Bojan Sarcevic , nato nel 1974.
Vive e lavora a Basilea e a Parigi.

 

MOSTRE PERSONALI

2020

L’extime, galerie frank elbaz, Paris, France

BQ, Berlin, Germany, forthcoming

 

2018

Sentimentally is the core, Modern Art, London

 

2017
“Slampadato”, pinksummer, Roma

 

2016
“Invagination”, Modern Art, London

 

2015
“In the rear view mirror”, BQ, Berlin, Germany

 

2014
“In the rear view mirror”, Gallery pinksummer, Genova, Italy

 

2013
“Gyrobifastigium”, Stuart Shave / Modern Art, London

 

2012
“L’Ellipse D’Ellipse”, L’IAC, Villeurbane
“A Curious Contortion in the Method of Progress”, Kunstmuseum Liechtenstein, Vaduz
“Rhombic Oath”, Leopol hoesch Museum, Duren, Germany

 

2011
At Present, BQ, Berlin, Germany

 

2010
“Comme des chiens et des vagues”, Gallery Modern Art, London
“True enough”, Gallery Pinksummer,Genova
“Eventuellement”, Le Grand Cafe, St.Nazaire
“Involuntary twitch”, De Vleeshal, Middelburg

 

2009
“The breath-taker is the breath-giver”, Gallery Carlier Gebauer, Berlin.

 

2008
“Only After Dark”, Kunstverein Hamburg. “Already vanishing”, MAMBO, Bologna. *

 

2007
“Only After Dark”, Le Credac, Ivry. untitled, Gallery BQ, Cologne.
“Kissing the back of your hand sounds like a wounded bird”, Bawag Foundation Wien. *

 

2006
“Sometimes a man gets carried away”, Kunstverein Heilbronn.
“To what extent should an artist understand the implications of his or her findings?”,
Project Arts Centre, Dublin and The Model Arts – Niland Gallery, Sligo*
“Replace the Irreplaceable”, Gallery Carlier Gebauer, Berlin.

 

2005
“Wanting withouth needing, Loving withouth leaning”, ArtPace Fondation, San Antonio,
Texas.
“Keep the illusion for the end”, BQ, Cologne. *
“Everything makes sense in the reverse”, Pinksummer, Genova.

 

2004
“1954”, Gallery Carlier Gebauer, Berlin.

 

2003
“Verticality downwards”, Kunstverein Munich, Munich.*
“Where the hand doesn’t enter, heat infuses”, IAC Institut d’Art Contemporain,
Villeurbane/Lyon.

 

2002
“Spirit of Versatility and Inclusivnes” BQ, Cologne.*
“Rien ne peut venir que d’ailleurs”, Centre d’Art Contemporain Bretigny, Bretigny sur
Orge.* Pinksummer, Genova. Inova, Milwaukee. TBA, Inc. Chicago.

 

2001
“Eingang Links”, Kunstverein Dusseldorf, Dusseldorf “Cover Versions”, Stedelijk Museum
Bureau Amsterdam, Amsterdam. * Gallery Gebauer, Berlin

 

2000
“Strange, I’ve seen that face before”, Modern Institute, Glasgow.
“Favourite cloths worn while she or he worked”, Gesellschaft fur Aktuelle Kunst, Bremen. *

 

1999
“It seems that an animal is in the world as water in the water”, BQ, Cologne * Kunsthalle
Lophem, Brugge.
“Irrigation-Fertilisation”, Salon 3, London.

 

MOSTRE COLLETTIVE

2020
All the time that came before this moment, Kunst Raum Riehen, Basil, Switzerland, forthcoming

 

2019
Delirious – Jubilee Edition, curated by Chris Driessen and David Jablonowski, Lustwarande, Tilburg, Netherlands

 

2018

Raymond, curated by Luca Trevisani, Manifesta 12, Grand Hotel et des Palmes, Palermo, Italy

ISelf Collection: Bumped Bodies, Whitechapel Gallery, London

Décor, Frac de Pays de la Loire, Carquefou, France

The Reservoir of Modernism, Kunstmeseum Liechtenstein, Vaduz, Liechtenstein

Why are my friends such finks 1998-2018, BQ, Berlin, Germany

 

2017

Don’t look like a line, Pinksummer, Turin, Italy

FADE IN 2: EXT. MODERNIST HOME – NIGHT, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Belgrade, Serbia

MANIERA 12 & 13: Christ & Gantenbein and Bojan Šarčević, Maniera, Brussels, Belgium

