MARIANA CASTILLO DEBALL

Mariana Castillo Deball, detail of Feathered Changes site, 2025, a commission for LACMA’s David Geffen Galleries, © Mariana Castillo Deball

Mariana Castillo Deball (1975 Città del Messico, Messico) vive e lavora tra Berlino e Città del Messico. La sua pratica interdisciplinare si sviluppa all’intersezione tra arte, archeologia, storia, antropologia e scienze sociali, indagando il ruolo degli oggetti nella costruzione delle narrazioni culturali e della memoria collettiva. Attraverso un’approfondita ricerca d’archivio e il dialogo con collezioni museali, reperti archeologici e sistemi di classificazione del sapere, realizza installazioni, sculture, disegni, opere editoriali e ambienti immersivi che mettono in discussione le modalità con cui la storia viene raccontata, conservata e trasmessa. L’artista ha esposto in importanti istituzioni internazionali quali il New Museum di New York, l’Hamburger Bahnhof di Berlino, il Centre Pompidou di Parigi e il MACBA di Barcellona. Ha inoltre partecipato a manifestazioni di rilievo internazionale come dOCUMENTA (13), la Biennale di Venezia, la Biennale di Berlino e la Biennale di San Paolo. La sua ricerca artistica si distingue per la capacità di intrecciare discipline diverse e di far emergere connessioni inedite tra passato e presente, interrogando criticamente le strutture di conoscenza e i processi attraverso cui si formano identità, culture e storie condivise.

 

www..castillodeball.org

Mariana Castillo Deball, detail of Feathered Changes site, 2025, a commission for LACMA’s David Geffen Galleries, © Mariana Castillo Deball

Mariana Castillo Deball, detail of Feathered Changes site, 2025, a commission for LACMA’s David Geffen Galleries, © Mariana Castillo Deball

Installation view of Death, I am Still Paper. Organized by Tangente St. Pölten, Austria, August 3 – November 11, 2024. Curators Joana Warza, and Lorena Moreno Vera. Photograph courtesy of Studio Castillo Deball © David Reiber Otálora

Installation view of Death, I am Still Paper. Organized by Tangente St. Pölten, Austria, August 3 – November 11, 2024. Curators Joana Warza, and Lorena Moreno Vera. Photograph courtesy of Studio Castillo Deball © David Reiber Otálora

Installation view of Death, I am Still Paper. Organized by Tangente St. Pölten, Austria, August 3 – November 11, 2024. Curators Joana Warza, and Lorena Moreno Vera. Photograph courtesy of Studio Castillo Deball © David Reiber Otálora

Column of Conglomerates, 2022. Ceramic column with glazed details and metal, 50 x 50 x 361cm. Installation view of Roman Rubbish, Bloomberg SPACE, London. 2022 Courtesy of Mariana Castillo Deball and Bloomberg SPACE Photo © Marcus Leith.

Column of Vessels, 2022. Ceramic column and metal structure, 50 x 50 x 333cm. Installation view of Roman Rubbish, Bloomberg SPACE, London. 2022. Courtesy of Mariana Castillo Deball and Bloomberg SPACE Photo @ Marcus Leith

Column of Plenty, 2022. Ceramic column and metal structure, 65 x 65 x 370cm. Installation view of Roman Rubbish, Bloomberg SPACE, London. 2022. Courtesy of Mariana Castillo Deball and Bloomberg SPACE Photo © Marcus Leith.

