Mariana Castillo Deball
Nata a Città del Messico nel 1975.
Vive e lavora a Berlino.
EDUCAZIONE
2002-2003 Postgraduate program Jan Van Eyck Academie, Maastricht, Paesi Bassi
1998- 1999 MA Philosophy. Iberoamerican University, Messico
1993- 1997 MA Fine art. National University of Mexico, Messico
MOSTRE PERSONALI
2024
Firesong for the bees, a tree of clay, Brugge Triennial, Bruges, Belgio
2022
In a Convex Mirror, Pinksummer, Genova, Italia
Amarantus Artium, Artium Museoa Vitoria-Gasteiz, Spagna
Roman Rubbish, Bloomberg SPACE, Londra, Regno Unito
Amarantus MUAC, Città del Messico, Messico
2021
Amarantus. Museum für Gegenwartkunst Siegen, Germania
Amarantus, MUAC Mexico City, Città del Messico, Messico
Amarantus, Artium Museum (Centro-Museo Vasco de Arte Contemporáneo), Araba, Spagna
Walking through the town I followed a pattern on the pavement that became the magnified silhouette of a woman’s profile, England’s Creative Coast, Regno Unito (commission with Towner Eastbourne)
2020
Mariana Castillo Deball. England’s Creative Coast, Towner Eastbourne, Regno Unito
Between making and knowing something, Modern Art Oxford, Oxford, Regno Unito
2019
Replaying Life’s Tape, Monash University Museum of Art, Caulfield, Australia
Mariana Castillo Deball, a solo exhibition, Witte de With, Rotterdam, Paesi Bassi
Mariana Castillo Deball: Finding Oneself Outside, New Museum, New York, Stati Uniti d’America
2018
Amparo Museum Puebla, Puebla, Messico
SCAD Museum of Art, Savannah College of Art and Design, Savannah Georgia, Stati Uniti d’America
Barbara Wien Gallery, Berlino, Germania
Magical fatalism Opera about desire and nostalgia, Alumnos 47, Città del Messico, Messico
Statues Also die, Fondazione Sandretto Re Rebaudengo, Torino, Italia
2017
Them inside the skin, Mendes Wood DM, Bruxelles, Belgio
Pleasures of association, & poissons, such as love —, Galerie Wedding, Berlino, Germania
Sharjah Biennial 13 Tamawuj, Sharjah, Emirati Arabi Uniti
Mimbres pottery kill hole sequence, Kadist, Parigi, Francia
The tortoise and other footraces between unequal contestants, Pinksummer, Roma, Italia
2016
Feathered Changes, Serpent Disappearances, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, Stati Uniti d’America
2015
Reliefpfeiler, Barbara Wien Gallery, Berlino, Germania
Chronotropo, Musée Régional D’art Contemporain Languedoc-Roussillon, Sérignan, Francia
¿Quién medirá el espacio, quién me dirá el momento?, Museo de Arte Contemporáneo de Oaxaca MACO, Oaxaca, Messico
2014
Parergon, Hamburger Bahnhof – Museum für Gegenwart, Berlino, Germania
Vista de Ojos, Kurimanzutto, Città del Messico, Messico
Moi-Peau, Kunsthalle Lisbona, Portogallo
2013
Tamoanchan, Pinksummer, Genova, Italia
Palavra e pedra solta não têm volta, Mendes Wood, San Paolo, Brasile
What we caught we threw away, what we didn’t catch we kept, CCA Glasgow, Scozia, Regno Unito
What we caught we threw away, what we didn’t catch we kept, Chisenhale Gallery London, Londra, Regno Unito
TEOR/éTica, San José, Costa Rica
2012
Zurich art prize, Haus Konstruktiv, Zurigo, Svizzera
2011
We are silently illiterate, Galerie Wien Lukatsch, Berlino, Germania
Este desorden construido, autoriza geológicas sorpresas a la memoria mas abandonada, Museo experimental, El Eco, Città del Messico, Messico