The Inner Skin: Art and Shame, Marta Herford, Herford, Germany

 

2016
“Theories of Modern Ar “ Stuart Shave/Modern Art, London
“Geographies of Dust and Air”, Mary Mary, Glasgow, Scotland

 

2015
“Political Landscape: Art, Resistance, Salzkammergut Institute for Art in Public Sphere Styra / Janneum Universal Museum”, Salzkammergut, Austria
“An Intervention”, John Hansard Gallery, Southampton University, Southhampton, UK

 

2014
“The Reclutant Narrator”, Berardo Museum of Modern and Contemporary Art, Lisbon,
Portugal
“O Narrador Relutante”, Praticas Narrativas na Arte Contemporanea, Berardo Museum,
Collection of Modern and Contemporary Art, Lisbon
“Il Piedistallo vuoto. Fantasmi dall’Est Europa” – Museo Civico Archeologico di Bologna,Bologna, Italy

 

2013
“After”, JGM. Galerie, comissioned by Marjolaine Lévy, Paris, France
“Film as Sculpture”, curated by Elena Filipovic, Wiels, Brussels
“Jupiter”, Edinburgh, Scotland
1966-79, commissioned by Laurent Montaron, Institut d’Art Contemporain, Villeurbanne,France
“Drawing:Sculpture”, The Drawing Room, London

 

2012
“Drawing: Sculpture”, leeds Art gallery. Leeds, UK.
“Thank You for the Music – How Music Moves Us”, Kiasma, Museum of Contemporary
Art, Helsinki
“Hirschfaktor, Die Kunst des Zitierens”, ZKM | Zentrum für Kunst und Medien, Karlsruhe

 

2011
“Arbeiten aus dem Bleistiftgebiet”, VAN HORN, Dusseldorf
“MMK 1991-2011: 20 Jahre Gegenwart”, Museum für Moderne Kunst (MMK),
Frankfurt/Main
“Abstract Possible: The Tamayo Take”, Museo Tamayo, Mexico City
“Suspense. Sculture sospese”, Ex3, Florence

 

2010
“Premio lorenzo bonaldi per Moderna e Contemporanea di Bergamo, Bergamo
“La Carillon de Big Ben”, Centre d’art contemporain d ́Ivry, Le Credac, Ivry sur Seine
“Description and image, squatting. erinnern, vergessen, besetzen”, Temporäre Kunsthalle
Berlin, Berlin “Celebration – Collection du Frac Auvergne”, FRAC Auvergne, Clermont
Ferrand
“SHAZAM!”, c/o Gerhardsen Gerner, Berlin

 

2009
“Contemporary Fine and Applied Arts: 1928-2009”, Tate, St.Ives.
“Transitory Objects”, Thyssen-Bornemisza Art Contemporary, Wien.
“le Travail de riviere”, Centre d’art contemporain d’Ivry – le Credac, Ivry sur Seine
“Looking is political”, Bergen Kunsthall, Bergen
“Videos Europa”, Le Fresnoy, Tourcoing.
“It’s about sculpture”, Sammlung Haubrok, Berlin.
“Cocker Spaniel and other tools for international understanding”, Kunsthalle zu Kiel, Kiel
“GO EAST II”, MUDAM Musee d’Art Moderne Grand-Duc Jean, Luxembourg
“TEXTILES Kunst en het sociale weefsel”, MuHKA Museum voor Hedendaagse Kunst
Antwerpen, Antwerp
“Cocker Spaniel and other tools for international understanding”, Ursula Blickle Stiftung,Kraichtal- Unteröwisheim

 

2008
“Notorious”, Frac Ile-de-France / Le Plateau, Paris.
“No Information available”, Barbara Gladstone Gallery, Brussel.
“Many Challenges Lie Ahead in the Near Future”, Kölnischer Kunstverein, Cologne.
“SEE history 2008”, Kunsthalle, Kiel.*
“Eurasia. Geographic cross-overs in art”, Mart, Trento & Rovereto.
“Vertrautes Terrain – Aktuelle Kunst in und über Deutschland”, ZKM, Karlsruhe.*
“Der große Wurf”, Museen Haus Lange – Haus Esters, Krefeld.*
“Wenn ein Reisender in einer Winternacht”, MARTa, Herford.*

 