Mariana Castillo Deball, installation view of Calendar Fall Away, 2022, CNC-engraved wooden floor, Variable dimensions, Hasta que los cantos broten (Until The Songs Spring), 2022, Mexican Pavillion at the 59th International Art Exhibition of La Biennale di Venezia. Courtesy of Mariana Castillo Deball and Mexican Pavilion La Biennale di Venezia. Photo © INBA/WE EXHIBIT – Samuele Cherubini. 2022
Marian Castillo Deball, installation view of Calendar Fall Away, 2022, CNC-engraved wooden floor, Variable dimensions, Hasta que los cantos broten (Until The Songs Spring), 2022, Mexican Pavillion at the 59th international Art Exhibition of La Biennale di Venezia. Courtesy of Mariana Castillo Deball and Mexican Pavilion La Biennale di Venezia. Photo © Manuel Raeder.
Mariana Castillo Deball, installation view of Amarantus, MUAC, Mexico City, 2021. Courtesy of Mariana Castillo Deball and MUAC. Photo © Gerardo Landa Rojano.
Mariana Castillo Deball, installation view of Amarantus, MUAC, Mexico City, 2021. Courtesy of Mariana Castillo Deball and MUAC. Photo © Gerardo Landa Rojano.
Mariana Castillo Deball, installation view of Between making and knowing something, Modern Art Oxford, Oxford UK, 2020. Courtesy of Mariana Castillo Deball and Modern Art Oxford. Photo © Helen Messenger.
Mariana Castillo Deball, Uncomfortable Objects, Witte de With Center for Contemporary Art, 2019. Installation view. Photo © Kristien Daem.
Mariana Castillo Deball, Finding Oneself Outside, New Museum, New York, 2019. Exhibition view. Photo © EPW Studio.
Mariana Castillo Deball, Finding Oneself Outside, New Museum, New York, 2019. Exhibition view. Photo Mari Hutchinson © EPW Studio.
Mariana Castillo Deball, Mariana Castillo Deball: Petlacoatl, installation view in the Logan Center Gallery. Photo by Robert Chase Heishman, 2018
Mariana Castillo Deball, Hypothesis of a Tree, 2016. Bamboo structure, rubbings on Japanese paper, Sumi ink, dimensions variable.

Commisioned by 32nd Bienal de São Paulo, installation view at 13th Sharjah Biennial

Mariana Castillo Deball, Liverpool Biennale, 2016, United Kingdom
Mariana Castillo Deball, Nuremberg Map of Tenochtitlan, 2015, Musée régional d’art contemporain, Sérignan
Mariana Castillo Deball, Parergon, 2014, Hamburger Bahnhof, Berlin
Uncomfortable Objects
2012
Plaster, pigments, stones, shells, masks, fabric, glass, wood, clay, diverse objects mounted on a steel frame
600 x 400 x 300 cm
Unique
OF WATER AND OTHER REFLECTIONS FOR CHANGE | Group show
THE MORBID PALACE | Group show
LET IT BE OUR PRAYER | Group show
POSTCARD FROM GENOVA | Group show
SONGS FROM THE WOOD | Group show
Mariana Castillo Deball – In a Convex Mirror
DON’T LOOK LIKE A LINE | Group show
Mariana Castillo Deball – Tamoanchan
Mariana Castillo Deball – Figures don’t lie, but liars can figure
Mariana Castillo Deball. Photo © ART METRO Los Angeles, California.

Mariana Castillo Deball (1975 Città del Messico, Messico), vive e lavora a Berlino.

 

 

ISTRUZIONE

2002-2003 Dottorato alla Jan Van Eyck Academie, Maastricht, Olanda

1998- 1999 Master in Filosofia. Università Iberoamericana, Messico

1993- 1997 Master in Belle Arti. Università Nazionale del Messico

 

 

PREMI

2015 Premio ARCO Comunidad de Madrid para jóvenes artistas, Madrid, Spagna

2013 Primo premio, Preis der Nationalgalerie für junge Kunst, Berlino, Germania

2012 Zurich Art Prize, Museum Haus Konstruktiv, Zurigo, Svizzera

2009 Ars-viva award, History, Germania

2004 Prix de Rome/first prize. Amsterdam, Paesi Bassi

2002 Grant for postgraduate studies CONACULTA (National Council for the culture and arts), Messico

2001 Young artists Grant. National Council for the culture and arts, Messico

 

 

RESIDENZE ARTISTICHE

2016 18th Street Art Centre, Los Angeles, California, USA

2012 Cove Park, Henry Moore Foundation, Scozia, Regno Unito

2011 DAAD residency, Berlino, Germania

2010 Capacete, San Paolo, Brasile

2009 Capacete, Rio de Janeiro, Brasile

2008 22e ateliers internationaux of Frac des Pays de la Loire, Francia

2006 Cisneros Fontanals Art Foundation, Miami, Florida, USA

2001 Grant Unesco/Ashberg. Vila Nova de Cerveira, Portogallo

 

 