Figures don‘t lie but liars can figure, Pinksummer, Genova, Italia
2010
Between you and the image of you that reaches me. Museum of Latin American Art, Long beach, California, Stati Uniti d’America
Solo show, SCHAU ORT Elisabeth Kaufmann + Christiane Büntgen, Zurigo, Svizzera
2009
Kaleidoscopic Eye, Kunst Halle Sankt Gallen, Svizzera
2008
DO UT DES. Objectif_exhibitions, Anversa, Belgio
Nobody was tomorrow. Galerie Wien Lukatsch, Berlino, Germania
2006
Estas Ruinas que ves. Museum of contemporary Art Carrillo Gil, Città del Messico, Messico
2005
Time takes no time in a story. Adamski gallery, Aachen, Germania
2004
Institute of Chance. Prix de Rome. Stedelijk Museum, Amsterdam, Paesi Bassi
Never odd or Even. Marres, Center for contemporary art, Maastricht, Paesi Bassi
2003
Interlude: The reader’s traces. Intervention in the National library a Parigi, Public library a New York and the National library a Berlino. Contributions by: Paul Elliman, Hubert Czerepok, Dario Gamboni, Raimundas Malasauskas, Harry Mathews, Peter Piller, Manuel Raeder, Steve Rushton, Enrique Vila-Matas
To look for a needle in a haystack. Stephan Adamsky gallery, Aachen, Germania
Nine chains to the moon. Jan van Eyck Academie, Maastricht, Paesi Bassi
2002
The wall and the books: 987 words stolen from a library. Library and gallery space Jan van Eyck Academy. Maastricht, Paesi Bassi
Stochastic Archives. Sala de Arte Público Siqueiros, Città del Messico, Messico
MOSTRE COLLETTIVE
2022
Until the Songs Spring, Mexican Pavilion, 59th International Art Exhibition alla Biennale di Venezia, Venezia, Italia
2019
Time for Fragments – Works from the Marx Collection and the Collection of the Nationalgalerie, Hamburger Bahnhof – Museum für Gegenwart, Berlino, Germania
2018
6th Biennale Gherdëina, Gherdëina, Italia
Rogerio Duarte Marginalia 1, Museo Jumex, Città del Messico, Messico
Magical fatalism Opera about desire and nostalgia, Alumnos 47, Città del Messico, Messico
Statues Also die, Fondazione Sandretto Re Rebaudengo, Torino, Italia
2017
A Universal History of Infamy, LACMA, Los Angeles, Stati Uniti d’America
Neither., Mendes Wood DM, Bruxelles, Belgio
Recouvrir, ensabler, copier, traduire, restituer, Kadist Foundation, Parigi, Francia
Soil and Stones, Souls and Songs, Parasite, Hong Kong, Cina
Sharjah Biennial 13, Sharjah, Emirati Arabi Uniti
Proyecto líquido. Deseo, Alumnos 47, Città del Messico, Messico
Beyond the Box. Sammlung Dohmen, Leopold-Hoesch-Museum, Düren, Germania
Touch Base, Studio Flotti, Berlino, Germania
Lecturas de un territorio fracturado, Museum Amparo, Puebla, Messico
While I was also Listening To …, La criée – centre d‘art contemporain, Rennes, Francia
The Politics of Archeology (working title), Kadist, Parigi, Francia
Tamawuj, Sharjah Biennial 13, Sharjah, Emirati Arabi Uniti
Universal History of Infamy, LACMA, Los Angeles, Stati Uniti d’America
2016
¿Cómo vivir mejor con menos?, Bienal FEMSA, Monterrey, Messico
Incerteza Viva, 32nd São Paolo Biennial, Brasile
Proyecto líquido. Deseo, Alumnos 47, Città del Messico, Messico
rainbow caravan, Aichi Triennale, Nagoya City Art Museum, Giappone
SITElines2016. Much wider than a line, SITE Santa Fe, Stati Uniti d’America
