful Women Working), dal 25/08

The Chorus Portrait, San Vandemiano-Conegliano, Treviso con Coro della SAT, Italia

Money Will Save the World, Festival dell’Economia, Teatro Sociale, Trento, Italia

 

2005

Untitled 2005 (Green Woman on the Traffic Lights), strada pubblica, Rovereto, Italia

Infirmitas sexus, Corte Civile del Tribunale, Trento, Italia

Home Sweet Om, casa privata, Via San Pantaleo, Roma, Italia

 

 

 

SOLO VOICE, CONCERTI (SELEZIONE)

2003

Melodramma del Prometeo moderno per attrice e 15 strumenti, FRAU FRANKESTEIN, di Giorgio Battistelli, in “Frankenstein”, con Elio delle Storie Tese in FRANKENSTEIN di H.K. Gruber, Regista: M. Dini Ciacci, Ensemble Pocket Opera Italia, Opera Barga, Italia

 

2002

Ormond Brasil 10, melologo scenico per voce e pianoforte, di Fabio Cifariello Ciardi, con video di Rivka Rinn e piano di Patrick Trentini, Festival Musica ‘900, Galleria Civica d’Arte Contemporanea, Trento, Italia

 

2001

Asma Asmaton o estin to Salomon, musica di e con OTEM Ensemble, International Festival of the European Organ Academy, Schloss Goldrain, Goldrain, Italia

 

1999

Cantico dei Cantici di Salomone, trad. Guido Ceronetti, musica di e con OTEM Ensemble, Festival Il Silenzio e L’Ascolto

 

1998

Riflessi d’ombra, di Mauro Marcantoni, musica di e con Emilio Galante

 

1994

Conosci tu il paese dove fioriscono i limoni? Quattro storie di spose blindate, di Toti Palma, Anna Scalfi, musica di e con Max Biasioni, scenografie Enrico Job, Centro Servizi Culturali Santa Chiara, Teatro Argentina, Roma, Italia

1990

Sinfonia 14 di Shostakovich, con Sofia Orchestra, Festival Musica ‘900

 

1989

Pasolini, poetries, regia di Marco Bernardi

 

 

 

INSEGNAMENTO, PRESENTAZIONI, RICERCA (SELEZIONE)

2019

Seminario di credito, Pratica artistica organizzativa: ricerca sul campo nell’area ex Michelin di Trento, Università di Trento, Italia (incarico)

 

2018

Rule of Law in our Mind –Brainstorming workshop – Institut d’etudes avancees de Paris, Parigi, Francia (partecipazione)

 

2017

Master Progettare cultura – ALMED – Università Cattolica, Milano, Italia (testimonianza)

 

2015

10th Organization Studies Summer Workshop, Chania, Creta, Grecia (Keynote Speaker)

Cfa in Curatore Museale ed Eventi, IED Istituto Europeo di Design, Roma, Italia (assistente all’insegnamento)

 

2013

Biennio di scultura, Accademia di Brera, Milano, Italia (collaborazione)

 

2006

Junior researcher in the project Research Methods for the Aesthetic Understanding of Organizations, La ricerca qualitativa: teorie, metodi ed applicazioni, MIUR

 

2005

Master of Art and Culture Management, Trento School of Management, Rovereto, Italia (assistente all’insegnamento)

CdL in Psicologia Cognitiva Applicata, Università degli Studi di Trento, Rovereto, Italia (collaborazione)

Dal 2005 membro di “Research Unit on Communication, Organizational Learning and Aesthetics” (RUCOLA)

Dal 2005 membro di “Arts, Aesthetics, Creativity, and Organisation Research Network” (AACORN)

 

2004

School of Business Management, Università Bocconi, Milano, Italia (collaborazione)

Master in Management of Social, Political and Institutional Communication, Università di Lingue e Comunicazione – IULM, Milano, Italia (incarico)

Tomás Saraceno (1973, San Miguel de Tucumán, Argentina) vive e lavora a Berlino. La sua pratica interdisciplinare unisce arte, scienza e architettura, immaginando nuovi modelli di coesistenza ecologica e sociale ispirati a strutture naturali come le ragnatele, le nuvole e gli ecosistemi atmosferici. Le sue installazioni monumentali e spesso sospese invitano a ripensare l’autorialità dell’arte il rapporto tra uomo, natura e animale. Tomás Saraceno ha esposto in istituzioni internazionali quali il Palais de Tokyo di Parigi, l’Hamburger Bahnhof di Berlino, il MoMa di New York e le Serpentine Galleries di Londra, e ha partecipato a numerose edizioni della Biennale di Venezia e di altre rassegne internazionali.

Tomás Saraceno (1973 Tucumán, Argentina), vive e lavora a Berlino.

 

ISTRUZIONE
2009
International Space Studies Program, NASA Center Ames, Silicon Valley, California, USA

 

2003-2004
Postgraduate on Art and Architecture, IUAV, Venezia, Italia

 

2001-2003
Staatliche Hochschule für Bildende Künste, Städelschule Frankfurt am Main, Francoforte sul Meno, Germania

 

1999-2000
Postgraduate on Art and Architecture, Escuela Superior de Bellas Artes de la Nación Ernesto de la Carcova, Buenos Aires, Argentina

 

1992-1999
Bachelor of Architecture, UBA – Universidad Nacional de Buenos Aires, Argentina

 

RESIDENZE (SELEZIONE)
2016
Goethe Institut, Londra, Regno Unito

 

2016
RAVE residency, Villa Manin, Udine, Italia

 

2014-2015
Centre National d’Études Spatiales (CNES), Parigi, Francia

 

2012
MIT Center for Art, Science & Technology (CAST), Cambridge, USA

 

2010
Atelier Calder in Saché, Francia, (Recipient of Calder Price and Calder Residency).

 

2009
Walker Art Center, Minneapolis, USA

 

2003-2004
Hessische Kulturstiftung, Rotterdam, Paesi Bassi

 

MOSTRE PERSONALI (SELEZIONE)

2026

TBC, Haus der Kunst, Germania

 

2025

tomàs saracenoi, Neugerriemschneider, Berlino Germania

Conviviality, EXPO2025, Osaka, Giappone

 

2024

ANIMA∞LE, Pinksummer Contemporary Art, Genova, Italia

Live(s) on Air, Tanya Bonakdar Gallery, Los Angeles, USA

 

2023

 

 

2022
Domaine des Etangs, Massignac, Francia (installazione permanente)
Torre Glòries, Barcelona, Spagna (installazione permanente)
Tomás Saraceno: Particular matter(s), The Shed, New York, USA
Tomás Saraceno: Silent Autumn, Tanya Bonakdar, New York, USA

 

2021
AnarcoArcanoAnacroArcano, Neapolis Archaeological Park, Siracusa, Italia
Du sol au soleil, Domaine des Etangs, Massignac, Francia
Cloud Constellation Omega Centauri 3.9, Ordrupgaard, Charlottenlund, Danimarca (installazione permanente)
Movement [49.244811, 4.053926], Ruinart, Reims, Francia (installazione permanente)
Inter+Play Season 2, Towada Art Center, Towada, Giappone

 

2020
Aria, Palazzo Strozzi, Florence, Italia
Songs for the air, Hessischen Landesmuseum, Darmstadt, Germania
Tomas Saraceno: Event Horizon, Cisternerne, Copenhagen, Danimarca
Moving Atmospheres, Garage Museum of Contemporary Art, Mosca, Russia
Stayin Alive, ANOTHER SPACE, New York, USA

 

2019
Algo-r(h)i(y)thms, Esther Shipper Galelry, Berlino, Germania
Tomás Saraceno, Gallery Hiunday, Soeul, Corea del Sud
Tomás Saraceno, Tanya Bonakar Gallery, Los Angeles, USA

 

2018
ON AIR, Palais de Tokyo, Parigi, Francia
Aerographies, Fosun Foundation, Shanghai, Cina
A Thermodynamic Imaginary, MAAT, Museum of Art, Architecture and Technology, Lisbona, Portogallo
Solar Rhythms, Tanya Bonakdar Gallery, New York, USA
Albedo, Pinksummer, Genova, Italia

 

2017
Gravitational Waves, Z33, Genk, Belgio, a cura di Jan Boelen
Entangled Orbits, Baltimore Museum of Art, Baltimore, Stati Uniti d’America, a cura di Kristen Hileman
Event Horizon, Ruth Benzacar Gallery, Buenos Aires, Argentina
Our Interplanetary Bodies, Asia Culture Centre, Gwangju, Corea del Sud, a cura di Sung Won Kim
Aerosolar Journeys, Museum Haus  Konstruktiv, Zurigo, Svizzera, curated by Sabine Schaschl
How to entangle the universe in a spider web, Museo de Arte Moderno, Buenos Aires, Argentina, a cura di Victoria Noorthoorn
Re-opening In Orbit, K21 Ständehaus, Düsseldorf, Germania
Aerosolar Journeys, Wilhelm-Hack Museum, Ludwigshafen, Germania, a cura di René Zechlin

 

2016
Stillness in Motion. Cloud Cities, SFMOMA, San Francisco Museum of Modern Art, San Francisco, USA, a cura di Joseph Becker
163,000 Light Years, MARCO, Museum for Contemporary Art, Monterrey, Messico, a cura di Gonzalo Ortega
Solar Bell Ensemble, Contemporary Arts Center, Cincinnati, USA
Aerocene, Esther Schipper, Berlino, Germania
Many suns and worlds, Vanhaerents Art Collection, Bruxelles, Belgio
Dark Cosmic Web, Pinksummer Contemporary Art, Roma, Italia
Cloud City installation, Oklahoma Contemporary Arts Center, Campbell Art Park, Oklahoma City, USA