MOSTRE PERSONALI SELEZIONATE

2026

Ella es la luna and she lights the darkness, Neues Museum Nürnberg, Germania

Feathered Changes, Los Angeles County Museum of Art (LACMA), Los Angeles, California, USA

 

2025

Stringing Beads, Dortmunder Kunstverein, Dortmund, Germania

Martha Hellion – Hojas Sueltas Ediciones Sin Límites, a cura di Mariana Castillo Deball e Manuel Raeder, Museo Experimental El Eco, Città del Messico, Messico

 

2024

Vùjá de – Paper Thresholds, Galerie Barbara Wien, Berlino, Germania

The Flames Leave a Feathered Mark, ASU Art Museum Arizona State University, Tempe, Arizona, USA

 

2023

Cada cosa es Babel, Mendes Wood DM, Bruxelles, Belgio

Luce Dietro Tracce Incompiute, MUDEC, Milano, Italia

To-day / A Noite, September 2nd, Pivô, San Paolo, Brasile

 

2022

In a Convex Mirror, Pinksummer, Genova, Italia

Amarantus Artium, Artium Museoa Vitoria-Gasteiz, Spagna

Roman Rubbish, Bloomberg SPACE, Londra, Regno Unito

Amarantus MUAC, Città del Messico, Messico

 

2021

Amarantus. Museum für Gegenwartkunst Siegen, Germania

Amarantus, MUAC, Città del Messico, Messico

Amarantus, Artium Museum (Centro-Museo Vasco de Arte Contemporáneo), Araba, Spagna

Walking through the town I followed a pattern on the pavement that became the magnified silhouette of a woman’s profile, England’s Creative Coast, Regno Unito (commissione con Towner Eastbourne)

 

2020

Mariana Castillo Deball. England’s Creative Coast, Towner Eastbourne, Regno Unito

Between making and knowing something, Modern Art Oxford, Oxford, Regno Unito

 

2019

Replaying Life’s Tape, Monash University Museum of Art, Caulfield, Australia

Mariana Castillo Deball, a solo exhibition, Witte de With, Rotterdam, Paesi Bassi

Mariana Castillo Deball: Finding Oneself Outside, New Museum, New York, USA

 

2018

Amparo Museum Puebla, Puebla, Messico

SCAD Museum of Art, Savannah College of Art and Design, Savannah, Georgia, USA

Barbara Wien Gallery, Berlino, Germania

Magical fatalism Opera about desire and nostalgia, Alumnos 47, Città del Messico, Messico

Statues Also die, Fondazione Sandretto Re Rebaudengo, Torino, Italia

 

2017

Them inside the skin, Mendes Wood DM, Bruxelles, Belgio

Pleasures of association, & poissons, such as love —, Galerie Wedding, Berlino, Germania

Sharjah Biennial 13 Tamawuj, Sharjah, Emirati Arabi Uniti

Mimbres pottery kill hole sequence, Kadist, Parigi, Francia

The tortoise and other footraces between unequal contestants, Pinksummer, Roma, Italia

 

2016

Feathered Changes, Serpent Disappearances, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, California, USA

 

2015

Reliefpfeiler, Barbara Wien Gallery, Berlino, Germania

Chronotropo, Musée Régional D’art Contemporain Languedoc-Roussillon, Sérignan, Francia

¿Quién medirá el espacio, quién me dirá el momento?, Museo de Arte Contemporáneo de Oaxaca MACO, Oaxaca, Messico

 

2014

Parergon, Hamburger Bahnhof – Museum für Gegenwart, Berlino, Germania

Vista de Ojos, Kurimanzutto, Città del Messico, Messico

Moi-Peau, Kunsthalle Lisbon, Lisbona, Portogallo

 

2013

Tamoanchan, Pinksummer, Genova, Italia

Palavra e pedra solta não têm volta, Mendes Wood, San Paolo, Brasile

What we caught we threw away, what we didn’t catch we kept, CCA Glasgow, Regno Unito

What we caught we threw away, what we didn’t catch we kept, Chisenhale Gallery London, Londra, Regno Unito

TEOR/éTica, San José, Costa Rica

 

2012

Zurich art prize, Haus Konstruktiv, Zurigo, Svizzera

 