In The Belly of the Whale, Witte de With Center for Contemporary Art, Rotterdam, Paesi Bassi
Liverpool Biennale, Liverpool, Regno Unito
30th Anniversary Grazer Kunstverein, Graz, Austria
Under the Same Sun, The South London Gallery, Londra, Regno Unito
Unresolved, De Appel Art Centre, Amsterdam, Paesi Bassi
All Heritage is Poetry, Fórum Fundaçao Eugénio de Almeida, Portogallo
Another Reality. After Lina Bo Bardi, Stroom Den Haag, Paesi Bassi
Riddle of the Burial Grounds, Anversa, Belgio
El orden Natural de las Cosas, Museo Jumex, Città del Messico, Messico
2015
The Art of Preservation, Draiflessen Collection, Mettingen, Germania
Under the Same Sun: Art from Latin America Today, Museo Jumex, Città del Messico, Messico
Objetos Frontera, CA2M, Madrid, Spagna
Riddle of the Burial Ground, Project Arts Centre, Dublino, Irlanda
Ce qui ne sert pas s’oublie, CAPC Musée d’Art Contemporain de Bordeaux, Francia
Sebald Variations, CCCB Centre de Cultura Contemporania de Barcellona, Spagna
The Parliament of Things, Firstsite, Colchester, Regno Unito
Beyond Borders
, Fifth edition of Beaufort, Triennial of Contemporary Art by the Sea, Berlino, Germania
Biennial of the Americas, Denver, Colorado, Stati Uniti d’America
Panorama, The High Line, New York, Stati Uniti d’America
2014
¡Puro mexicano! Tres momentos de creación, MUNAL, Città del Messico, Messico
Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, Stati Uniti d’America
Der Leone Have Sept Cabeças, CRAC Alsace, Altkirch, Francia
8th Berlin Biennale for Contemporary Art, Berlino, Germanua
Playgrounds Reinventar la plaza, Museo Reina Sofia, Madrid, Spagna
Les Mots Bleus – Biennale de Belleville 3, Parigi, Francia
TransVisible, 19 Bienal Paiz Guatemala – Artecentro Graciela Andrade de Paiz, Città del Guatemala, Guatemala
Post / Postminimal – Kunstmuseum St.Gallen, San Gallo, Svizzera
Future Perfect, Contemporary Art From Germany – Centre for Contemporary Art Ujazdowski Castle, Varsavia, Polonia
Bibliologie – FRAC – Haute-Normandie, Sotteville-lès-Rouen, Francia
2013
Preis der Nationalgalerie für junge Kunst, Hamburger Bahnhof, Berlino, Germania
how to write II, Galerie Wien Lukatsch, Berlino, Germania
The Way of the Shovel, MCA Chicago, Stati Uniti d’America
Future Perfect, Kunstverein Francoforte sul Meno, Germania
Arqueológicas, Matadero, Madrid, Spagna
2012
dOCUMENTA (13), Kassel, Germania
Serpentine Gallery Memory Marathon, Londra, Regno Unito
Lieber Aby Warburg, Was tun mit Bildern, Museum für Gegenwartskunst Siegen, Siegen, Germania
Olinka, or Where Movement Is Created, Museo Rufino Tamayo, Città del Messico, Messico
Life Is Elsewhere, Galerie im Körnerpark, Distretto di Neukölln, Germania
LA IDEA DE AMÉRICA LATINA, Centro Andaluz de Arte Contemporáneo, Siviglia, Spagna
Nos hicimos la ilusión de avanzar directamente, Espai Cultural de Barcelona, Barcellona, Spagna
Colección: el crimen fundacional, MUCA Roma, Città del Messico, Messico
Un ojo, dos ojos, tres ojos, Mariana Castillo Deball/Irene Kopelman (Uqbar), Casa Vecina, Città del Messico, Messico
Never odd or Even, Museum of contemporary art, Roskilde, Danimarca
Printin’, curated by Ellen Gallagher and Sarah Suzuki, Museum of Modern Art, New York, Stati Uniti d’America