 

2015
Aerocene, Solutions COP21, Grand Palais, Parigi, Francia, United Nations Climate Change Conference COP21
Aerocene, Espace Muraille, Ginevra, Svizzera
Arachnid Orchestra. Jam Sessions, NTU Centre for Contemporary Art, Singapore, a cura di Ute Meta Bauer and Anca Rujoiu
Becoming Aerosolar, Haus21er, Vienna, Austria, a cura di Mario Codognato
14 Billions (Working Title), SKMU Sørlandets Kunstmuseum, Kristiansand, Norvegia, a cura di Else-Brit Kroneberg
Hybrid solitary… semi-social quintet… on cosmic webs…, Tanya Bonakdar Gallery, New York, USA

 

2014
Cosmic Jive, Tomás Saraceno: The Spider Sessions, Villa Croce, Genova, Italia, a cura di Ilaria Bonacossa e Luca Cerizza
Iridescent Planet, Pinksummer Contemporary Art, Genova, Italia
Real DMZ Project, Cheorwon Peace Observatory, DMZ, Corea del Sud

 

2013-2016
In Orbit, K21 Ständehaus, Düsseldorf, Germania, a cura di Marion Ackermann and Susanne Meyer-Büser

 

2013
Social .. Quasi Social .. Solitary .. Spiders … On Hybrid Cosmic Webs, Esther Schipper Gallery, Berlino, Germania
Tomás Saraceno, Andersen’s Contemporary, Copenhagen, Danimarca

 

2012
Cloud City, Roof Garden Installation, Metropolitan Museum of Art, New York, Stati Uniti d’America, a cura di Anne Strauss
On Space Time Foam, HangarBicocca, Milano, Italia, a cura di Andrea Lissoni
Cloud Cities, Maison Hermès, Tokyo, Giappone
Tomás Saraceno, Taidehalli Kunsthalle Helsinki, Finlandia
Air-Port-City/Cloud Cities, Tanya Bonakdar Gallery, New York, USA

 

2011
Cloud Cities, Hamburger Bahnhof-Museum für Gegenwart, Berlino, Germania, a cura di Britta Schmitz
Cloud-Specific, Kemper Museum of Contemporary Art, St. Louis, Stati Uniti d’America, a cura di Meredith Malone
Cloudy Dunes. When Friedman Meets Bucky On Air-Port-City, MACRO, Museo d’Arte Contemporanea, Roma, Italia
Labor, K20 Grabbeplatz, Nordrhein-Westfalen, Düsseldorf, Germania

 

2010
Cloud Cities: Connectome, Tanya Bonakdar Gallery, New York, USA
14 Billions (working title), Bonniers Konsthall, Stoccolma, Svezia
Cloud-Cities, Pinksummer Contemporary Art, Genova, Italia
Tomás Saraceno, Baltic Centre for contemporary Art, Gateshead, Regno Unito
Sculpture project ROSSMARKT3, Francoforte, Germania
Tomás Saraceno: Lighter than air, Houston Blaffer Gallery, Houston, USA
From Camogli to San Felipe, spiders weaving stars, Fondazione Pierluigi e Natalina Remotti, Camogli, Italia

 

2009
Tomás Saraceno: Lighter than air, Walker Art Center, Minneapolis, USA
Biosphere, Statens Museum for Kunst, Copenaghen, Danimarca (in the framework of the cycle «RETHINK Relations»)
Tomás Saraceno, MUDAM Musée d‘Art Moderne Grand-Duc Jean, Lussemburgo (in the framework of the cycle «Habiter»)
Cloudy House, Andersen’s Contemporary, Berlino, Germania
Tomás Saraceno, Andersen’s Contemporary, Copenaghen, Danimarca

 

2008
Galaxies forming along filaments, like droplets along the strands of a spider webs, Tanya Bonakdar Gallery, New York, USA
Cloudy Dunes, Fondazione Garrone, Genova, Italia

 

2007
Opening, AEREA Christian Larsen, Stoccolma, Svezia
Biosphere MW32 Air-Port-City, Pinksummer Contemporary Art, Genova, Italia
Air-Port-City, De Vleeshal, Middelburg, Paesi Bassi
Microscale, Macroscale and Beyond: Large-Scale Implications of Small-Scale Experiments, Berkeley Art Museum, Berkeley, USA

 

2006
Air-Port-City, Tanya Bonakdar Gallery, New York, USA
Cumulus, Barbican Art Centre, Londra, Regno Unito
On Water, Centre d’Art Santa Monica, Barcellona, Spagna
Cloudy Dunes_Air-Port-City, Attitudes – espace des arts contemporains, Ginevra, Svizzera
Infinitive Actives, Portikus, Francoforte sul Meno, Germania (with personal states of Marjetica Potrc)

 

2004
On-Air, Pinksummer, Genova, Italia

 

2003
In-migration, University of Kaiserslautern, Kaiserslautern, Germania

 

2000
612 Planetas, Parque Planetario, Buenos Aires, Argentina

 

1998
Luces de estrella, Escuela Nacional de Bellas Artes Ernesto de la Carcova, Buenos Aires, Argentina

 

MOSTRE COLLETTIVE (SELEZIONE)

2025

Utopia: Recht auf Hoffnung, Kunstmuseum Wolfsburg, Germany . Curata da Andreas Beitin, Sebastian Mühl e  Dino Steinhof , con Veronika Mehlhart
The Quantum Effect, SMAC San Marco Art Centre, Venezia, Italia. Curata da Daniel Birnbaum e Jacqui Davis
Expo 2025 , Osaka, Giappone. Con un ringraziamento a Tokura Masakazu, Ishige Hiroyuki, Yuko Hasegawa, Hiroaki Miyata e il team EXPO 2025

Dialogo tra Palazzo Foundation e Arte contemporanea, Villa delle Peschiere, Genova, Italia.

 

2024

Mutual Aid: Art in collaboration with nature. Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italia. Curata da Francesco Manacorda and Marianna Vecellio
Deep Distance Tender Touch. Kunst- und Kulturstiftung Opelvillen Rüsselsheim, Germania. Curata da Jochem Hendricks and Dr. Beate Kemfer
Fluss Bad Berlin, Bauakademie Schinkelplatz, Berlino, Germania
The Lives of Animals, Museum van Hedendaagse Kunst Antwerpen (M HKA), Antwerp, Belgiuo. Curata da Joanna Zielińska
Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum in Pittsburgh, PA, Stati Uniti d’America. Curata da Leers e Keenan Saiz
Luca Massimo Barbero. Un Diavolo Amico, Historical Archives of the Contemporary Arts, La Biennale di Venezia, Italia
Radical Playgrounds, Berliner Festspiele, Berlino, Germania. Curata da Joanna Warsza
Daegu Forum III: Whose Forest, Whose World, Daegu Art Museum, Daegu, Corea del Sud
Time Travelers: Foundations, Transformations, and Expansions, TMA Centennial, Tucson Museum of Art, Arizona, USA

 

2023

Argentina. What the night tells the day, Padiglione d’Arte Contemporanea, Milano, Italia. Curata da Andrés Duprat e Diego Sileo
WORLD FRAMED: Contemporary Drawing Art of the Schering Stiftung. Kupferstichkabinett, Staatliche Museen zu Berlino, Germania. Curata da Jenny Graser
Concerning Nature, Tanya Bonakdar Gallery, New York, USA
Frieze Sculpture, Londra, Regno Unito
Au bout de mes rêves: Cloud Cities: mise-en-Aéroscène, Lille. Curata da Vanhaerents Art Collection
Arachnodrone, MIT Museum, Massachusetts, Stati Uniti d’America. Curata da MIT Center for Art, Science & Technology
Compulsive Desires: On Lithium Extraction and Rebellious Mountains. Galeria Municipal do Porto, Portogallo. Curata da Marina Otero Verzier
Renaissance 3.0, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germania. Curata da Peter Weibel
The power and pleasure of books and possessions. neugerriemschneider, Berlino, Germania
Gedanken spielen Verstecken. Haus Kunst Mitte, Berlino, Germania. Curata da Rebecca Raue
So it appears, Institute for Contemporary Art, Virginia Commonwealth University, Richmond, USA

 

2022

Brain(s), when matter becomes mind. Fundación Telefónica, Madrid, Spain. Curated by Emily Sargent and Ricard Solé
Fetishizing the Future. Utopias of the third dimension. Zeppelin Museum, Friedrichshafen, Germany. A cura di Ina Neddermeyer and Jürgen Bleibler
Musicanimale: le grand bestiaire sonore. Philharmonie de Paris, France. A cura di Marie-Pauline Martin and Olivier Mantei
AIR. Queensland Art Gallery of Modern Art (QAGOMA). Brisbane, Australia. A cura di Geraldine Barlow
Onderkruipsels, Rijksmuseum, Amsterdam, Netherlands. A cura di Jan de Hond and Julia Kantelberg
In the Line of Flight, for Possible Worlds. Deji Art Gallery, Nanjing, China. A cura di Ai Lin and Zhang Ga
Homosphere. Kunsthalle Mainz, Germany. A cura di Stefanie Böttcher
Back to the Roots: Decolonize Nature. WE ARE AIA, Zürich, Switzerland. A cura di Gianni Jetzer and Martina Huber
Unknown Unknowns. Triennale di Milano, Italy, 2022. A cura di Ersilia Vaudo
Un Panorama de este Mundo, Acute Art & Fundación PROA, Buenos Aires, Argentina. A cura di Daniel Birnbaum
Visions: An Outdoor Augmented Reality Art Exhibition, Acute Art & National Gallery Singapore for the Light To Night Exhibition, Singapore. A cura di Daniel Birnbaum