2011

We are silently illiterate, Galerie Wien Lukatsch, Berlino, Germania

Este desorden construido, autoriza geológicas sorpresas a la memoria mas abandonada, Museo experimental, El Eco, Città del Messico, Messico

Figures don‘t lie but liars can figure, Pinksummer, Genova, Italia

 

2010

Between you and the image of you that reaches me. Museum of Latin American Art, Long beach, California, USA

Solo show, SCHAU ORT Elisabeth Kaufmann + Christiane Büntgen, Zurigo, Svizzera

 

2009

Kaleidoscopic Eye, Kunst Halle Sankt Gallen, San Gallo, Svizzera

 

2008

DO UT DES. Objectif_exhibitions, Anversa, Belgio

Nobody was tomorrow. Galerie Wien Lukatsch, Berlino, Germania

 

2006

Estas Ruinas que ves. Museum of contemporary Art Carrillo Gil, Città del Messico, Messico

 

2005

Time takes no time in a story. Adamski gallery, Aachen, Germania

 

2004

Institute of Chance. Prix de Rome. Stedelijk Museum, Amsterdam, Paesi Bassi

Never odd or Even. Marres, Center for contemporary art, Maastricht, Paesi Bassi

 

2003

Interlude: The reader’s traces. Intervento alla libreria nazionale di Parigi, Public library a New York e National library a Berlino. Contributi di: Paul Elliman, Hubert Czerepok, Dario Gamboni, Raimundas Malasauskas, Harry Mathews, Peter Piller, Manuel Raeder, Steve Rushton, Enrique Vila-Matas

To look for a needle in a haystack. Stephan Adamsky gallery, Aachen, Germania

Nine chains to the moon. Jan van Eyck Academie, Maastricht, Paesi Bassi

 

2002

The wall and the books: 987 words stolen from a library. Library and gallery space Jan van Eyck Academy. Maastricht, Paesi Bassi

Stochastic Archives, Sala de Arte Público Siqueiros, Città del Messico, Messico

 

 

MOSTRE COLLETTIVE SELEZIONATE

2024

Fictions: Narrativity in Contemporary Art, MAZ, Zapopan, Jal., Messico

Pre-Architecture, CIVA, Bruxelles, Belgio

Forgive Us Our Trespasses, HKW, Berlino, Germania

Tangente, Festival for Contemporary Culture, St. Pölten, Austria

Dibújame un mapa de lo que no verás, Casa del Lago Juan José Arreola UNAM, Messico

Indigenous Histories, Kode, Bergen, Norvegia

The Paradoxes of Internationalism (As narrated by the Museo Tamayo Collection) Part II, Museo Tamayo, Città del Messico, Messico

Spaces of Possibility, Triennale di Bruges, Berlino, Germania

Ten Thousand Suns, 24ª Biennale di Sydney, Australia

Rituals of Daily Life, Collegium, Arevalo, Spagna

 

2023

lnto Nature: Time Horizons, Borger-Odoorn, Paesi Bassi

Linhas Tortas, Mendes Wood DM San Paolo, Brasile

Imaginario Coyolxauhqui, Museo del banco de Mexico, Città del Messico, Messico

El fin de los tiempos: Narrativas del fin de un Mundo en el imaginario mexicano, Museo de Antropología, Città del Messico, Messico

 

2022

As Hardly Found in the Art of Tropical Architecture, Architectural Association, Londra, Regno Unito

Ceremony (Burial of an Undead World), Haus Kulturen der Welt, Berlino, Germania

Hasta que los cantos broten (Until The Songs Spring), Padiglione messicano alla 59ª Biennale di Venezia. A cura di Catalina Lozano e Mauricio Marcín

Publishing practices, Archive books, SAAVY, Berlino, Germania

mixed up with others before we even begin, MUMOK, Vienna, Austria. A cura di Franz Thalmair

 

2019

Time for Fragments – Works from the Marx Collection and the Collection of the Nationalgalerie, Hamburger Bahnhof – Museum für Gegenwart, Berlino, Germania

 

2018

6ª Biennale di Gherdëina, Gherdëina, Italia

Rogerio Duarte Marginalia 1, Museo Jumex, Città del Messico, Messico

Magical fatalism Opera about desire and nostalgia, Alumnos 47, Città del Messico, Messico