2007
“Point de Vue”, Kunstverein Nürnberg, Nürnberg.
“Like Leaves”, Gallery Tanya Bonakdar, New York.
“Anachronism”, Argos, Brüssel.
“Thilo Heinzmann, Antoni Llena and Bojan Sarcevic”, Gallery Bortolami, New York.
“Re-trait”, Fondation d’entreprise Ricard, Paris.
“Après la pluie”, Musée Départemental dArt Contemporain de Rochechouart,
Rochechouart.
“Entre fronteras”, MARCO Museo de Arte Contemporánea de Vigo, Vigo.
“The Secret Theory of Drawing”, The Drawing Room, London & Niland Gallery, Sligo.
l’arte – enterprize, v edizione”, GAMeC, Galleria d ́Arte

 

2006
“Personal Affairs”, Museum Morsbroich, Leverkusen *
“Planting the tele”, MaryMary Gallery, Glasgow *
“The secret theory of drawing”, Drawing Room, London
“Dorothea von Stetten-Kunstpreis”, Kunstmuseum Bonn *
“Strange, I’ve seen that face before”, Staedtisches Museum Abteiberg,
Moenchengladbach *
“Stray”, Para Site, Hongkong

 

2005
“Menschensgladbach”, Städtisches Museum Abteiberg, Mönchengladbach. “36x27x10” ,
White Cube Berlin, Berlin.*
“Universal Experience: Art, Life, and the Tourist’s Eye” , Museum of Contemporary Art,Chicago.*
“Model Modernism” , ArtistsSpace, New York
“Material Time/Work Time/Life Time” , Reykjavik Arts Festival, Iceland.*
“It takes some time to open an oyster”, Centre Cultural Andratx, Maillorca.

 

2004
“Time Zones”, Tate Modern, London.*
“Adaptive Behaviour”, New Museum, New York.
“Formalismus, Moderne Kunst, heute”, Kunstverein Hambourg.*
“Real World, the dissolving space of experience” , Modern Art Oxford, Oxford.*
“Tracers”, Witte de With, Rotterdam.*
“The Auschwitz Trial, 40 years later”, Buergerhaus Gallus, Frankfurt am Main.*
“3rd Berlin Biennale”, Berlin.*
“Animals”, Haunch of Vension, London.*
“Here & Now”, Matrichit street site, Bangkok.
“Photography, Video, Mix media 2”, DaimlerChrysler Contemporary, Berlin.*

 

2003
“Deplacements”, Musee d’Art Moderne de la ville de Paris.*
50th. Biennale de Venise, “Clandestines”.*

 

2002
“My head is on fire but my heart is full of love”, Charlotenbourg, Copenhagen. *

 

2001
“Ars 01”, Kiasma, Helsinki. *
“Traversee”, ARC, Musee d’Art Modern de la ville de Paris, Paris. *
” Szenarien”, Bonner Kunstverein, Bonn. *
“Tracking”‘, CCAC Institute, San Francisco.
“Le Tribu dell’Arte”, Galleria Communalle d’Arte Moderna e Contemporana, Rome. *
“Le detour par la simplicite”, Confort Moderne, Poitiers.

 

2000
“Bleibe”, Akademie der Kunst, Berlin. *
“Model, Model”, NeuAachenerKunstverein, Aachen. *
“Watou Projects”, Watou * Centre Soleil d’Afrique, Bamako

 

1999
“Soft Resistance”, Galerie Gebauer, Berlin.
“Passage”, Setagaya Art Museum Tokyo. *

 

1998
“Guarene Arte 98”, Fondazione Sandretto Re Rebaudengo, Turin. *
Manifesta 2, Luxembourg. *

 

Collezioni Pubbliche
MMK, Museum fur Modern Kunst Frankfurt, Frankfurt, Germany
Daimler Contemporary, Berlin, Germany
Sammlung Haubrok, Berlin
Sammlung Boros, Berlin
Städtisches Museum Abteiberg, Mönchengladbach, Germany
21st Century Museum of Contemporary Art-Kanazawa, Kanazawa, Japan
Setgaya Art Museum, Tokyo, Japan
Dallas Museum of Art, Dallas, USA
Kiasma, Museum of Contemporary Art, Helsinki, Finland
MUDAM, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg
FRAC Poitou-Charentes – Angoulême, Angoulême, France
FRAC – Auvergne, Clermont Ferrand, France
Fondazione Sandretto Re Rebaudengo, Torino, Italy
Fondazione Morra Greco, Napoli, Italy
BSI Art Collection, Lugano, Switzerland

* catalogue