Resisting the present, Musée d’Art moderne de la Ville de Parigi, Francia
Esquemas para una Oda Tropical, Galeria Luisa Strina, Rio de Janeiro, Brasile
2011
The Future Lasts Forever, Gävle Konstcentrum, Gävle, Svezia
Never odd or Even, Grimm Museum, Berlino, Germania
Section Folklorique / Cabinet de Curiosités, Zeeuws Museum, Zelanda, Paesi Bassi
La Vie Mode d’Emploi (Life A User’s Manual), Meessen De Clercq, Bruxelles, Belgio
Homo Ludens, Motive Gallery, Amsterdam, Paesi Bassi
Resisting the present, Museo Amparo, Puebla, Messico
The Eye is a Lonely Hunter – Images of Humankind, 4. Fotofestival Mannheim Heidelberg Ludwigshafen, Germania
Inanimate beings, La Casa Encendida, Madrid, Spagna
Magical Consciousness, Arnolfini, Bristol, Regno Unito
What about this, Galerie Andreas Huber, Vienna, Austria
INCIDENTES DE VIAJE ESPEJO EN YUCATÁN Y OTROS LUGARES, Museo Tamayo, Città del Messico, Messico
Fleeting Stories/Historias Fugaces, LABoral, Gijón, Spagna
54th Venice Biennale Illuminations, Venezia, Italia
Amikejo 2 – men-show, Mariana Castillo Deball/Irene Kopelman (Uqbar), MUSAC Museo de Arte Contemporaneo de Castilla y León, León, Spagna
Shadowboxing, Royal College of Art: Curating Contemporary Art MA, Londra, Regno Unito
AEther – Une proposition de Christoph Keller, Centre Pompidou, Parigi, Francia
2010
Ars viva award, History, Kölnischer Kunstverein, Cologne, DE; Migros Museum, Zurigo, Svizzera
No Soul For Sale, Festival of independents, presenting with Peep-Hole. Tate Modern, Londra, Regno Unito
Ginger Goodwin Way, OR gallery, Vancouver, Canada
For the blind man in the dark room looking for the black cat that isn’t there, Touring exhibition: Museum of Contemporary Art a Detroit (Stati Uniti d’America); ICA, Londra. (Regno Unito); de Appel, Amsterdam (Paesi Bassi); Culturgest, Lisbon (Portogallo)
The Heart of the Thing Is the Thing We Don’t Know, James Galley, CUNY Graduate Center, New York, Stati Uniti d’America
2009
Ars viva award, History, Museum Wiesbaden, Wiesbaden, Germania
This place you see has no size at all…, Kadist Art Foundation, Parigi, Francia
El Patio de mi casa, Cordova, Spagna
Athens biennial, Heaven, Atene, Grecia
The Happy Interval, Tulips & Roses, Vilnius, Lituania
What are we going to do after we’ve done what we’re doing to do next?, MACBA, Contemporary Art Museum, Barcellona, Spagna
Paper exhibition, Artist space, New York, Stati Uniti d’America
The Malady of Writing, MACBA Contemporary Art Museum, Barcellona, Spagna
A Fantasy for Allan Kaprow, Contemporary Image Collective, Il Cairo, Egitto
For the blind man in the dark room looking for the black cat that isn’t there, Contemporary art museum Saint Louis, Missouri, Stati Uniti d’America
Performa, Lectures and exhibition at Cabinet Magazine Space, New York, Stati Uniti d’America
Sequelism: Part 3, Arnolfini, Bristol, Regno Unito
Extranjeros en la cultura y en la tecnología, Espacio Fundación Telefónica, Buenos Aires, Argentina
Chapter 2 (the repetition), Parc Culturel de Rentilly, Bussy-Saint-Martin, Francia
2008
22nd Ateliers Internationaux, Frac des Pays de la Loire, Carquefou, Francia
Galeria Sentimental, Tensta konsthall, Stoccolma, Svezia
Salon of the revolution, 29th Youth Salon, Zagabria, Croazia
One of these things is not like the other things, 1/9 unosunove, Roma, Italia