 

2021
Biocenosis21, IUCN World Conservation Congress and La Traverse, Marsiglia, Francia
PANORAMA Procida, curated by Vincenzo de Bellis, ITALICS, Procida, Italia
The Looking Glass, organized by Daniel Birnbaum and Emma Ender, The Shed and Acute Art, New York, USA
IRL, Tanya Bonakdar Gallery, New York, USA
Gropius Bau, Berlino, Germania (online project)
Design Society, Shenzhen, Cina
Back to Nature Villa Borghese, Roma, Italia
Venice Architecture Biennale, Venezia, Italia
Back to Earth, Serpentine Galleries, Londra, Regno Unito AIR-CONDITION
Opera de Nancy, Nancy, Francia

 

2020
Return of the Real, Tanya Bonakdar Gallery, USA
Songs in the Dark, Tanya Bonakdar Gallery, USA
Riga International Biennial of Contemporary Art Art 2, Riga, Lettonia (RIBOCA2)
Schloss Derneburg Museum, Derneburg, Germania

 

2019
Floating Utopias. Art Science Museum, Singapore
58th Art Exhibition La Biennale di Venezia, May you live in interesting times, curated by Ralph Rugoff, Venezia, Italia (upcoming)
Tomorrow is the Question, at ARoS Aarhus Kunstmuseum, Aarhus, Danimarca

 

2018
Foresta Urbana, Piazza Bologni, Palazzo Belmonte Riso, Palermo, Italia
Victor Papanek: The Politics of Design, Vitra Design Musem, Weil am Rhein, Germania
Liquid City, Triennale Bruges, Belgio
Floating Utopias. NGBK, Berlino, Germania

 

2017
Winter Journey, Jardins du Château de Versailles, Francia, a cura di Palais de Tokyo
Into the Cosmos, MAXXI, Rome, Italy, a cura di Hou Hanru
Floating Worlds, Lyon Biennale for Contemporary Art, Francia, a cura di Emma Lavigne
ARoS Triennial, Aarhus, Danimarca
Between Spaces, Center for Art and Public Space, Berlino, Germania, a cura di Katja Assmann
Loose Threads, De León, Bath, Regno Unito
Aerocene at Socle du Monde Biennale, Herning, Danimarca
Aerocene at Antarctic Biennale, Ushuaia, Argentina
Elbphilharmonie Revisited, Deichtorhallen, Hamburg, Germania
Pune Biennale, Pune, India

 

2016
Shanghai Biennial, Shanghai, Cina
Istanbul Design Biennial, Istanbul, Turchia
Spinnen, Senckenberg Museum, Francoforte sul Meno, Germania
Collezionismo Contemporaneo, The Museum of Palazzo Fortuny, Venezia, Italia
Surface and Beyond, Dirimart, Istanbul, Turchia
Meta.morf Biennial, Trondheim, Norvegia
The Calder Prize 2005-2015, Pace Gallery, Londra, Regno Unito
Architecture of Life, UC Berkeley Art Museum and Pacific Film Archive, Berkeley, USA

 

2015
The State of the Art of Architecture, Chicago Architecture Biennial, Chicago, USA
Space Without Rockets, Rubin Art Center, White Sands, New Mexico, Stati Uniti d’America, a cura di Rob La Frenais
Brève histoire de l’avenir, Musée du Louvre, Parigi, a cura di Jean de Loisy
homecomings: PROJECTIVE SPACE, Berlino, Germania
Le Bord des Mondes, Palais de Tokyo, Parigi, Francia
Haus-Rucker-Co, Architekturutopie Reloaded, Haus am Waldsee, Berlino, Germania
Pequod, 11 Columbia, Monaco
Cold War Hot Peace, Slought, Philadelphia, USA
Der entfesselte Raum, Gewerbemuseum, Winterthur, Svizzera

 

2014-2017
The Man in the Mirror, Vanhaerents Art Collection, Bruxelles, Belgio

 

2014-2015
Synthesis, Reykjavik Art Museum,  Reykjavik, Islanda
Diese Kunst, Galerie der Stadt Sindelfingen, Sindelfingen, Germania
Haus-Rucker-Co, Architekturutopie Reloaded, Haus am Waldsee, Berlino, Germania

 

2014
The Net: Weaving Webs in Art, Kunsthalle Kiel, Kiel, Germania
INSERT 2014: The Sharp Edge of the Global contemporary, Indira Ghandi Centre of the Arts, Nuova Delhi, India
Kroblyos un groviglio di segni – da Parmigianino a Kentridge, Biennale Disegno di Rimini, Rimini, Italia
Attention Economy, Kunsthalle Wien, Vienna, Austria
Vanitas. Motive des Vergänglichen in der zeitgenössischen Skulptur, Georg Kolbe Museum, Berlino, Germania
City and Nature, Sapporo International Art Festival 2014, Sapporo, Giappone
Lichterfest, K21 Ständehaus, Düsseldorf, Germania
Second | Fourteen Highlight, Salon Kennedy, Francoforte sul Meno, Germania
The Anthropocene Monument, Les Abattoirs, Toulouse, Francia
Between the lines, Tanya Bonakdar Gallery, New York, USA

 

2013
Moving. Norman Foster on Art, Carré d’Art – Musée d’art contemporain de Nimes, Francia
Mobile M+: Inflation!, M+ Museum for Visual Culture, Hong Kong, Cina
Emscherkunst, Zeche Nordstern, Gelsenkirchen/Essen, Germania
Tomás Saraceno, Solar Bell, Portscapes 2, a series of art projects alongside the construction of Maasvlakte2, Rotterdam, Paesi Bassi
What am I doing here, Esbjerg Art Museum, Esbjerg, Danimarca
I know you, Irish Museum of Modern Art, Dublino, Irlanda
Reflets – Un Morceau de Pinksummer Genes, 11 Columbia, Monaco
Novela Festival, Toulouse, Francia
Tomás Saraceno, Flora, Bogotá, Colombia

 

2012
Wir sind alle Astronauten Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst/ We are all astronauts. Universe Richard Buckminster Fuller reflected in contemporary art, Zeppelin Museum Friedrichshafen, Germania
Wonder works – Masterpieces from Danish private collections, Kunsten – Museum of Modern Art Aalborg, Aalborg, Danimarca
Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israele
Nature’s Toolbox: Biodiversity, Art and Invention, the Field Museum, Chicago, USA

 

2011
The Divine Comedy, Harvard Graduate School of Design, Cambridge, USA
20 Jahre Gegenwart, MMK Museum für Moderne Kunst Frankfurt, Francoforte, Germania
Cloud Cities, Perth International Arts Festival, Perth, Australia
Redesigning Nature, Städtische Galerie Bremen, Bremen, Germania
The End of Money, Witte de With, Center for Contemporary Art, Rotterdam, Paesi Bassi
Private/Corporate VI. Die Sammlung Juan & Patricia Vergez, Buenos Aires, Argentina, im Dialog mit der Daimler Kunst Sammlung, Stuttgart/Berlin, Daimler Contemporary, Haus Huth, Berlino, Germania
Wir sind alle Astronauten Universum Richard Buckminster Fuller im Spiegel zeitgenössischer Kunst/ We are all astronauts Universe Richard Buckminster Fuller reflected in contemporary art, MARTA Herford, Herford, Germania
Merz World: Yona Friedman & Tomas Saraceno, Cabaret Voltaire, Zurigo, Svizzera

 

2010
Redesigning Nature, Künstlerhaus Wien, Vienna, Austria, curated by Susanne Witzgall, Florian Matzner, and Iris Meder
Realidad y Utopía, Argentiniens künstlerischer Weg in die Gegenwart, Akademie der Künste, Berlino, Germania
Movin’ Space, KUNSTEN Museum of Modern Art Aalborg, Aalborg, Danimarca
Tales of Resistance and Change. Artists from Argentina, Frankfurter Kunstverein, Francoforte sul meno, Germania
Rethink Contemporary Art and Climate Change, Rogaland Art Museum, Stavanger, Norvegia
Art for the world, World Expo Shanghai, Shanghai, Cina
Afuera, Centro Cultural España Córdoba, Córdoba, Argentina, Art Festival
Radical conceptual – Positionen aus der Sammlung des MMK, MMK, Francoforte sul Meno, Germania
Klimakapseln, Museum für Kunst und Gewerbe, Amburgo, Germania
Languages and Experimentations. Young artists in a contemporary collection, MART, Rovereto, Italia
In Defense of Nature, East Ayrshire Museum, Ayrshire, Scozia, Regno Unito
Bianco e Nero, Udine Art Festival, Udine, Italia
Between here and there: Modern and Contemporary Art from the Permanent Collection, Pérez Art Museum Miami, Miami, USA

 

2009
Fare Mondi – Making Worlds, 53rd Biennale di Venezia, Palazzo delle Esposizioni, Venezia, Italia, curated by Daniel Birnbaum
WANAS 2009: FOOTPRINTS, Wanas Foundation, Knislinge, Svezia
In Defense of Nature, Barbican Art Center, Londra, Regno Unito
Life Forms, Bonniers Konsthall, Stoccolma, Svezia
Labyrinth: Freiheit, Franzensfeste Fortress, Fortezza, Italia
Earth – Art of a Changing World, Royal Academy of Arts, Londra, Regno Unito
Dome Culture in the 21st Century, Art in General, New York, USA
Liverpool Biennial 2008, Liverpool, Regno Unito
Multiverse: Directions for the World, A.L.I., Roma, Italia

 