Statues Also die, Fondazione Sandretto Re Rebaudengo, Torino, Italia

 

2017

A Universal History of Infamy, LACMA, Los Angeles, California, USA

Neither., Mendes Wood DM, Bruxelles, Belgio

Recouvrir, ensabler, copier, traduire, restituer, Kadist Foundation, Parigi, Francia

Soil and Stones, Souls and Songs, Parasite, Hong Kong, Cina

13ª Biennale di Sharjah, Emirati Arabi Uniti

Proyecto líquido. Deseo, Alumnos 47, Città del Messico, Messico

Beyond the Box. Sammlung Dohmen, Leopold-Hoesch-Museum, Düren, Germania

Touch Base, Studio Flotti, Berlino, Germania

Lecturas de un territorio fracturado, Museum Amparo, Puebla, Messico

While I was also Listening To…, La criée – centre d‘art contemporain, Rennes, Francia

The Politics of Archeology (working title), Kadist, Parigi, Francia

Tamawuj, 13ª Biennale di Sharjah, Sharjah, Emirati Arabi Uniti

Universal History of Infamy, LACMA, Los Angeles, California, USA

 

2016

¿Cómo vivir mejor con menos?, Bienal FEMSA, Monterrey, Messico

Incerteza Viva, 32ª Biennale di San Paolo, Brasile

Proyecto líquido. Deseo, Alumnos 47, Città del Messico, Messico

rainbow caravan, Aichi Triennale, Nagoya City Art Museum, Nagoya, Giappone

SITElines2016. Much wider than a line, SITE Santa Fe, New Mexico, USA

In The Belly of the Whale, Witte de With Center for Contemporary Art, Rotterdam, Paesi Bassi

Liverpool Biennial, Liverpool, Regno Unito

30th Anniversary Grazer Kunstverein, Graz, Austria

Under the Same Sun, The South London Gallery, Londra, Regno Unito

Unresolved, De Appel Art Centre, Amsterdam, Paesi Bassi

All Heritage is Poetry, Fórum Fundaçao Eugénio de Almeida, Portogallo

Another Reality. After Lina Bo Bardi, Stroom Den Haag, Paesi Bassi

Riddle of the Burial Grounds, Anversa, Belgio

El orden Natural de las Cosas, Museo Jumex, Città del Messico, Messico

 

2015

The Art of Preservation, Draiflessen Collection, Mettingen, Germania

Under the Same Sun: Art from Latin America Today, Museo Jumex, Città del Messico, Messico

Objetos Frontera, CA2M, Madrid, Spagna

Riddle of the Burial Ground, Project Arts Centre, Dublino, Irlanda

Ce qui ne sert pas s’oublie, CAPC Musée d’Art Contemporain de Bordeaux, Francia

Sebald Variations, CCCB Centre de Cultura Contemporania de Barcelona, Spagna

The Parliament of Things, Firstsite, Colchester, Regno Unito

Beyond Borders, 5ª edizione di Beaufort, Triennial of Contemporary Art by the Sea, Belgio

Biennial of the Americas, Denver, Colorado, USA

Panorama, The High Line, New York, USA

 

2014

¡Puro mexicano! Tres momentos de creación, MUNAL, Città del Messico, Messico

Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA

Der Leone Have Sept Cabeças, CRAC Alsace, Altkirch, Francia

8ª Biennale d’Arte Contemporanea di Berlino, Germania

Playgrounds Reinventar la plaza, Museo Reina Sofia, Madrid, Spagna

Les Mots Bleus – Biennale de Belleville 3, Parigi, Francia

TransVisible, 19 Bienal Paiz Guatemala – Artecentro Graciela Andrade de Paiz, Guatemala City, Guatemala

Post / Postminimal – Kunstmuseum St.Gallen, San Gallo, Svizzera

Future Perfect, Contemporary Art From Germany – Centre for Contemporary Art Ujazdowski Castle, Varsavia, Polonia

Bibliologie – FRAC – Haute-Normandie, Sotteville-lès-Rouen, Francia

 