Manifesta 7, Rovereto, Italia. In collaboration with Irene Kopelman, Uqbar
Shanghai Biennial, Shanghai, Cina
Blackboxing at artistspace, (screening) New York, Stati Uniti d’America
Master Humphrey’s Clock, De appel, Amsterdam, Paesi Bassi
Sensitive Timelines, 26cc, Roma, Italia
Object, The Undeniable Success Of Operations, SMBA, Amsterdam, Paesi Bassi
Seven Times Two or Three, CUBITT, London, Regno Unito
Selective Knowledge, The National Bank of Greece Cultural Foundation/MIET, Atene, Grecia
2007
A for Alibi, De appel, Amsterdam, Paesi Bassi
Transacciones Filosóficas, Historical Observatory, Cordova, Argentina
The Book, Heidelberg Kunstverein, Heidelberg, Germania
Extraordinary Rendition, NoguerasBlachard, Barcellona, Spagna
The last piece of John Fare, GB Agency, Parigi, Francia
Blackboxing, Project, Dublino, Irlanda
24th Memorial Nadežda Petrovic, Cacak, Serbia
2006
Just in Time, Stedelijk Museum, Amsterdam, Paesi Bassi
10 Defining Experiments, Cisneros Fontanals Art Foundation, Miami, Stati Uniti d’America
Concerning knowledge, BAK, Utrecht, Paesi Bassi
Resonances, Stuk, Leuven, Belgium, and Artis, ‘s-Hertogenbosch, Paesi Bassi
A place in Time, Campr Street, San Antonio, Texas, Stati Uniti d’America
Redo/Undo, Kunsthalle Fridericianum, Kassel, Germania
Mercury in Retrograde, De Appel, Amsterdam, Paesi Bassi
Friends and Enemies, Gagosian Gallery, Berlino, Germania
2005
“Today, November 20”, If I can’t dance – I don’t want to be part of your revolution. Production in sequences Leida, Paesi Bassi
Tropical Abstraction, Stedelijk Bureau, Amsterdam, Paesi Bassi
BMW, 9th Baltic Triennial of Art, Contemporary art center Vilnius, Vilnius, Lituania
“Blackboxing”, If I can’t dance – I don’t want to be part of your revolution. Production in sequences, Utrecht, Paesi Bassi
5ª Bienal de Artes Visuales del Mercosur, Porto Alegre, Brasile
2004
Bucket Brigade. Firehouse Center for Contemporary art, Burlington, Vermont, Stati Uniti d’America
Black Friday. Galerie Kamm, Berlino, Germania
GPB 2004, Galeri Pastor Bonus, Exteresa Arte Actual, Città del Messico, Messico
Valenzuela y Klenner Arte Contemporaneo, Bogotá, Colombia
Fotogalleriet, Oslo, Norvegia
2003
Outside of a Dog: Paperbacks and Other Books by Artists, Baltic, International center for contemporary art Gateshead, Gateshead, Regno Unito
“24/7”. New York – Vilnius, CAC, Vilnus, Lituania
20 million mexicans can’t be wrong, Southampton gallery, Southampton Regno Unito
En un mar en el que no se nada. Paris Photo, Project Room, Parigi, Francia
Aparentemente Sublime. Museum of Modern art, Città del Messico, Messico
every piece is the show luxe projects, New York, Stati Uniti d’America
2002
PULPA. Arte, literatura, moda, diseño y algo más Centro de Arte Contemporáneo Wifredo Lam., L’Avana, Cuba
Titel folgt Neuer Aachener Kunstverein, Aquisgrana, Germania
Volkskrant Regular (True Type) de Volkskrant, Amsterdam, Paesi Bassi
Bonnefanten magazine, Maastricht, Paesi Bassi
A to Z. Museum in progress, Vienna, Austria
2001
Registro/Registre, Galeria Banyoles, Spagna
Se rendre a l’evidence, Centre Culturel du Mexique, Parigi, Francia
XI Bienal Internacional, Vila Nova de Cerveira, Portogallo
2000