2008
50 Moons of Saturn, T2 Torino Triennale, Torino, Italia
Peripheral Vision and Collective Body, Museion Bolzano, Bolzano, Italia
Experiment Marathon Reykjavic, Reykjavic Art Museum, Reykjavic, Islanda
Kunst Naturligvis, Esbjerg Kunstmuseum, Esbjerg, Danimarca
We have a dream, Spazio Gerra, Reggio Emilia, Italia
Art Focus 5: Can Art Do More?, Gerusalemme, Israele
ROOMING IN! Claus Andersen visits Patricia Low, Patricia Low Contemporary, Gstaad, Svizzera
Psycho Buildings – Artists and Architecture, Hayward Gallery, Londra, Regno Unito
Sonsbeek 2008: Grandeur, Arnhem, Paesi Bassi
Greenwashing, Fondazione Sandretto Re Rebaudengo, Torino, Italia
Megastructure Reloaded, Raumlabor, Berlino, Germania
48°C Public.Art.Ecology, Delhi, India

 

2007
Brave New Worlds, Walker Art Center, Minneapolis, USA
Biennale de Lyon 2007, Lione, Francia
Hector German Oesterheld, La Aventura Continua, Museo de Arte y Memoria, Buenos Aires, Argentina
Poetic Cosmos of the Breath, Air Show Gunpowder Park, Londra, Regno Unito
Still Life Art, Ecology and the Politics of Change, Sharjah Biennal, Sharjah, Emirati Arabi Uniti
On Water, Art Basel, Basel, Svizzera
In Cima alle Stelle. L’Universo tra Arte, Archeologia e Scienza, Aosta, Forte di Bard, Italia
SituazionIsola, a new Urbanism, Isola Art Center, Milano, Italia
Weather Report. Climate Change and Visual Arts, Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, Spagna
The Domain of the Great Bear 3/3 Kosmische Sehnsucht, Kunstraum München e.V., Monaco di Baviera, Germania

 

2006
On Mobility, Berlin Büro Friedrich, Berlino, Germania
On Mobility, De Appel, Amsterdam, Paesi Bassi
Buenos dias Santiago, Museo de Arte Contemporaneo, Santiago del Cile, Cile
I still believe in miracles*, ARC (Musee d’Art moderne de la Ville de Paris), Parigi, Francia
Reconstruction 1, Sudeley Castle, Gloucestershire, Regno Unito, curated by Mollie Dent-Brocklehurst and Elliott McDonald
Busan Biennale, Busan, Corea del Sud
How to live together, 27th São Paulo Biennial, San Paolo, Brasile
Presented by, Galerie Andreas Huber, Vienna, Austria

 

2005
Luna Park. Fantastic Art, Villa Manin Centre for Contemporary Art, Codroipo, Italia
Dialectic of Hope, First Moscow Biennale of Contemporary Art, Mosca, Russia
The Opening, Andersen’s Contemporary, Copenaghen, Danimarca
Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Paesi Bassi
Pursuit of Happiness, Leidsche Rijn, Paesi Bassi
La Strada, Fuori uso 2005, Pescara, Italia
Sehnsüchtig gleiten Ballone rund um die Welt, Green Light Pavilion, Berlino, Germania

 

2004
What is in my apartment when I’m not there, Berlino, Germania
Open Duende, Duende, Rotterdam, Paesi Bassi
Universal Outstretch, Flaca Gallery, Londra, Regno Unito
Common Property, 6. Werkleitz Biennale, Halle, Germania
ZIM- Zwaanshals in Motion, Rotterdam, Paesi Bassi
Do It. Curated by Hans-Ulrich Obrist. Presented by electronic flux corporation

 

2003
Here we come!!! Kunststudentinnen und Kunststudenten stellen aus, Kunst und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germania
Utopia Station, Dreams and Conflicts: The Dictatorship of the Viewer, Biennale Venice, Venezia, Italia
Un-build Cities, Kunstverein Bonn, Bonn, Germania
Art-gentina, The Buena Vista Building, Miami, USA

 

2002
X-position, Architekturzentrum Wien, Vienna, Austria
Peace (end) love istruzioni per la possibilità, Palazzo Bonaguro, Bassano, Italia
Xposition, Berlague Institute, Rotterdam, Paesi Bassi
Next, 8th Venice Biennale of Architecture, Venezia, Italia, curated by Deyan Sudjic.
Mobile HIV/AID Health Clinic for Africa, RIBA, Londra, Regno Unito
El Suelo en Renuncio, Ministerio de fomento Arquería de los Nuevos Ministerios, Madrid, Spagna

 

2001
Real Presence, Tito Museum, Belgrade, Serbia e Montenegro
Neue Welt, Kunstverein Frankfurt, Francoforte sul Meno, Germania
Rundgang, Städelschule, Francoforte sul Meno, Germania

 

1999
City Editing, Fundación proa, Buenos Aires, Argentina
Siglo XX arte y cultura en la Argentina, Centro Cultural Recoleta, Buenos Aires, Argentina

 

1998
Objetos de jóvenes artistas, Centro Cultural Recoleta, Buenos Aires, Argentina

 

INSTALLAZIONI PERMANENTI

2025, The Seeds of Flight , Parkline Place, Sydney, Australia

2024, Cosmic Threads, Planetarium, Copenhagen, Danimarca
2024, Crux Australis 68.0, Ralph S. O’Connor Building for Engineering & Science, Rice University Houston, USA.

2023, Life(s) of Webs : arachnophobias, arachnophilias, and other stories, Palazzo Lanfranchi
2023, Fondazione Matera -Basilicata, Matera, Italia
2023, Cloud Cities: du Sol au Soleil, Domaine des Étangs, Massignac, Francia
2023, Corona Australis 38.39, Fundación Hortensia Herrero, Valencia, Spagna

2022, Zonal Harmonic Constellation 170,000; Zonal Harmonic Constellation 220,000, North Carolina Museum of Art, Raleigh, USA
2022, Tomás Saraceno: Cloud Cities, Mirador Torre Glòries, Barcelona, Spagna
2022, Aerocene: Free the Air. “Orbit -s” For a Post -Fossil Fuel Era, K21 Ständehaus, Düsseldorf, Germany

2021, Awan, 88 Market Street, Singapore
2021, Movement 49.244811, Ruinart, Reims, Francia
2021, Movement 49.053926, Ruinart, Reims, Francia
2021, California Air Resources Board (CARB), Riverside, California, USA

2020, An Open Letter for Invertebrate Rights, Gropius Bau, Berlino, Germania

2019, Cosmic Filament s, Mildred Lane Kemper Art Museum , St. Louis , Missouri, USA
2019, Wolf 359 c/M+M, Denning H ouse, Stanford University, California USA

2019, Sundial for Spatial Echoes, Bauhaus-Museum Weimar, Germania
2017, Gravitational Waves, Z33, Genk, Belgio
2017, Stillness in Motion – 3 Airborne Self-Assemblies, Mapletree, Singapore
2017, Cloud Cities – Nebulous Thresholds, Rollins College, Florida, USA
2017, On Cosmic Clouds, NYU Abu Dhabi Library, Emirati Arabi Uniti
2016, Cloud Cities: HAT-P-12, Taipei, Taiwan
2016, Caelum Dust, University of South Florida, Tampa, USA
2015, Cloud Cities / Air-Port-City, Domaine du Muy, Parc de sculptures contemporaines, Francia
2015, Sundial for Spatial Echoes, Aker Brygge, Oslo, Norvegia
2008, On clouds (Air-Port-City), Towada Arts Center, Towada, Giappone
2007, Flying Garden, EPO Monaco, Germania

 

PUBBLICAZIONI

Saraceno, Tomás, 2025. Cloud Cities Barcelona . Genova, Italia: Asinello Press . (forthcoming)
Saraceno, Tomás, 2024. Life(s) of webs, arachnophobias, arachnophilias and other stories . Milano, Italia: NERO Editions.
Saraceno, Tomás, 2023. AnarcoAracnoAnacroArcano,Parco archeologico di Napoli a Siracusa, Italia. Firenze, Italia: Electa.
Saraceno, Tomás, 2023. Tomás Saraceno in Collaboration: Web(s) of Life. Serpentine Galleries, Londra , Regno Unito . Madrid , Spagna : Ivorypress .
Saraceno, Tomás, 2023. Spiders in Motion, Rainy Commotion. Serpentine Galleries, Londra , Regno Unito . Madrid , Spagna : Ivorypress .
Saraceno, Tomás. 2022. Ocean(s) of Air. Hobart , Australia : Museum of Old and New Art.
Saraceno, Tomás. 2022. From Arachnophobia to Arachnophilia. Library Council of The Museum of Modern Art (MoMA), New York, USA. Artist book.
Saraceno, Tomás with Emma Enderby (ed.). 2022. Particular Matter(s), The Shed. New York , USA : Verlag der Buchhandlung Walther und Franz König.
Saraceno, Tomás. 2020. Event Horizon. Cisternene, Søndermarken. Denmark: Narayana Press.
Saraceno, Tomás. 2020. Tomás Saraceno. Aria. Palazzo Strozzi, Firenze. Venezia , Italia : Marsilio
Saraceno, Tomás. 2018. ON AIR. Carte Blanche à Tomás Saraceno, Palais 28 Le Magazin du Palais de Tokyo, Parigi, Francia
Saraceno, Tomás. 2017. Flying Plaza. Berlino, Germania: Spector Books
Saraceno, Tomás. 2017. Aerocene. Milano, Italia: SKIRA
Saraceno, Tomás. 2017. Arachnid Orchestra. Jam Sessions. Ed. Ute Meta Bauer. Singapore: NTU Centre for Contemporary Art
Saraceno, Tomás. 2017. Aerosolar Journeys. Ed. Schaschl, Sabine, Zechlin, René. Berlino: Walter König
Saraceno, Tomás. 2016. Tomás Saraceno. 163,000 Light Years. Monterrey: MARCO, Museo de Arte Contemporáneo de Monterrey
Saraceno, Tomás. 2015. Aerocene. Berlino, Germania: Studio Tomás Saraceno
Saraceno, Tomás, and Mario Codognato. 2015. Tomás Saraceno: Becoming Aerosolar. Vienna, Austria: Belvedere
Saraceno, Tomás, and Joseph Grima. 2014. Cosmic Jive: The Spider Sessions. Genova, Italia: Asinello Press
Saraceno, Tomás, Meredith Malone, Igor Marjanović, Inés Katzenstein, and D. L Weaire. 2014. Tomás Saraceno: Cloud Specific. Chicago: University of Chicago Press
Saraceno, Tomás, and Sara Arrhenius. 2011. Tomás Saraceno: 14 Billions (Working Title). Milano, Italia: Skira
Saraceno, Tomás, Marion Ackermann, Daniel Birnbaum, Udo Kittelmann, and Hans Ulrich Obrist. 2011 Cloud Cities. Berlin: Distanz Verlag
Saraceno, Tomás, and Juliane von Herz. 2010. Tomás Saraceno: Cloud Cities/Air-Port-City. Bielefeld: Kerber Verlag

 

PREMI (SELEZIONE)

2022

Premio Konex de Platino, Visual Arts Prize. Argentina.