2013

Preis der Nationalgalerie für junge Kunst, Hamburger Bahnhof, Berlino, Germania

how to write II, Galerie Wien Lukatsch, Berlino, Germania

The Way of the Shovel, MCA Chicago, Illinois, USA

Future Perfect, Kunstverein Frankfurt, Francoforte, Germania

Arqueológicas, Matadero, Madrid, Spagna

 

2012

dOCUMENTA (13), Kassel, Germania

Serpentine Gallery Memory Marathon, Londra, Regno Unito

Lieber Aby Warburg, Was tun mit Bildern, Museum für Gegenwartskunst Siegen, Siegen, Germania

Olinka, or Where Movement Is Created, Museo Rufino Tamayo, Città del Messico, Messico

Life Is Elsewhere, Galerie im Körnerpark, Berlin-Neukölln, Germania

LA IDEA DE AMÉRICA LATINA, Centro Andaluz de Arte Contemporáneo, Siviglia, Spagna

Nos hicimos la ilusión de avanzar directamente, Espai Cultural de Barcelona, Barcellona, Spagna

Colección: el crimen fundacional, MUCA Roma, Città del Messico, Messico

Un ojo, dos ojos, tres ojos, Mariana Castillo Deball/Irene Kopelman (Uqbar), Casa Vecina, Città del Messico, Messico

Never odd or Even, Museum of contemporary art, Roskilde, Danimarca

Printin’, a cura di Ellen Gallagher and Sarah Suzuki, Museum of Modern Art, New York, USA

Resisting the present, Musée d’Art moderne de la Ville de Paris, Parigi, Francia

Esquemas para una Oda Tropical, Galeria Luisa Strina, Rio de Janeiro, Brasile

 

2011

The Future Lasts Forever, Gävle Konstcentrum, Gävle, Svezia

Never odd or Even, Grimm Museum, Berlino, Germania

Section Folklorique / Cabinet de Curiosités, Zeeuws Museum, Zeeland, Paesi Bassi

La Vie Mode d’Emploi (Life A User’s Manual), Meessen De Clercq, Bruxelles, Belgio

Homo Ludens, Motive Gallery, Amsterdam, Paesi Bassi

Resisting the present, Museo Amparo, Puebla, Messico

The Eye is a Lonely Hunter – Images of Humankind, 4. Fotofestival Mannheim Heidelberg Ludwigshafen, Germania

Inanimate beings, La Casa Encendida, Madrid, Spagna

Magical Consciousness, Arnolfini, Bristol, Regno Unito

What about this, Galerie Andreas Huber, Vienna, Austria

INCIDENTES DE VIAJE ESPEJO EN YUCATÁN Y OTROS LUGARES, Museo Tamayo, Città del Messico, Messico

Fleeting Stories/Historias Fugaces, LABoral, Gijón, Spagna

54th Venice Biennale Illuminations, Venezia, Italia

Amikejo 2 – men-show, Mariana Castillo Deball/Irene Kopelman (Uqbar), MUSAC Museo de Arte Contemporaneo de Castilla y León, León, Spagna

Shadowboxing, Royal College of Art: Curating Contemporary Art MA, Londra, Regno Unito

AEther – Une proposition de Christoph Keller, Centre Pompidou, Parigi, Francia

 

2010

Ars viva award, History, Kölnischer Kunstverein, Colonia, Germania; Migros Museum, Zurigo, Svizzera

No Soul For Sale, Festival of independents, presenting with Peep-Hole. Tate Modern, Londra, Regno Unito

Ginger Goodwin Way, OR gallery, Vancouver, Canada

For the blind man in the dark room looking for the black cat that isn’t there, Mostra itinerante: Museum of Contemporary Art, Detroit, Michigan, USA; ICA, Londra, Regno Unito; de Appel, Amsterdam, Paesi Bassi; Culturgest, Lisbona, Portogallo

The Heart of the Thing Is the Thing We Don’t Know, James Galley, CUNY Graduate Center, New York, USA

 

2009

Ars viva award, History, Museum Wiesbaden, Germania

This place you see has no size at all…, Kadist Art Foundation, Parigi, Francia

El Patio de mi casa, Cordoba, Spagna

Biennale di Atene, Heaven, Atene, Grecia

The Happy Interval, Tulips & Roses, Vilnius, Lituania

What are we going to do after we’ve done what we’re doing to do next?, MACBA, Contemporary Art Museum, Barcellona, Spagna