Los libros de otros, Museo de la ciudad de México, Città del Messico, Messico
Gráfica actual, Instituto de artes gráficas de Oaxaca, Oaxaca, Messico
Exposición colectiva, MUCA, Roma, Italia
1999
City editings. ZMVM: Zona Metropolitana del valle de México, Instituto Goethe, Buenos Aires, Argentina
El arte de los libros de artista: Homenaje a Ulises Carrión, Biblioteca México, Messico
Exhibición de cortometrajes. Centro de la imagen, Città del Messico, Messico
PREMI
2015 Premio ARCO Comunidad de Madrid para jóvenes artistas, Madrid, Spagna
2013 First Prize, Preis der Nationalgalerie für junge Kunst, Berlino, Germania
2012 Zurich Art Prize, Museum Haus Konstruktiv, Zurigo, Svizzera
2009 Ars-viva award, History, Germania
2004 Prix de Rome/first prize, Amsterdam, Paesi Bassi
2002 Grant for postgraduate studies CONACULTA (National Council for the culture and arts), Messico
2001 Young artists Grant. National Council for the culture and arts, Messico
RESIDENZE D’ARTISTA
2016 18th Street Art Centre, Los Angeles, Stati Uniti d’America
2012 Cove Park, Henry Moore Foundation, Scozia, Regno Unito
2011 DAAD residency, Berlino, Germania
2010 Capacete, San Paolo, Brasile. Residency July–October, 2010
2009 Capacete, Rio de Janeiro, Brasile. Residency March-June, 2009
2008 22e ateliers internationaux of Frac des Pays de la Loire, Francia
2006 Cisneros Fontanals Art Foundation, Miami, Stati Uniti d’America
2001 Grant Unesco/Ashberg. Vila Nova de Cerveira, Portogallo
PUBBLICAZIONI
Mariana Castillo Deball. Parergon, exhibition catalogue for Nationalgalerie – Staatliche Museen zu Berlin, ed. By Melanie Roumiguière, Verlag der Buchhandlung Walther König, Colonia, Germania, 2014
Ixiptla is a journal on trajectories of Anthropology, edited by Mariana Castillo Deball, published at bom dia boa tarde boa noite:
Vol. I (English) was published on the occasion of Expedite Expression, 8th Berlin Biennale for Contemporary Art, Berlino, Germania, 2014
Vol. II (English and German) was published on the occasion of Parergon, Hamburger Bahnhof Museum für Gegenwart, Berlino, Germania, 2014
Vol. III (Spanish) was published on the occasion of Who will measure the space, who will tell me the time?, Museo de Arte Contemporáneo de Oaxaca, Messico 2015
Uncomfortable Objects, Haus Konstruktiv, Zurigo, Svizzera, 2012
Finding Oneself Outside: Published on the occasion of dOCUMENTA (13), bom dia boa tarde boa noite, 2012
Never odd or Even, Volume II, bom dia boa tarde boa noite, 2011
Coyote Anthropology: A Conversation in Words and Drawings, Mariana Castillo Deball & Roy Wagner, Series: dOCUMENTA (13): 100 Notizen – 100 Gedanken No. 024. Hatje Cantz, 2011
Philosophical Transactions, Uqbar Foundation, 2009
Kaleidoscopic Eye, Kunsthalle Sankt Gallen, San Gallo, Svizzera, 2009
Fuga di un piano. Manifesta 7, Rovereto, Italia, 2008
Estas Ruinas que ves/These Ruins you see. Museo Carrillo Gil/CONACULTA, Messico, 2008
A for Alibi, Uqbar Foundation/Sternberg press, 2007
Today: November 30, 2006. Newspaper
Today: November 20, 2005. Newspaper
Interlude: The reader’s traces. Jan van Eyck Academie / revolver, 2005
Never odd or Even. Marres, center for contemporary art/revolver, 2005
An interview with a goalkeeper about chance, intelligence and humour, Jan van Eyck Academie, 2003