2019
Golden Madonnina, Design Prize

 

2010
1822-Kunstpreis

 

2009
Alexander Calder Prize

 

2003-2004
Fondo Nacional de las Artes-Argentina/ IUAV Venice-Italy
Hessische Kulturstiftung Award and Residency in Rotterdam

 

2003
Bundeswettbewerb des Bundesministeriums für Bildung und Forschung (1st prize)

 

COLLEZIONI PUBBLICHE (SELEZIONE)
Sammlung KiCo, Kunstmuseum Bonn and Lenbachhaus München, Monaco, Germania
Miami Art Museum, Miami, Florida, USA
Museum für Moderne Kunst, Francoforte sul Meno, Germania
Museum of Modern Art, New York, USA
San Francisco Museum of Modern Art, San Francisco, California, USA
Walker Art Center, Minneapolis, Minnesota, USA
Nationalgalerie, Staatliche Museen zu Berlin, Berlino, Germania
Bonniers Konsthall, Stoccolma, Svezia
The National Gallery of Denmark, Copenaghen, Danimarca
Esbjerg Kunstmusem, Esbjerg, Danimarca
Istanbul Modern Art Museum, Istanbul, Turchia
Hamburger Bahnhof – Museum für Gegenwart, Berlino, Germania
Boros Collection, Berlino, Germania
The Collection of Juan Vergez, Buenos Aires, Argentina
BSI Art Collection, Lugano, Svizzera
Mudam Musée d‘Art Moderne Grand-Duc Jean, Lussemburgo
Fondazione La Gaia, Busca, Italia
Fondazione Pierluigi e Natalina Remotti, Camogli, Italia
Fondazione Morra Greco, Napoli, Italia
Fondazione Edoardo Garrone, Genova, Italia
Lumas Foundation, Zurigo, Svizzera
Reykjavik Art Museum, Reykjavik, Islanda

TOMÁS SARACENO

Arachnomancy

2019

Mazzo di tarocchi

22,5 x 16,5 x 1 cm

Edizione di 100

TOMÁS SARACENO

Cumulonimbus City

2005

Stampa offset

34 x 46 cm

Edizione di 120

Michael Beutler (1976 Oldenburg, Germania) vive e lavora a Berlino.

Celebre per le sue installazioni monumentali e site-specific, che trasformano radicalmente la percezione degli spazi architettonici e sociali attraverso l’uso di materiali poveri o industriali, Beutler si distingue per un approccio basato sul processo e sulla partecipazione collettiva. Elemento distintivo della sua pratica è l’ideazione di macchinari manuali costruiti ad hoc e spesso integrati nell’opera stessa, con il fine di trasformare il momento espositivo in un cantiere aperto e dinamico.

Nel corso degli anni, Michael Beutler ha esposto in prestigiosi musei e istituzioni internazionali, come l’Hamburger Bahnhof di Berlino, il Nottingham Contemporary e il Museum für Moderne Kunst di Francoforte, e ha partecipato, tra le altre, alle biennali di Venezia, Berlino e Gwanju.

 

www.michaelbeutler.com

Michael Beutler (1976 Oldenburg, Germania) vive e lavora a Berlino.

FORMAZIONE

1997-2003

Städelschule Frankfurt, Francoforte sul Meno, Germania

 

2000-2001

Master in Belle Arti presso la Glasgow School of Art, Glasgow, Regno Unito

PREMI E RESIDENZE

2013

Atelier Calder (residenza), Saché, Francia

 

2007

mfi-Preis Kunst am Bau, Essen, Germania

 

2006

Borsa di residenza artistica Kunstfonds, Bonn, Germania

 

2005 / 2006

IASPIS Stipendium (residenza), Stoccolma, Svezia

 

2005

Preis für Skulptur und Installation der Öffentlichen Versicherung, Oldenburg, Germania

 

2004

Förderpreis für Kunst des Landes Niedersachsen, Germania

 

2003 / 2004

Pontostiftung, Dresdner Band, Francoforte sul Meno, Germania

 

2024

SCHÖNER WOHNEN, Galerie Bärbel Grässlin, Francoforte, Germania

Mariana Castillo Deball (1975 Città del Messico, Messico) vive e lavora tra Berlino e Città del Messico. La sua pratica interdisciplinare si sviluppa all’intersezione tra arte, archeologia, storia, antropologia e scienze sociali, indagando il ruolo degli oggetti nella costruzione delle narrazioni culturali e della memoria collettiva. Attraverso un’approfondita ricerca d’archivio e il dialogo con collezioni museali, reperti archeologici e sistemi di classificazione del sapere, realizza installazioni, sculture, disegni, opere editoriali e ambienti immersivi che mettono in discussione le modalità con cui la storia viene raccontata, conservata e trasmessa. Mariana Castillo Deball ha esposto in importanti istituzioni internazionali quali il New Museum di New York, l’Hamburger Bahnhof di Berlino, il Centre Pompidou di Parigi e il MACBA di Barcellona. Ha inoltre partecipato a manifestazioni di rilievo internazionale come dOCUMENTA (13), la Biennale di Venezia, la Biennale di Berlino e la Biennale di San Paolo. La sua ricerca artistica si distingue per la capacità di intrecciare discipline diverse e di far emergere connessioni inedite tra passato e presente, interrogando criticamente le strutture di conoscenza e i processi attraverso cui si formano identità, culture e storie condivise.

Mariana Castillo Deball (1975 México City, Mexico), vive e lavora a Berlino.

 

ISTRUZIONE

2002-2003 Dottorato alla Jan Van Eyck Academie, Maastricht, Olanda

1998- 1999 Master in Filosofia. Università Iberoamericana, Messico

1993- 1997 Master in Belle Arti. Università Nazionale del Messico

 

MOSTRE PERSONALI SELEZIONATE

2026

Ella es la luna and she lights the darkness, Neues Museum Nürnberg, Germania

Feathered Changes, Los Angeles County Museum of Art (LACMA), Los Angeles, California, USA

 

2025

Stringing Beads, Dortmunder Kunstverein, Dortmund, Germania

Martha Hellion – Hojas Sueltas Ediciones Sin Límites, a cura di Mariana Castillo Deball e Manuel Raeder, Museo Experimental El Eco, Città del Messico, Messico

 

2024

Vùjá de – Paper Thresholds, Galerie Barbara Wien, Berlino, Germania

The Flames Leave a Feathered Mark, ASU Art Museum Arizona State University, Tempe, Arizona, USA

 

2023

Cada cosa es Babel, Mendes Wood DM, Bruxelles, Belgio

Luce Dietro Tracce Incompiute, MUDEC, Milano, Italia

To-day / A Noite, September 2nd, Pivô, San Paolo, Brasile

 

2022

In a Convex Mirror, Pinksummer, Genova, Italia

Amarantus Artium, Artium Museoa Vitoria-Gasteiz, Spagna

Roman Rubbish, Bloomberg SPACE, Londra, Regno Unito

Amarantus MUAC, Città del Messico, Messico

 

2021

Amarantus. Museum für Gegenwartkunst Siegen, Germania

Amarantus, MUAC, Città del Messico, Messico

Amarantus, Artium Museum (Centro-Museo Vasco de Arte Contemporáneo), Araba, Spagna

Walking through the town I followed a pattern on the pavement that became the magnified silhouette of a woman’s profile, England’s Creative Coast, Regno Unito (commissione con Towner Eastbourne)

 

2020

Mariana Castillo Deball. England’s Creative Coast, Towner Eastbourne, Regno Unito

Between making and knowing something, Modern Art Oxford, Oxford, Regno Unito

 

2019

Replaying Life’s Tape, Monash University Museum of Art, Caulfield, Australia

Mariana Castillo Deball, a solo exhibition, Witte de With, Rotterdam, Paesi Bassi

Mariana Castillo Deball: Finding Oneself Outside, New Museum, New York, USA

 

2018

Amparo Museum Puebla, Puebla, Messico

SCAD Museum of Art, Savannah College of Art and Design, Savannah, Georgia, USA

Barbara Wien Gallery, Berlino, Germania

Magical fatalism Opera about desire and nostalgia, Alumnos 47, Città del Messico, Messico

Statues Also die, Fondazione Sandretto Re Rebaudengo, Torino, Italia

 

2017

Them inside the skin, Mendes Wood DM, Bruxelles, Belgio

Pleasures of association, & poissons, such as love —, Galerie Wedding, Berlino, Germania