Paper exhibition, Artist space, New York, USA

The Malady of Writing, MACBA Contemporary Art Museum, Barcellona, Spagna

A Fantasy for Allan Kaprow, Contemporary Image Collective, Cairo, Egitto

For the blind man in the dark room looking for the black cat that isn’t there, Contemporary art museum Saint Louis, Missouri, USA

Performa, Lectures and exhibition at Cabinet Magazine Space, New York, USA

Sequelism: Part 3, Arnolfini, Bristol, Regno Unito

Extranjeros en la cultura y en la tecnología, Espacio Fundación Telefónica, Buenos Aires, Argentina

Chapter 2 (the repetition), Parc Culturel de Rentilly, Francia

 

2008

22nd Ateliers Internationaux, Frac des Pays de la Loire, Carquefou, Francia

Galeria Sentimental, Tensta konsthall, Stoccolma, Svezia

Salon of the revolution, 29th Youth Salon, Zagabria, Croazia

One of these things is not like the other things, 1/9 unosunove, Roma, Italia

Manifesta 7, Rovereto, Italia. In collaborazione con Irene Kopelman, Uqbar

Biennale di Shanghai, Cina

Blackboxing at artistspace, (screening) New York, USA

Master Humphrey’s Clock, De appel, Amsterdam, Paesi Bassi

Sensitive Timelines, 26cc, Roma, Italia

Object, The Undeniable Success Of Operations, SMBA, Amsterdam, Paesi Bassi

Seven Times Two or Three, CUBITT, Londra, Regno Unito

Selective Knowledge, The National Bank of Greece Cultural Foundation/MIET, Atene, Grecia

 

2007

A for Alibi, De appel, Amsterdam, Paesi Bassi

Transacciones Filosóficas, Historical Observatory, Córdoba, Argentina

The Book, Heidelberg Kunstverein, Heidelberg, Germania

Extraordinary Rendition, NoguerasBlachard, Barcellona, Spagna

The last piece of John Fare, GB Agency, Parigi, Francia

Blackboxing, Project, Dublino, Irlanda

24th Memorial Nadežda Petrovic, Cacak, Serbia

 

2006

Just in Time, Stedelijk Museum, Amsterdam, Paesi Bassi

10 Defining Experiments, Cisneros Fontanals Art Foundation, Miami, USA

Concerning knowledge, BAK, Utrecht, Paesi Bassi

Resonances, Stuk, Leuven, Belgium, and Artis, Den Bosch, Paesi Bassi

A place in Time, Campr Street, City of San Antonio, Texas, USA

Redo/Undo, Kunsthalle Fridericianum, Kassel, Germania

Mercury in Retrograde, De Appel, Amsterdam, Paesi Bassi

Friends and Enemies, Gagosian Gallery, Berlin, Germania

 

2005

“Today, November 20”, If I can’t dance – I don’t want to be part of your revolution. Production in sequences Leiden, Paesi Bassi

Tropical Abstraction, Stedelijk Bureau, Amsterdam, Paesi Bassi

BMW, 9th Baltic Triennial of Art, Contemporary art center Vilnius, Lituania

“Blackboxing”, If I can’t dance – I don’t want to be part of your revolution. Production in sequences, Utrecht, Paesi Bassi

5ª Bienal de Artes Visuales del Mercosur, Porto Alegre, Brasile

 

2004

Bucket Brigade. Firehouse Center for Contemporary art, Burlington, USA

Black Friday. Galerie Kamm, Berlino, Germania

GPB 2004, Galeri Pastor Bonus. Exteresa Arte Actual, Città del Messico, Messico

Valenzuela y Klenner Arte Contemporaneo, Bogotá, Colombia

Fotogalleriet, Oslo, Norvegia

 

2003

Outside of a Dog: Paperbacks and Other Books by Artists, Baltic, International center for contemporary art Gateshead, Regno Unito

“24/7”. New York – Vilnius, CAC, Vilnus, Lituania

20 million mexicans can’t be wrong, Southampton gallery, Regno Unito

En un mar en el que no se nada. Paris Photo, Project Room, Parigi, Francia

Aparentemente Sublime. Museum of Modern art, Città del Messico, Messico

every piece is the show luxe projects, New York, USA

 