Time containers. Hochschule für bildende Künste, Amburgo, Germania, 2004
Rocket scientists breakfast. Contribution for D-magazine, 2003
An interview with a goalkeeper about chance, intelligence and humour, Jan van Eyck Academie. In the context of the show To look for a needle in a haystack, 2003
No one can win against kipple. In collaboration with Hubert Czerepok. Maastricht, NL: Jan van Eyck Academie
2003
Interlude: The reader’s traces. Poster and inserts in the context of the library project. Contributions by: Paul Elliman, Dario Gamboni, Raimundas Malasauskas, Harry Mathews, Peter Piller, Manuel Raeder, Steve Rushton, Enrique Vila-Matas, 2003
Penser/Classer. Edited by the Jan van Eyck Academie, 2002
Monuments Vilnius In Early Edition of the 24/7 newspaper (exh. cat.: 24/7 Wilno – Nueva York, Visa Para). Vilnius. LT: Contemporary Art Centre (CAC)
Monuments or souvernirs. In Proceeding #1: DAKAR 5-19/05/2002 (pp. 136-141). Maastricht, NL: Jan van Eyck Academie
Artist’s books. Edition with Martha Hellion and Issa Maria Benítez, Turner, 2003
CONFERENZE/ TALK/ INSEGNAMENTI
2016
Lecture event with Mathew Robb, Kadist Art Foundation, San Francisco, Stati Uniti d’America
Lecture, Miércoles de SOMA, SOMA, Città del Messico, Messico
since 2015
Sculpture professor at the Academy of Fine Arts Muenster
2015
Lecture, San Francisco Art Institute, San Francisco, Stati Uniti d’America
2013
Conversation with Chris Gosden, Chisenhale Gallery, Londra, Regno Unito
Screening and lecture, CCA, Glasgow, Regno Unito
2012
Memory Marathon, Serpentine Gallery, 2012
Dialogue, Bice Curiger and Mariana Castillo Deball, Museum Haus Konstruktiv, Zurigo, Svizzera
Guest tutoring, Piet Zwart Institute, Rotterdam, Paesi Bassi
Dialogue zur Kunst und Architektur, Cabaret Voltaire, Zurigo, Svizzera with Laurent Bartholdi, from Mathematics Institute Göttingen
Prodoc Art&Science, discussion with Dario Gamboni, Nina Zschocke and phd students, Museum Haus Konstruktiv, Zurigo, Svizzera
Never odd or Even, performance, dOCUMENTA, Kassel, Germania
08.06.12 Abraham Cruzvillegas and Mariam Ghani
26.07.12 with Mario Bellatin, Michael Portnoy and Eva Scharrer
14.09.12 with Marcos Lutyens and Anna Szaflarski
Blackbox, dOCUMENTA, Kassel, Germania, Michael Taussig, Paul Chan and Mariana Deball
Lecture, Staatliche Akademie der Bildenden Künste Karlsruhe, Germania
Lecture, Fondazione march, Padova, Italia
Never odd or Even, performance, SOMA, Città del Messico, Messico
26.01.12 Maia Fernandez Miret and Daniel Saldaña
2011
Never odd or Even, performance, Grimmuseum, Berlino, Germania
01.10.11 Ana Teixeira Pinto and Armando Andrade Tudela
22.10.11 Sophie Goltz and Ingo Niermann
Lecture, UdK Seminar Ariane Beyn, Berlino, Germania
2010
Map Marathon, Serpentine Gallery, London. In collaboration with Amalia Pica
Lecture, No Soul For Sale, Tate Modern, Londra, Regno Unito
Lecture, AAMAM/Capacete, San Paolo, Brasile 2010
Workshop together with Irene Kopelman. Within the exhibition The Malady of Writing, MACBA, Barcellona, Spagna
Seeing and Naming, Honours Class Seminar, Institute for Practice-based Research in the Arts, The Hague, Paesi Bassi
Workshop, Master of art in public sphere (MAPS), Ginevra, Svizzera
2009