Sharjah Biennial 13 Tamawuj, Sharjah, Emirati Arabi Uniti

Mimbres pottery kill hole sequence, Kadist, Parigi, Francia

The tortoise and other footraces between unequal contestants, Pinksummer, Roma, Italia

 

2016

Feathered Changes, Serpent Disappearances, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, California, USA

 

2015

Reliefpfeiler, Barbara Wien Gallery, Berlino, Germania

Chronotropo, Musée Régional D’art Contemporain Languedoc-Roussillon, Sérignan, Francia

¿Quién medirá el espacio, quién me dirá el momento?, Museo de Arte Contemporáneo de Oaxaca MACO, Oaxaca, Messico

 

2014

Parergon, Hamburger Bahnhof – Museum für Gegenwart, Berlino, Germania

Vista de Ojos, Kurimanzutto, Città del Messico, Messico

Moi-Peau, Kunsthalle Lisbon, Lisbona, Portogallo

 

2013

Tamoanchan, Pinksummer, Genova, Italia

Palavra e pedra solta não têm volta, Mendes Wood, San Paolo, Brasile

What we caught we threw away, what we didn’t catch we kept, CCA Glasgow, Regno Unito

What we caught we threw away, what we didn’t catch we kept, Chisenhale Gallery London, Londra, Regno Unito

TEOR/éTica, San José, Costa Rica

 

2012

Zurich art prize, Haus Konstruktiv, Zurigo, Svizzera

 

2011

We are silently illiterate, Galerie Wien Lukatsch, Berlin, Germania

Este desorden construido, autoriza geológicas sorpresas a la memoria mas abandonada, Museo experimental, El Eco, Città del Messico, Messico

Figures don‘t lie but liars can figure, Pink Summer, Genoa, Italy

2010

Between you and the image of you that reaches me. Museum of Latin American Art, Long beach, California, USA

Solo show, SCHAU ORT Elisabeth Kaufmann + Christiane Büntgen, Zurich, Swiss

2009

Kaleidoscopic Eye, Kunst Halle Sankt Gallen, St. Gallen, Swiss

2008

DO UT DES. Objectif_exhibitions, Antwerp, Belgium

Nobody was tomorrow. Galerie Wien Lukatsch, Berlin, Germania

2006

Estas Ruinas que ves. Museum of contemporary Art Carrillo Gil, Città del Messico, Messico

2005

Time takes no time in a story. Adamski gallery, Aachen, Germania

2004

Institute of Chance. Prix de Rome. Stedelijk Museum, Amsterdam, Netherlands

Never odd or Even. Marres, Center for contemporary art, Maastricht, Netherlands

2003

Interlude: The reader’s traces. Intervento alla libreria nazionale di Parigi, Public library in New York and the National library in Berlin. Contributions by: Paul Elliman, Hubert Czerepok, Dario Gamboni, Raimundas Malasauskas, Harry Mathews, Peter Piller, Manuel Raeder, Steve Rushton, Enrique Vila-Matas

To look for a needle in a haystack. Stephan Adamsky gallery, Aachen, Germania

Nine chains to the moon. Jan van Eyck Academie, Maastricht, Netherlands

2002

The wall and the books: 987 words stolen from a library. Library and gallery space Jan van Eyck Academy. Maastricht, Netherlands

Stochastic Archives, Sala de Arte Público Siqueiros, Città del Messico, Messico

Selected group exhibitions

2024

Fictions: Narrativity in Contemporary Art, MAZ, Zapopan, Jal., MX

Pre-Architecture, CIVA, Brussels, BE

Forgive Us Our Trespasses, HKW, Berlin, DE

Tangente, Festival for Contemporary Culture, St. Pölten, AT

Dibújame un mapa de lo que no verás, Casa del Lago Juan José Arreola UNAM, MX

Indigenous Histories, Kode, Bergen, NO

The Paradoxes of Internationalism (As narrated by the Museo Tamayo Collection) Part II, Museo Tamayo, Città del Messico, Messico

Spaces of Possibility, Bruges Triennial, BE

Ten Thousand Suns, The 24th Biennale of Sydney, AU

Rituals of Daily Life, Collegium, Arevalo, ES

2023

lnto Nature: Time Horizons, Borger-Odoorn, The Netherlands: July, 29 –  October 29, 2023

Linhas Tortas, Mendes Wood DM Sao Paulo, Brasil

Imaginario Coyolxauhqui, Museo del banco de Mexico, Città del Messico, Messico

El fin de los tiempos: Narrativas del fin de un Mundo en el imaginario mexicano, Museo de Antropología, Città del Messico, Messico

 

2022

As Hardly Found in the Art of Tropical Architecture, Architectural Association, London, UK Ceremony (Burial of an Undead World), Haus Kulturen der Welt, Berlin

Hasta que los cantos broten (Until The Songs Spring) Mexican Pavillion at the 59th international Art Exhibition of La Biennale di Venezia, Italy. Curated by Catalina Lozano and Mauricio Marcín

Publishing practices, Archive books, SAAVY, Berlin, Germania

mixed up with others before we even begin, MUMOK, Vienna, Austria. Curated by Franz Thalmair

2019

Time for Fragments – Works from the Marx Collection and the Collection of the Nationalgalerie, Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germania

2018

6th Biennale Gherdëina, Gherdëina, Italy

Rogerio Duarte Marginalia 1, Museo Jumex, Città del Messico, Messico

Magical fatalism Opera about desire and nostalgia, Alumnos 47, Città del Messico, Messico

Statues Also die, Fondazione Sandretto Re Rebaudengo, Turin, Italy

2017

A Universal History of Infamy, LACMA, Los Angeles, USA

Neither., Mendes Wood DM, Brussels, Belgium

Recouvrir, ensabler, copier, traduire, restituer, Kadist Foundation, Parigi, Francia

Soil and Stones, Souls and Songs, Parasite, Hong Kong, China

Sharjah Biennial 13, Sharjah, United Arab Emirates

Proyecto líquido. Deseo, Alumnos 47, Città del Messico, Messico

Beyond the Box. Sammlung Dohmen, Leopold-Hoesch-Museum, Düren, Germania

Touch Base, Studio Flotti, Berlin, Germania

Lecturas de un territorio fracturado, Museum Amparo, Puebla, Messico

While I was also Listening To…, La criée – centre d‘art contemporain, Rennes, Francia

The Politics of Archeology (working title), Kadist, Parigi, Francia

Tamawuj, Sharjah Biennial 13, Sharjah, United Arab Emirates

Universal History of Infamy, LACMA, Los Angeles, USA

2016

¿Cómo vivir mejor con menos?, Bienal FEMSA, Monterrey, Messico

Incerteza Viva, 32nd São Paolo Biennial, São Paolo, Brasil

Proyecto líquido. Deseo, Alumnos 47, Città del Messico, Messico

rainbow caravan, Aichi Triennale, Nagoya City Art Museum, Nagoya, Japan

SITElines2016. Much wider than a line, SITE Santa Fe, USA

In The Belly of the Whale, Witte de With Center for Contemporary Art, Rotterdam, Netherlands

Liverpool Biennial, Liverpool, UK

30th Anniversary Grazer Kunstverein, Graz, Austria

Under the Same Sun, The South London Gallery, London, UK

Unresolved, De Appel Art Centre, Amsterdam, Netherlands

All Heritage is Poetry, Fórum Fundaçao Eugénio de Almeida, Portugal

Another Reality. After Lina Bo Bardi, Stroom Den Haag, Netherlands

Riddle of the Burial Grounds, Antwerp, Belgium

El orden Natural de las Cosas, Museo Jumex, Città del Messico, Messico

2015

The Art of Preservation, Draiflessen Collection, Mettingen, Germania

Under the Same Sun: Art from Latin America Today, Museo Jumex, Città del Messico, Messico

Objetos Frontera, CA2M, Madrid, Spain

Riddle of the Burial Ground, Project Arts Centre, Dublin, Ireland

Ce qui ne sert pas s’oublie, CAPC Musée d’Art Contemporain de Bordeaux, Francia

Sebald Variations, CCCB Centre de Cultura Contemporania de Barcelona, Spain

The Parliament of Things, Firstsite, Colchester, UK

Beyond Borders

, Fifth edition of Beaufort, Triennial of Contemporary Art by the Sea, Belgium

Biennial of the Americas, Denver, Colorado, USA

Panorama, The High Line, New York, USA

2014

¡Puro mexicano! Tres momentos de creación, MUNAL, Città del Messico, Messico

Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA

Der Leone Have Sept Cabeças, CRAC Alsace, Altkirch, Francia

8th Berlin Biennale for Contemporary Art, Berlin, Germania

Playgrounds Reinventar la plaza, Museo Reina Sofia, Madrid, Spain

Les Mots Bleus – Biennale de Belleville 3, Parigi, Francia

TransVisible, 19 Bienal Paiz Guatemala – Artecentro Graciela Andrade de Paiz, Guatemala City, Guatemala

Post / Postminimal – Kunstmuseum St.Gallen, St. Gallen, Swiss

Future Perfect, Contemporary Art From Germany – Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland

Bibliologie – FRAC – Haute-Normandie, Sotteville-lès-Rouen, Francia

2013

Preis der Nationalgalerie für junge Kunst, Hamburger Bahnhof, Berlin, Germania

how to write II, Galerie Wien Lukatsch, Berlin, Germania

The Way of the Shovel, MCA Chicago, USA

Future Perfect, Kunstverein Frankfurt, Germania

Arqueológicas, Matadero, Madrid, Spain

2012

dOCUMENTA (13), Kassel, Germania

Serpentine Gallery Memory Marathon, London, UK

Lieber Aby Warburg, Was tun mit Bildern, Museum für Gegenwartskunst Siegen, Siegen, Germania