2002

PULPA. Arte, literatura, moda, diseño y algo más Centro de Arte Contemporáneo Wifredo Lam, La Habana, Cuba

Titel folgt Neuer Aachener Kunstverein, Aachen, Germania

Volkskrant Regular (True Type) de Volkskrant, Amsterdam, Paesi Bassi

Bonnefanten magazine, Maastricht, Paesi Bassi

A to Z. Museum in progress. Vienna, Austria

 

2001

Registro/Registre, Galeria Banyoles, Spagna

Se rendre a l’evidence, Centre Culturel du Mexique, Parigi, Francia

XI Bienal Internacional, Vila Nova de Cerveira, Portogallo

 

2000

Los libros de otros, Museo de la ciudad de Città del Messico, Messico

Gráfica actual, Instituto de artes gráficas de Oaxaca, Messico

Exposición colectiva, MUCA, Roma, Italia

 

1999

City editings. ZMVM: Zona Metropolitana del valle de México, Instituto Goethe, Buenos Aires, Argentina

El arte de los libros de artista: Homenaje a Ulises Carrión, Biblioteca México, Messico

Exhibición de cortometrajes, Centro de la imagen, Città del Messico, Messico

Mariana Castillo Deball

Ixiptla Volume V Amarantus, 2023

Bom Dia Boa Tarde Boa Noite

Pagine: 208

Lingua: Inglese

ISBN: 978-3-96436-046-5

 

Disponibile online

Udo Kittelmann

Parergon, 2014

Verlag der Buchhandlung Walther Konig

A cura di Kirsty Bell, Dario Gamboni, Melanie Roumiguière

Pagine: 352

Lingua: Inglese

ISBN: 978-3863356460

 

Disponibile online

Mariana Castillo Deball

Ixiptla volume I, 2014

Bom Dia Boe Tarde Boa Noite

A cura di Mariana Castillo Deball, Kythzia Barrera, Maria Gaida, Moosje M. Goosen, Pablo Katchadjian, Paula López Caballero, Federico Navarrete Linares, Victoria Novelo Oppenheim, Sandra Rozental, Carlos Sandoval, Adam T. Sellen, Anna Szaflarski

Pagine: 180

Lingua: Inglese

ISBN: 978-3-943514-25-4

 

Disponibile online

Mariana Castillo Deball

Finding Oneself Outside: Uncomfortable Objects, 2012

Bom Dia Boa Tarde Boa Noite

Pagine: 32

Lingua: Inglese

ISBN: 978-3-943514-05-6

 

Disponibile online

Mariana Castillo Deball

Uncomfortable Objects, 2012

Bom Dia Bom Tarde Bom Noite

A cura di Mariana Castillo Deball, Jimena Canales, Laurent Bartholdi, Abraham Cruzvillegas, Mario Bellatin, Daniel Saldaña, Victoria Cirlot

Pagine: 168

Lingua: Inglese

ISBN: 978-3-943514-10-0

Pubblicato in occasione della mostra dello Zurich Art Prize 2012: Mariana Castillo Deball Museum Haus Konstruktiv, Zurigo, 27.09.12 – 18.11.12

Mariana Castillo Deball

Never Odd or Even Vol. II, 2011

Bom Dia Boa Tarde Boa Noite

Pagine: 30 copertine sovrapposte

Lingua: Inglese

ISBN: 978-3-00-035970-5

Mariana Castillo Deball, Roy Wagner

Mariana Castillo Deball & Roy Wagner: Coyote Anthropology, A Conversation in Words and Drawings, 2011

Hatje Cantz

Lingua: Inglese

Pagine: 24

ISBN: 978-3-7757-2873-7

Mariana Castillo Deball, Dario Gamboni

Kaleidoscopic eye, 2009

Kunst Halle Sankt Gallen

Pagine: 120

Lingua: Inglese

ISBN: 978-3-96436-000-7

Mariana Castillo Deball

Estas Ruinas que ves / These Ruins you see, 2008

Sternberg Press

Pagine: 272

Lingua: Inglese

ISBN: 978-1933128467