Roger Caillois and the ‘kaleidoscopic intelligence’, Lecture. Université de Genève, unité d’histoire de l’art, Ginevra, Svizzera
ACTUALITE DE LA RECHERCHE. MA d’histoire de l’art, prof. Dario Gamboni Workshop, Master of art in public sphere (MAPS). Geneva, Sankt Gallen
Philosophical Transactions, Book presentation, Centro Cultural España Córdoba-Buenos Aires, Argentina Uqbar (Irene Kopelman, Mariana Castillo Deball)
Sobre a insconstancia da alma salvagem, Workshop and Lecture. Capacete, Rio de Janeiro, Brasile
Libre Tiraje: Primer Encuentro de gráfica y escritura. Lecture. Oaxaca, Messico
Un ojo, dos ojos y tres ojos, Workshop together with Irene Kopelman. CAAM, Canarie, Spagna
2008
Hacia una ecuación personal/Towards a personal equation, lecure in the context of the coloquium:
Extranjeros en la cultura y en la tecnología, Espacio Fundación Telefónica de Buenos Aires, Argentina
Estas Ruinas que ves/These Ruins you see, book presentation. Museo Carrillo Gil, Città del Messico. With: Jesse Lerner, Renato Gonzalez Mello, Manuel Raeder and Adam Sellen
2007
Storytelling, Seminar by Uqbar (Kopelman, Deball), for the MA students of the PZ Intitute, Rotterdam, Paesi Bassi
November 2007–January 2008
Memories Encased: Collecting and Inventing Our Cultural Memory, Symposium, October 9, 10, 11, 2007 in Mérida, Yucatán, Messico. National University
Contemporary Archaeology, Workshop for the students at the School of Arts, Mérida, Yucatán, Messico
2006
Concerning Knowledge Production, BAK, Utrecht, Paesi Bassi
Libraries and Contemporary Art, Conference, in collaboration with Dario Gamboni, Bibliotheque National de Francia, Parigi
A for Alibi. Symposium. Universiteits Museum, Utrecht, Paesi Bassi
2005
Curating the library, DeSingel, Anversa, Belgio
Blackboxing, Espacio 111, Città del Messico, Messico
Interlude: the reader’s traces. Booklaunch – lecture. Stedelijk Museum, Amsterdam, Paesi Bassi
Never Odd or Even. Lecture, Marres, center for contemporary art
International Summer School in the History of Science, University Museum, Utrecht, 3–16 July 2005
2004
Institute of Chance. Lecture in the context of the series “Contemporary history” Marres, center for contemporary art, Maastricht, Paesi Bassi
Time containers. Workshop. Hochschule für bildende Künste, Amburgo, Germania. In collaboration with Manuel Raeder
2003
Monday Night. 16 Beaver. New York, Stati Uniti d’America
Souvenirs or Monuments Launch of Proceeding #1: Dakar 5–19/05/2002. Amsterdam, Paesi Bassi: Stedelijk Museum/Jan van Eyck Academie
COLLEZIONI PUBBLICHE
LACMA, Los Angeles County Museum of Art, Los Angeles, Stati Uniti d’America
JUMEX Collection, Città del Messico, Messico
Castello di Rivoli, Torino, Italia
CA2M (Centro de Arte Dos de Mayo) , Móstoles, Madrid, Spagna
Guggenheim Museum, New York, Stati Uniti d’America
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spagna
ifa (Institut für Auslandsbeziehungen) Stoccarda, Germania
Museum of Modern Art, New York, Stati Uniti d’America
Kunsthalle St. Gallen, San Gallo, Svizzara
The Fundación Cisneros/colección Patricia Phelps de Cisneros (FC/CPPC), Caracas/New York (Venezuela, Stati Uniti d’America)
Museo Amparo, Puebla, Messico
Museum für Gegenwartskunst Siegen, Germania
Kadist Art Foundation, San Francisco, Stati Uniti d’America