Olinka, or Where Movement Is Created, Museo Rufino Tamayo, Città del Messico, Messico

Life Is Elsewhere, Galerie im Körnerpark, Berlin-Neukölln, Germania

LA IDEA DE AMÉRICA LATINA, Centro Andaluz de Arte Contemporáneo, Sevilla, Spain

Nos hicimos la ilusión de avanzar directamente, Espai Cultural de Barcelona, Barcelona, Spain

Colección: el crimen fundacional, MUCA Roma, Città del Messico, Messico

Un ojo, dos ojos, tres ojos, Mariana Castillo Deball/Irene Kopelman (Uqbar), Casa Vecina, Città del Messico, Messico

Never odd or Even, Museum of contemporary art, Roskilde, Denmark

Printin’, curated by Ellen Gallagher and Sarah Suzuki, Museum of Modern Art, New York, USA

Resisting the present, Musée d’Art moderne de la Ville de Parigi, Francia

Esquemas para una Oda Tropical, Galeria Luisa Strina, Rio de Janeiro, Brasil

2011

The Future Lasts Forever, Gävle Konstcentrum, Gävle, Sweden

Never odd or Even, Grimm Museum, Berlin, Germania

Section Folklorique / Cabinet de Curiosités, Zeeuws Museum, Zeeland, Netherlands

La Vie Mode d’Emploi (Life A User’s Manual), Meessen De Clercq, Brussels, Germania

Homo Ludens, Motive Gallery, Amsterdam, Netherlands

Resisting the present, Museo Amparo, Puebla, Messico

The Eye is a Lonely Hunter – Images of Humankind, 4. Fotofestival Mannheim Heidelberg Ludwigshafen, Germania

Inanimate beings, La Casa Encendida, Madrid, Spain

Magical Consciousness, Arnolfini, Bristol, UK

What about this, Galerie Andreas Huber, Wien, Austria

INCIDENTES DE VIAJE ESPEJO EN YUCATÁN Y OTROS LUGARES, Museo Tamayo, Città del Messico, Messico

Fleeting Stories/Historias Fugaces, LABoral, Gijón, Spain

54th Venice Biennale Illuminations, Venice, Italy

Amikejo 2 – men-show, Mariana Castillo Deball/Irene Kopelman (Uqbar), MUSAC Museo de Arte Contemporaneo de Castilla y León, León, Spain

Shadowboxing, Royal College of Art: Curating Contemporary Art MA, London, UK

AEther – Une proposition de Christoph Keller, Centre Pompidou, Parigi, Francia

2010

Ars viva award, History, Kölnischer Kunstverein, Cologne, DE; Migros Museum, Zurich, Swiss

No Soul For Sale, Festival of independents, presenting with Peep-Hole. Tate Modern, London, UK

Ginger Goodwin Way, OR gallery, Vancouver, Canada

For the blind man in the dark room looking for the black cat that isn’t there, Touring exhibition: Museum of Contemporary Art in Detroit; ICA, London (UK); de Appel, Amsterdam (Netherlands); Culturgest, Lisbon (Portugal)

The Heart of the Thing Is the Thing We Don’t Know, James Galley, CUNY Graduate Center, New York, USA

2009

Ars viva award, History, Museum Wiesbaden, Germania

This place you see has no size at all…, Kadist Art Foundation, Parigi, Francia

El Patio de mi casa, Cordoba, Spain

Athens biennial, Heaven, Athens, Greece

The Happy Interval, Tulips & Roses, Vilnius, Lithuania

What are we going to do after we’ve done what we’re doing to do next?, MACBA, Contemporary Art Museum, Barcelona, Spain

Paper exhibition, Artist space, New York, USA

The Malady of Writing, MACBA Contemporary Art Museum, Barcelona, Spain

A Fantasy for Allan Kaprow, Contemporary Image Collective, Cairo, Egypt

For the blind man in the dark room looking for the black cat that isn’t there, Contemporary art museum Saint louis, USA

Performa, Lectures and exhibition at Cabinet Magazine Space, New York, USA

Sequelism: Part 3, Arnolfini, Bristol, UK

Extranjeros en la cultura y en la tecnología, Espacio Fundación Telefónica, Buenos Aires, Argentina

Chapter 2 (the repetition), Parc Culturel de Rentilly, Francia

2008

22nd Ateliers Internationaux, Frac des Pays de la Loire, Carquefou, Francia

Galeria Sentimental, Tensta konsthall, Stokolm, Sweden

Salon of the revolution, 29th Youth Salon, Zagreb, Croatia

One of these things is not like the other things, 1/9 unosunove, Rome, Italy

Manifesta 7, Rovereto, Italy. In collaboration with Irene Kopelman, Uqbar

Shanghai Biennial, Shanghai, China

Blackboxing at artistspace, (screening) New York, USA

Master Humphrey’s Clock, De appel, Amsterdam, Netherlands

Sensitive Timelines, 26cc, Rome, Italy

Object, The Undeniable Success Of Operations, SMBA, Amsterdam, Netherlands

Seven Times Two or Three, CUBITT, London, UK

Selective Knowledge, The National Bank of Greece Cultural Foundation/MIET, Athens, Greece

2007

A for Alibi, De appel, Amsterdam, Netherlands

Transacciones Filosóficas, Historical Observatory, Córdoba, Argentina

The Book, Heidelberg Kunstverein, Heidelberg, Germania

Extraordinary Rendition, NoguerasBlachard, Barcelona, Spain

The last piece of John Fare, GB Agency, Parigi, Francia

Blackboxing, Project, Dublin, Ireland

24th Memorial Nadežda Petrovic, Cacak, Serbia

2006

Just in Time, Stedelijk Museum, Amsterdam, Netherlands

10 Defining Experiments, Cisneros Fontanals Art Foundation, Miami, USA

Concerning knowledge, BAK, Utrecht, Netherlands

Resonances, Stuk, Leuven, Belgium, and Artis, Den Bosch, Netherlands

A place in Time, Campr Street, City of San Antonio, Texas, USA

Redo/Undo, Kunsthalle Fridericianum, Kassel, Germania

Mercury in Retrograde, De Appel, Amsterdam, Netherlands

Friends and Enemies, Gagosian Gallery, Berlin, Germania

2005

“Today, November 20”, If I can’t dance – I don’t want to be part of your revolution. Production in sequences Leiden, Netherlands

Tropical Abstraction, Stedelijk Bureau, Amsterdam, Netherlands

BMW, 9th Baltic Triennial of Art, Contemporary art center Vilnius, Lithuania

“Blackboxing”, If I can’t dance – I don’t want to be part of your revolution. Production in sequences, Utrecht, Netherlands

5ª Bienal de Artes Visuales del Mercosur, Porto Alegre, Brasil

2004

Bucket Brigade. Firehouse Center for Contemporary art, Burlington, USA

Black Friday. Galerie Kamm, Berlin, Germania

GPB 2004, Galeri Pastor Bonus. Exteresa Arte Actual, Città del Messico, Messico

Valenzuela y Klenner Arte Contemporaneo, Bogotá, Colombia

Fotogalleriet, Oslo, Norway

2003

Outside of a Dog: Paperbacks and Other Books by Artists, Baltic, International center for contemporary art Gateshead, UK

“24/7”. New York – Vilnius, CAC, Vilnus, Lithuania

20 million mexicans can’t be wrong, Southampton gallery, UK

En un mar en el que no se nada. Paris Photo, Project Room, Parigi, Francia

Aparentemente Sublime. Museum of Modern art, Città del Messico, Messico

every piece is the show luxe projects, New York, USA

2002

PULPA. Arte, literatura, moda, diseño y algo más Centro de Arte Contemporáneo Wifredo Lam, La Habana, Cuba

Titel folgt Neuer Aachener Kunstverein, Aachen, Germania

Volkskrant Regular (True Type) de Volkskrant, Amsterdam, Netherlands

Bonnefanten magazine, Maastricht, Netherlands

A to Z. Museum in progress. Vienna, Austria

2001

Registro/Registre, Galeria Banyoles, Spain

Se rendre a l’evidence, Centre Culturel du Mexique, Parigi, Francia

XI Bienal Internacional, Vila Nova de Cerveira, Portugal

2000

Los libros de otros, Museo de la ciudad de Città del Messico, Messico

Gráfica actual, Instituto de artes gráficas de Oaxaca, Messico

Exposición colectiva, MUCA, Roma, Italy

1999

City editings. ZMVM: Zona Metropolitana del valle de México, Instituto Goethe, Buenos Aires, Argentina

El arte de los libros de artista: Homenaje a Ulises Carrión, Biblioteca México, Messico

Exhibición de cortometrajes, Centro de la imagen, Città del Messico, Messico

Prizes

2015 Premio ARCO Comunidad de Madrid para jóvenes artistas, Madrid, Spain

2013 First Prize, Preis der Nationalgalerie für junge Kunst, Berlin, Germania

2012 Zurich Art Prize, Museum Haus Konstruktiv, Zurich, Swiss

2009 Ars-viva award, History, Germania

2004 Prix de Rome/first prize. Amsterdam, Netherlands

2002 Grant for postgraduate studies CONACULTA (National Council for the culture and arts), Messico

2001 Young artists Grant. National Council for the culture and arts, Messico

Artist residencies

2016 18th Street Art Centre, Los Angeles, USA

2012 Cove Park, Henry Moore Foundation, Scotland, UK

2011 DAAD residency, Berlin, Germania

2010 Capacete, Sao Paulo, Brasil. Residency July–October, 2010

2009 Capacete, Rio de Janeiro, Brasil. Residency March-June, 2009

2008 22e ateliers internationaux of Frac des Pays de la Loire, Francia

2006 Cisneros Fontanals Art Foundation, Miami, USA

2001 Grant Unesco/Ashberg. Vila Nova de Cerveira, Portugal

Selected publications

Mariana Castillo Deball. Parergon, exhibition catalogue for Nationalgalerie – Staatliche Museen zu Berlin, ed. By Melanie Roumiguière, Verlag der Buchhandlung Walther König, Köln, 2014.

