Mariana Castillo Deball
Feathered Changes
2026
Pavimentazione permanente da esterni
Cemento armato, basso rilievo con finitura scanalata
LACMA, Los Angeles, US.
Feathered Changes
2026
Pavimentazione permanente da esterni
Cemento armato, basso rilievo con finitura scanalata
LACMA, Los Angeles, US.
Installation view di Death, I am Still Paper
Organizzato da Tangente St. Pölten, Austria, 3 agosto – 11 novembre 2024
Curatori Joana Warza e Lorena Moreno Vera
Photograph courtesy di Studio Castillo Deball © David Reiber Otálora
Installation view di Death, I am Still Paper
Organizzato da Tangente St. Pölten, Austria, 3 agosto – 11 novembre 2024
Curatori Joana Warza e Lorena Moreno Vera
Photograph courtesy di Studio Castillo Deball © David Reiber Otálora
Mariana Castillo Deball, Roman Rubbish, Bloomberg SPACE, London, 2022
Mariana Castillo Deball, installation view of Calendar Fall Away, 2022, CNC-engraved wooden floor, Variable dimensions, Hasta que los cantos broten (Until The Songs Spring), 2022, Mexican Pavillion at the 59th International Art Exhibition of La Biennale di Venezia
Courtesy of Mariana Castillo Deball and Mexican Pavilion La Biennale di Venezia
Photo credit: INBA/WE EXHIBIT – Samuele Cherubini 2022
Marian Castillo Deball, installation view of Calendar Fall Away, 2022, CNC-engraved wooden floor, Variable dimensions, Hasta que los cantos broten (Until The Songs Spring), 2022, Mexican Pavillion at the 59th international Art Exhibition of La Biennale di Venezia
Courtesy of Mariana Castillo Deball and Mexican Pavilion La Biennale di Venezia
Photo Credit Manuel Raeder
Mariana Castillo Deball, installation view of Amarantus, MUAC, Mexico City, 2021
Courtesy of Mariana Castillo Deball and MUAC
Photos Credits Gerardo Landa Rojano
Mariana Castillo Deball, installation view of Amarantus, MUAC, Mexico City, 2021
Courtesy of Mariana Castillo Deball and MUAC
Photos Credits Gerardo Landa Rojano
Mariana Castillo Deball, installation view of Between making and knowing something, Modern Art Oxford, Oxford UK, 2020.
Courtesy of Mariana Castillo Deball and Modern Art Oxford
Photo Credit Helen Messenger
Mariana Castillo Deball, installation view of Uncomfortable Objects, Witte de With Center for Contemporary Art, 2019.
Photographer: Kristien Daem
Mariana Castillo Deball, Finding Oneself Outside, New Museum, New York, 2019.
Photo Credits Maris Hutchinson / EPW Studio
Mariana Castillo Deball, Finding Oneself Outside, New Museum, New York, 2019.
Photo Credits Maris Hutchinson / EPW Studio
Mariana Castillo Deball, Mariana Castillo Deball: Petlacoatl, installation view in the Logan Center Gallery. Photo by Robert Chase Heishman, 2018
Mariana Castillo Deball, Hypothesis of a Tree, 2016. Bamboo structure, rubbings on Japanese paper, Sumi ink, dimensions variable.
Commisioned by 32nd Bienal de São Paulo, installation view at 13th Sharjah Biennial
Mariana Castillo Deball, Liverpool Biennale, 2016, United Kingdom 
Mariana Castillo Deball, Nuremberg Map of Tenochtitlan, 2015, Musée régional d’art contemporain, Sérignan
Mariana Castillo Deball, Parergon, 2014, Hamburger Bahnhof, Berlin
Uncomfortable Objects2012
Plaster, pigments, stones, shells, masks, fabric, glass, wood, clay, diverse objects mounted on a steel frame
600 x 400 x 300 cm
Unique