Ixiptla is a journal on trajectories of Anthropology, edited by Mariana Castillo Deball, published at bom dia boa tarde boa noite:

Vol. I (English) was published on the occasion of Expedite Expression, 8th Berlin Biennale for Contemporary Art, Berlin, 2014.

Vol. II (English and German) was published on the occasion of Parergon, Hamburger Bahnhof Museum für Gegenwart, Berlin, 2014.

Vol. III (Spanish) was published on the occasion of Who will measure the space, who will tell me the time?, Museo de Arte Contemporáneo de Oaxaca, 2015.

Uncomfortable Objects, Haus Konstruktiv, Zurich, 2012

Finding Oneself Outside: Published on the occasion of dOCUMENTA (13), bom dia boa tarde boa noite, 2012

Never odd or Even, Volume II, bom dia boa tarde boa noite, 2011

Coyote Anthropology: A Conversation in Words and Drawings, Mariana Castillo Deball & Roy Wagner, Series: dOCUMENTA (13): 100 Notizen – 100 Gedanken No. 024. Hatje Cantz, 2011

Philosophical Transactions, Uqbar Foundation, 2009

Kaleidoscopic Eye, Kunsthalle Sankt Gallen, 2009

Fuga di un piano. Manifesta 7, Rovereto, Italy, 2008

Estas Ruinas que ves/These Ruins you see. Museo Carrillo Gil/CONACULTA, Messico 2008

A for Alibi, Uqbar Foundation/Sternberg press, 2007

Today: November 30, 2006. Newspaper

Today: November 20, 2005. Newspaper

Interlude: The reader’s traces. Jan van Eyck Academie / revolver, 2005

Never odd or Even. Marres, center for contemporary art/revolver, 2005

An interview with a goalkeeper about chance, intelligence and humour, Jan van Eyck Academie, 2003

Time containers. Hochschule für bildende Künste, Hamburg, 2004

Rocket scientists breakfast. Contribution for D-magazine, 2003

An interview with a goalkeeper about chance, intelligence and humour, Jan van Eyck Academie. In the context of the show To look for a needle in a haystack, 2003

No one can win against kipple. In collaboration with Hubert Czerepok. Maastricht, NL: Jan van Eyck Academie,

2003

Interlude: The reader’s traces. Poster and inserts in the context of the library project. Contributions by: Paul Elliman, Dario Gamboni, Raimundas Malasauskas, Harry Mathews, Peter Piller, Manuel Raeder, Steve Rushton, Enrique Vila-Matas, 2003

Penser/Classer. Edited by the Jan van Eyck Academie, 2002

Monuments Vilnius In Early Edition of the 24/7 newspaper (exh. cat.: 24/7 Wilno – Nueva York, Visa Para). Vilnius. LT: Contemporary Art Centre (CAC)

Monuments or souvernirs. In Proceeding #1: DAKAR 5-19/05/2002 (pp. 136-141). Maastricht, NL: Jan van Eyck Academie

Artist’s books. Edition with Martha Hellion and Issa Maria Benítez, Turner, 2003

Selected conferences, talks, teaching

2016

Lecture event with Mathew Robb, Kadist Art Foundation, San Francisco, USA

Lecture, Miércoles de SOMA, SOMA, Città del Messico, Messico

since 2015

Sculpture professor at the Academy of Fine Arts Muenster, Muenster, Germania

2015

Lecture, San Francisco Art Institute, San Francisco, USA

2013

Conversation with Chris Gosden, Chisenhale Gallery, London, UK

Screening and lecture, CCA, Glasgow, Scotland, UK

2012

Memory Marathon, Serpentine Gallery, 2012

Dialogue, Bice Curiger and Mariana Castillo Deball, Museum Haus Konstruktiv, Zurich, Swiss

Guest tutoring, Piet Zwart Institute, Rotterdam, Netherlands

Dialogue zur Kunst und Architektur, Cabaret Voltaire, Zurich, Swiss with Laurent Bartholdi, from Mathematics Institute Göttingen

Prodoc Art&Science, discussion with Dario Gamboni, Nina Zschocke and phd students, Museum Haus Konstruktiv, Zurich, Swiss

Never odd or Even, performance, dOCUMENTA, Kassel, Germania

08.06.12 Abraham Cruzvillegas and Mariam Ghani

26.07.12 with Mario Bellatin, Michael Portnoy and Eva Scharrer

14.09.12 with Marcos Lutyens and Anna Szaflarski

Blackbox, dOCUMENTA, Kassel, DE, Michael Taussig, Paul Chan and Mariana Deball

Lecture, Staatliche Akademie der Bildenden Künste Karlsruhe, Germania

Lecture, Fondazione march, Padua, Italy

Never odd or Even, performance, SOMA, Città del Messico, Messico

26.01.12 Maia Fernandez Miret and Daniel Saldaña

2011

Never odd or Even, performance, Grimmuseum, Berlin, Germania

01.10.11 Ana Teixeira Pinto and Armando Andrade Tudela

22.10.11 Sophie Goltz and Ingo Niermann

Lecture, UdK Seminar Ariane Beyn, Berlin, Germania

2010

Map Marathon, Serpentine Gallery, London. In collaboration with Amalia Pica

Lecture, No Soul For Sale, Tate Modern, London, UK

Lecture, AAMAM/Capacete, Sao Paulo, Brazil 2010

Workshop together with Irene Kopelman. Within the exhibition The Malady of Writing, MACBA, Barcelona, Spain

Seeing and Naming, Honours Class Seminar, Institute for Practice-based Research in the Arts, The Hague, Netherlands

Workshop, Master of art in public sphere (MAPS), Geneva, Swiss

2009

Roger Caillois and the ‘kaleidoscopic intelligence’, Lecture. Université de Genève, unité d’histoire de l’art

ACTUALITE DE LA RECHERCHE. MA d’histoire de l’art, prof. Dario Gamboni Workshop, Master of art in public sphere (MAPS). Geneva, Sankt Gallen, Swiss

Philosophical Transactions, Book presentation, Centro Cultural España Córdoba-Buenos Aires, Argentina Uqbar (Irene Kopelman, Mariana Castillo Deball)

Sobre a insconstancia da alma salvagem, Workshop and Lecture, Capacete, Rio de Janeiro, Brazil

Libre Tiraje: Primer Encuentro de gráfica y escritura, Lecture, Oaxaca, Messico

Un ojo, dos ojos y tres ojos, Workshop together with Irene Kopelman, CAAM, Canarias, Spain

2008

Hacia una ecuación personal/Towards a personal equation, lecure in the context of the coloquium:

Extranjeros en la cultura y en la tecnología, Espacio Fundación Telefónica de Buenos Aires, Argentina

Estas Ruinas que ves/These Ruins you see, book presentation. Museo Carrillo Gil, Città del Messico. With: Jesse Lerner, Renato Gonzalez Mello, Manuel Raeder and Adam Sellen

2007

Storytelling, Seminar by Uqbar (Kopelman, Deball), for the MA students of the PZ Intitute, Rotterdam, Netherlands

November 2007–January 2008

Memories Encased: Collecting and Inventing Our Cultural Memory, Symposium, October 9, 10, 11, 2007 in Mérida, Yucatán. National University

Contemporary Archaeology, Workshop for the students at the School of Arts, Mérida, Yucatán

2006

Concerning Knowledge Production, BAK, Utrecht, Netherlands

Libraries and Contemporary Art, Conference, in collaboration with Dario Gamboni, Bibliotheque National de France, Parigi, Francia

A for Alibi. Symposium. Universiteits Museum, Utrecht, Netherlands

2005

Curating the library, DeSingel, Antwerp, Belgium

Blackboxing, Espacio 111, Città del Messico, Messico

Interlude: the reader’s traces. Booklaunch – lecture. Stedelijk Museum, Amsterdam, Netherlands

Never Odd or Even. Lecture, Marres, center for contemporary art

International Summer School in the History of Science, University Museum, Utrecht, Netherlands

2004

Institute of Chance. Lecture in the context of the series “Contemporary history” Marres, center for contemporary art, Maastricht, Netherlands

Time containers. Workshop. Hochschule für bildende Künste, Hamburg, Germania. In collaboration with Manuel Raeder

2003

Monday Night. 16 Beaver. New York, USA

Souvenirs or Monuments Launch of Proceeding #1: Dakar 5–19/05/2002. Amsterdam, Netherlands: Stedelijk Museum/Jan van Eyck Academie

Public collections

LACMA, Los Angeles County Museum of Art, Los Angeles, USA

JUMEX Collection, Città del Messico, Messico

Castello di Rivoli, Turin, Italy

CA2M (Centro de Arte Dos de Mayo) , Móstoles, Madrid, Spain

Guggenheim Museum, New York, USA

Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

ifa (Institut für Auslandsbeziehungen) Stuttgart, Germania

Museum of Modern Art, New York, USA

Kunsthalle St. Gallen, Swiss

The Fundación Cisneros/colección Patricia Phelps de Cisneros (FC/CPPC), Caracas/New York

Museo Amparo, Puebla, Messico

Museum für Gegenwartskunst Siegen, Germania

Kadist Art Foundation, San Francisco, USA